2025 BFI London Film Festival Review – Wake Up Dead Man: A Knives Out Mystery

      **Wake Up Dead Man: A Knives Out Mystery, 2025.**

      **Directed by Rian Johnson.**

      **Starring:** Daniel Craig, Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.

      **SYNOPSIS:**

      Detective Benoit Blanc navigates a list of suspects when a monsignor is found dead.

      At this stage in Rian Johnson’s career, the only lineage he seemed uninterested in unraveling was Rey's (with affection for TLJ). Since his neo-noir breakthrough with 2005’s Brick, he has delved into the darker aspects of mysteries, temporarily stepping aside for the chaotic brightness of Glass Onion, which became overly complicated and less engaging.

      Fortunately, he has returned to a singular location that worked exceptionally well for Benoit Blanc’s initial case in 2019, which grossed over $300 million worldwide upon its theatrical release. It’s worth emphasizing this aspect with a film like Knives Out, and even more so with Wake Up Dead Man, as these films resonate strongly with audiences. They create a shared experience of laughter and shock that drives the narrative and the internal guessing game, infusing the film with a sense of enjoyment that is deeply tied to Johnson’s craftsmanship but is further amplified when viewed on the big screen. Anyway, I digress, let’s refocus on the case.

      This setting is a local church in New York, where we meet the recently appointed Father Jud (Josh O’Connor), who has been sent there after a boxing incident involving a rather bothersome clergy member. As he narrates, he is “young, dumb, and full of Christ,” which may not align well with a uniquely quirky congregation.

      Leading the proceedings with fervor is Monsignor Jefferson Wicks (Josh Brolin), a preacher known for his ruthlessness, making it no surprise that he ends up as the deceased. Serving beneath him are a host of characters, including Glenn Close’s devout Martha, Jeremy Renner’s local physician, Andrew Scott’s writer turned YouTuber, Kerry Washington’s high-powered lawyer, Daryl McCormack’s ethically challenged influencer, and Cailee Spaeny’s desperate violinist hoping for a miracle. This assembly reflects a microcosm of society, showcasing individuals who worship someone in a position of authority, often against their better judgment or due to sheer foolishness. You do the math.

      This ensemble invites engaging interactions among the cast; however, Johnson appears to have learned from the crowded dynamics of Glass Onion, honing in on a core group, resulting in minor roles for Renner and Spaeny, who mainly serve as background voices.

      The film centers on Josh O’Connor, who enhances Wake Up Dead Man with a confident and charismatic performance. The narrative becomes less about unveiling the murder and more about his struggle with faith. By the time Daniel Craig appears, you might almost forget Benoit Blanc's involvement. However, Craig’s presence is a welcome addition, as the two engage in theological conversations and display an effortless chemistry that lightens the film's otherwise darker tone.

      Regarding Blanc's entrance, it’s noteworthy that it’s introduced through a striking shadow shot. I mention this because the film employs light in a remarkably artistic way. It enhances monologues and epiphanies, creating a profound atmosphere. Craig delivers a thoughtful discourse on religion, beautifully accompanied by shifting light and shadow that is a visual delight.

      Despite its more somber tone than previous films, Johnson’s screenplay is filled with his trademark humor. It features satirical jabs at conspiracy theorists and superficial social media personalities, a side-splitting confessional scene involving Josh Brolin, and even a comical Star Wars reference. The film showcases various elements, and this time Johnson skillfully manages them.

      Wake Up Dead Man represents a significant advancement over Glass Onion and perhaps stands as the best of the series. Even if it leans towards a “Scooby Dooby Doo” style mystery, the real intrigue lies in witnessing Josh O’Connor’s exceptional performance. Damascus indeed.

      **Flickering Myth Rating – Film ★ ★ ★ ★/ Movie ★ ★ ★ ★**

      *Matt Rodgers – Follow me on Twitter*