NYC Weekend Highlights: Napoleon, Divine Wedding, The Tree of Life, and More
      NYC Weekend Watch is our weekly summary of repertory screenings.
 
      Film Forum features a significant showcase of Kevin Brownlow’s contributions, presenting several silent films, including the newly restored version of Napoleon; John Schlesinger’s Darling is also playing in a fresh restoration; Paddington is scheduled for Sunday morning.
 
      Museum of Modern Art presents a comprehensive retrospective of João César Monteiro (watch our exclusive trailer release) featuring some of his key films (such as God’s Wedding) alongside the director’s inspiration, Jerry Lewis’ The Ladies Man.
 
      Museum of the Moving Image has an Abbott and Costello double feature on Friday; The Tree of Life will be screened in 35mm on Saturday and Sunday, with the latter day also featuring The Sting.
 
      Anthology Film Archives kicks off a Marta Mateus program; two films by Eisenstein are included in Essential Cinema.
 
      Roxy Cinema will screen Halloween on Friday.
 
      IFC Center continues with a new restoration of Jacob’s Ladder; The Exorcist, Drag Me to Hell, and The End of Evangelion will be shown late.
 
      Metrograph will feature Return to Oz, The Girl with the Dragon Tattoo, A Nightmare on Elm Street, The Shootist, and Mars Attacks! on 35mm; a series on Juraj Herz begins, Memories of a Vietnamese Cinema, a Youssef Chahine series, The Coming of Age, The Rule of Murch, alongside a Don Siegel retrospective and Happy Together also continues.
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NYC Weekend Highlights: Napoleon, Divine Wedding, The Tree of Life, and More
NYC Weekend Watch is our weekly summary of repertory events. Film Forum stands out with a showcase of Kevin Brownlow’s work featuring several silent films, including the newly restored version of Napoleon; John Schlesinger’s Darling is also being screened in a fresh restoration; Paddington will be shown on Sunday morning. At the Museum of Modern Art, a full retrospective of João César Monteiro continues, showcasing some of his significant films (including God’s).
