A Little Prayer - Review of the Chicago Critics Film Festival 2025

      **A Little Prayer, 2025.**

      **Written and Directed by Angus MacLachlan.**

      **Featuring Jane Levy, David Strathairn, Dascha Polanco, Celia Weston, Steve Coulter, Keisha Tillis, Will Pullen, Billie Roy, Ashley Shelton, David Price, Amy Marie Murphy, Justin Paitsel, Rita Glynn, Jeffrey Dean Foster, and Anna Camp.**

      **SYNOPSIS:**

      A father endeavors to shield his daughter-in-law upon discovering that his son is unfaithful. A supporting character with limited screen time succinctly captures the essence: these individuals need to mature. In Angus MacLachlan’s subtly impactful portrayal of Southern suburban family life, *A Little Prayer*, every character has lessons to learn or paths for personal growth. For some, these adjustments may be minor, while others exhibit extreme flaws, with one appearing as a chaotic mess attempting to do the right thing, while another conceals various forms of cruelty.

      Bill, a Vietnam veteran and family man (played by the wonderfully nuanced and deeply conflicted David Strathairn), may be reluctant to face the truth that his alcoholic son, David (Will Pullen), who struggles with PTSD, is not a good person. He makes no effort to conceal his flirtation—and likely infidelity—with co-worker Narcedalia (Dascha Polanco), behaving casually in front of his father while choosing to work late.

      Tammy (a timid yet insightful Jane Levy) and David live with Bill and his wise wife, Venida (Celia Weston), who conducts tours of Winston-Salem. The situation becomes more complicated when David’s married sister Patti (Anna Camp) returns with her daughter, citing issues caused by her drug-addicted husband. In keeping with sibling dynamics typical in films and real life, Patti starkly contrasts with Tammy; she embraces motherhood loudly and freely expresses her blunt opinions, often bordering on vulgarity. Although Tammy relishes reconnecting with her niece, the circumstances might solidify her feelings that family isn’t for her.

      Nonetheless, *A Little Prayer* predominantly focuses on Bill’s struggle to determine his best course of action in these evolving circumstances, often lying awake at night to reflect on his thoughts. As he uncovers more about David’s actions and aspects of his relationship with Tammy, including decisions she has made, he begins to lose focus. His devoted wife frequently reassures him that there is nothing to be done, suggesting they must remain naive regarding a certain personal matter.

      This captivating film portrays a man whose family life is in turmoil. It authentically reflects middle-class Americana and boasts commendable performances, along with exquisite cinematography by Scott Miller. The film isn’t flashy; it recognizes that the placement of the camera and static imagery can be equally compelling as dynamic shots. It often features scenes that observe the family from a distance or from outside the home, while indoor shots frequently embody a sense of unsteadiness, mirroring the chaotic dynamics of the household.

      In a time when many parents maintain that their children are incapable of wrongdoing, *A Little Prayer* is vital in illustrating the significance of acknowledging such realities. The film is enriched with outstanding performances, complex characters, optimism, heartwarming moments, and valuable insights.

      **Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★**

      Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He also serves as the Flickering Myth Reviews Editor. Check here for new reviews and follow my BlueSky or Letterboxd.