NYC Weekend Spotlight: God's Comedy, Robert Downey Sr., Kevin Brownlow, and More
NYC Weekend Watch is our weekly summary of repertory activities.
Museum of Modern Art A full João César Monteiro retrospective (check out our exclusive trailer premiere) is ongoing, featuring some of his key films (including God’s Comedy) along with the director’s influences: Nosferatu, Foolish Wives, and Ugetsu.
Anthology Film Archives A retrospective of Robert Downey Sr. kicks off; two films by Eisenstein are featured in Essential Cinema.
Film Forum A selection highlighting Kevin Brownlow’s work showcases several silent films; John Schlesinger’s Darling and Zhang Yimou’s Ju Dou (watch our exclusive trailer premiere) are being shown in new restorations; House of Wax 3-D screens on Sunday morning.
Roxy Cinema 35mm screenings of Andrei Rublev, Inferno, Lolita, and Rob Zombie’s Halloween II are presented alongside Putty Hill and Chess of the Wind.
Museum of the Moving Image A series focused on hexes and haunts continues, featuring Night of the Demon, Drag Me to Hell, and Onibaba.
IFC Center Jacob’s Ladder is screening in a new restoration; A Nightmare on Elm Street 2, The Exorcist, Drag Me to Hell, and The End of Evangelion are scheduled for late-night showings.
Metrograph The Beaches of Agnès, Charley Varrick, A Nightmare on Elm Street, The Red Balloon, and The Talented Mr. Ripley are showing on 35mm; Memories of a Vietnamese Cinema, a Youssef Chahine series, The Coming of Age, The Rule of Murch, a Don Siegel retrospective, and Happy Together are continuing.
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NYC Weekend Spotlight: God's Comedy, Robert Downey Sr., Kevin Brownlow, and More
NYC Weekend Watch is our weekly summary of repertory screenings. The Museum of Modern Art is presenting a comprehensive retrospective of João César Monteiro, showcasing several of his acclaimed films, such as God's Comedy, along with the director's sources of inspiration: Nosferatu, Foolish Wives, and Ugetsu. Meanwhile, Anthology Film Archives is starting a retrospective on Robert Downey Sr. and screening two films by Eisenstein.
