Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview.

Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview.

      Following the launch of the crossover earlier this month, the collaboration between Dynamite Entertainment and DC Comics, Harley Quinn X Elvira, continues in November with the release of the second issue in the limited series. You can catch an early glimpse of what’s next in the first-look preview below.

      When Elvira first crossed paths with Harley Quinn, she was in dire need of a solution to save her cherished TV show, which faced cancellation by ruthless corporate raiders. Fortunately, the Clown Princess of Crime devised a plan, and now Elvira is on board — no matter how wild Harley’s idea may be!

      The concept of organizing the largest Halloween block party ever is excellent in theory, but executing it requires raising a substantial amount of funds. Such a significant sum is bound to attract the attention of every thug and troublemaker in the Tri-State area. If Harley and Elvira intend to safeguard their party budget, they’ll have to become too big to fail — which involves going global!

      Renowned Harley Quinn experts AMANDA CONNER and JIMMY PALMIOTTI intensify the excitement of this year's most anticipated crossover in Harley Quinn X Elvira #2, featuring Conner delivering two striking covers alongside several story pages illustrated by artist JUAN SAMU — all highlighted by irresistibly enticing covers from JOSEPH MICHAEL LINSNER, CHAD HARDIN, and BEN CALDWELL!

      Harley Quinn X Elvira #2 is set to hit shelves on Wednesday, November 19th, 2025.

      About Gary Collinson: Gary Collinson is a producer and writer for film, TV, and digital content, and he established the pop culture website Flickering Myth. He is also the producer of the gothic horror film 'The Baby in the Basket' and the forthcoming suspense thriller 'Death Among the Pines'.

Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview. Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview.

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The Accuracy of Narrative Creation: How Screenwriter Mashael Alqahtani Establishes the Worldwide Benchmark for Genre Film. The Accuracy of Narrative Creation: How Screenwriter Mashael Alqahtani Establishes the Worldwide Benchmark for Genre Film. In this realm, Mashael Alqahtani creates narratives that blend universal appeal with individual subtleties, employing genre and humor to delve into the interaction of Springsteen: Deliver Me from Nowhere, 2025.
Written and Directed by Scott Cooper.
Featuring Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Odessa Young, David Krumholtz, Gaby Hoffmann, Harrison Gilbertson, Grace Gummer, Marc Maron, Matthew Pellicano Jr., Jayne Houdyshell, Jeff Adler, Jimmy Iovine, Chris Jaymes Bartley Booz, Craig Geraghty, Laura Sametz, Vienna Barrus, Vivienne Barrus, and Arabella Olivia Clark.

SYNOPSIS:
The film chronicles Bruce Springsteen's journey in creating his 1982 album Nebraska, which coincided with the recording of Born in the USA with the E Street Band. Prior to its release, Springsteen opted to put aside one of his most acclaimed tracks, Born in the USA. Portrayed by Jeremy Allen White in writer/director Scott Cooper's Springsteen: Deliver Me from Nowhere, this decision stemmed from “The Boss” (as he would soon be called) feeling anxious about the prospect of skyrocketing to fame. He wished to remain grounded in his small New Jersey hometown after the success of his earlier album, which included hits like Born to Run. Struggling with unresolved trauma and severe depression stemming from a tumultuous upbringing marked by frequent domestic disputes between his parents and his father's alcoholism (played by Stephen Graham), Springsteen was determined to avoid the pressures of newfound fame.

It was clear to everyone, including the studio executives and his devoted manager Jon Landau (Jeremy Strong), that Bruce Springsteen was destined for global recognition, a fact that the amusing equipment assistant, portrayed by Paul Walter Hauser, reflects as a fan would in this biopic. Despite this certainty, Springsteen made every effort to delay, if not prevent, this fate. 

Focusing on confronting his inner demons and exploring darker themes, the musician drew inspiration from somber films like Terrence Malick’s Badlands, his unresolved issues with his father, and a complicated relationship with a casual acquaintance, Faye (played by Odessa Young), who is a divorcee left heartbroken after placing her trust in him. All the while, he abandoned a rock ‘n’ roll style in favor of a controversial folk genre. This deliberate artistic choice also served as a shield to keep his popularity from surging even more. By 1982, he was already a well-known figure, allowing him the chance to retreat to his small-town roots. While part of this was about disconnecting from the hectic life of touring, it was also significantly influenced by his fear of fame, as explored in Cooper's biopic, inspired by Warren Zanes’ book.

The film centers on the making of one album that defies public expectations while searching for a sound that moves away from studio overproduction, with a commitment to transferring raw audio from a cassette tape onto the record. This insider perspective is welcomed, as Bruce insisted that the folk album be unadorned, focusing on the songwriting itself, which brings a sense of authenticity that often feels lacking in similar musician biopics. Jeremy Allen White excels in his role, delivering a genuine portrayal of depression and insecurity, evident in his body language. Even in moments of connection with Faye and her child, an underlying feeling of uncertainty and pain lingers in those seemingly joyful experiences. The emotional climax occurs in a poignant final scene between him and his father.

However, the supporting characters and side plots feel underdeveloped, as they primarily exist to facilitate the creation of songs for the Nebraska album, leading to a sense of dissatisfaction regarding their depth. They lack substance beyond surface impressions, an issue that frustrates given the film’s engagement with the trope of the tormented artist. The narrative is more successful when focused on Bruce's creative process. Additionally, the film seems to rush through a third act, jumping ahead by ten months without exploring his journey toward mental health. Aside from the previously mentioned scene with his father, the film doesn't offer much resolution, which can be mildly disappointing given its overall emotional detachment.

While Springsteen: Deliver Me from Nowhere falls short of achieving true greatness, Jeremy Allen White's heartfelt performance raises it just above mediocrity.
Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★ 
Robert Kojder Springsteen: Deliver Me from Nowhere, 2025. Written and Directed by Scott Cooper. Featuring Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Odessa Young, David Krumholtz, Gaby Hoffmann, Harrison Gilbertson, Grace Gummer, Marc Maron, Matthew Pellicano Jr., Jayne Houdyshell, Jeff Adler, Jimmy Iovine, Chris Jaymes Bartley Booz, Craig Geraghty, Laura Sametz, Vienna Barrus, Vivienne Barrus, and Arabella Olivia Clark. SYNOPSIS: The film chronicles Bruce Springsteen's journey in creating his 1982 album Nebraska, which coincided with the recording of Born in the USA with the E Street Band. Prior to its release, Springsteen opted to put aside one of his most acclaimed tracks, Born in the USA. Portrayed by Jeremy Allen White in writer/director Scott Cooper's Springsteen: Deliver Me from Nowhere, this decision stemmed from “The Boss” (as he would soon be called) feeling anxious about the prospect of skyrocketing to fame. He wished to remain grounded in his small New Jersey hometown after the success of his earlier album, which included hits like Born to Run. Struggling with unresolved trauma and severe depression stemming from a tumultuous upbringing marked by frequent domestic disputes between his parents and his father's alcoholism (played by Stephen Graham), Springsteen was determined to avoid the pressures of newfound fame. It was clear to everyone, including the studio executives and his devoted manager Jon Landau (Jeremy Strong), that Bruce Springsteen was destined for global recognition, a fact that the amusing equipment assistant, portrayed by Paul Walter Hauser, reflects as a fan would in this biopic. Despite this certainty, Springsteen made every effort to delay, if not prevent, this fate. Focusing on confronting his inner demons and exploring darker themes, the musician drew inspiration from somber films like Terrence Malick’s Badlands, his unresolved issues with his father, and a complicated relationship with a casual acquaintance, Faye (played by Odessa Young), who is a divorcee left heartbroken after placing her trust in him. All the while, he abandoned a rock ‘n’ roll style in favor of a controversial folk genre. This deliberate artistic choice also served as a shield to keep his popularity from surging even more. By 1982, he was already a well-known figure, allowing him the chance to retreat to his small-town roots. While part of this was about disconnecting from the hectic life of touring, it was also significantly influenced by his fear of fame, as explored in Cooper's biopic, inspired by Warren Zanes’ book. The film centers on the making of one album that defies public expectations while searching for a sound that moves away from studio overproduction, with a commitment to transferring raw audio from a cassette tape onto the record. This insider perspective is welcomed, as Bruce insisted that the folk album be unadorned, focusing on the songwriting itself, which brings a sense of authenticity that often feels lacking in similar musician biopics. Jeremy Allen White excels in his role, delivering a genuine portrayal of depression and insecurity, evident in his body language. Even in moments of connection with Faye and her child, an underlying feeling of uncertainty and pain lingers in those seemingly joyful experiences. The emotional climax occurs in a poignant final scene between him and his father. However, the supporting characters and side plots feel underdeveloped, as they primarily exist to facilitate the creation of songs for the Nebraska album, leading to a sense of dissatisfaction regarding their depth. They lack substance beyond surface impressions, an issue that frustrates given the film’s engagement with the trope of the tormented artist. The narrative is more successful when focused on Bruce's creative process. Additionally, the film seems to rush through a third act, jumping ahead by ten months without exploring his journey toward mental health. Aside from the previously mentioned scene with his father, the film doesn't offer much resolution, which can be mildly disappointing given its overall emotional detachment. While Springsteen: Deliver Me from Nowhere falls short of achieving true greatness, Jeremy Allen White's heartfelt performance raises it just above mediocrity. Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★ Robert Kojder Netflix has released a new trailer and poster for the sequel to director Roar Uthaug’s Norwegian fantasy action-adventure, Troll 2. The film features Nora (Ine Marie Wilmann), Andreas (Kim Falck), and Captain Kris (Mads Sj… Trailer for the Colleen Hoover adaptation "Reminders of Him," featuring Maika Monroe. Trailer for the Colleen Hoover adaptation "Reminders of Him," featuring Maika Monroe. Universal Pictures has released a poster and trailer for Reminders of Him, a romantic drama directed by Vanessa Caswill, which is adapted from the novel by Colleen Hoover, author of It Ends With Us. Colman Domingo lends his voice to the Cowardly Lion in Wicked: New character posters have been revealed. Colman Domingo lends his voice to the Cowardly Lion in Wicked: New character posters have been revealed. With only a month remaining until Wicked: For Good wraps up Jon M. 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Take an exclusive look at Harley Quinn X Elvira #2 with this first-look preview.

Following the start of the crossover earlier this month, the second issue of the limited series Harley Quinn X Elvira from Dynamite Entertainment and DC Comics will be released in November, and you can obtain…