The 10 Best Films of 1977 — A Year That Transformed Cinema Forever

The 10 Best Films of 1977 — A Year That Transformed Cinema Forever

      Here are the top 10 films of 1977, ranked by their domestic box office earnings. The film in the first position permanently transformed the types of movies produced in Hollywood.

      Let's get started.

      10 — Semi-Tough

      United Artists – Credit: C/O

      In 1977, Burt Reynolds was such a major star that he featured in two films on this list. Semi-Tough is a sports comedy that revolves around a love triangle involving the distinctly 1970s cast of Reynolds, Kris Kristofferson, and Jill Clayburgh.

      Released by United Artists on November 11, the film grossed over $37 million, making it No. 10 on this ranking of the top movies of 1977, based on domestic box office earnings, unadjusted for inflation.

      9 — Annie Hall

      United Artists – Credit: C/O

      Often regarded as Woody Allen’s masterpiece, this romantic comedy starring Allen and Diane Keaton, who plays the title character, achieved both commercial and critical success: It won the Oscars for Best Picture, Best Actress (for Keaton), and Best Director (for Allen), along with Best Screenplay for Allen and Marshall Brickman.

      Debuting in April and released by United Artists, the film earned $38.2 million. It ranks No. 9 on the list of the top movies of 1977, by domestic box office, unadjusted for inflation.

      8 — Oh, God!

      Warner Bros – Credit: C/O

      George Burns, who was 81 when the film was released, portrays God, who appears to an ordinary grocery store assistant manager named Jerry (played by John Denver).

      When Jerry agrees to spread God's message, his wife Bobbie (Teri Garr) is uncertain about the wisdom of it.

      This movie led to a trilogy that includes one of the films listed here. Released by Warner Bros. on October 7, it made $41.7 million, placing it at No. 8 on the list of the top movies of 1977, based on domestic box office earnings, unadjusted for inflation.

      7 — The Spy Who Loved Me

      United Artists – Credit: C/O

      This is the third James Bond film featuring Roger Moore (left), who ranks No. 4 on our list of James Bond Actors, Ranked. He teams up with Soviet agent Anya Amasova (Barbara Bach, right) to thwart a plot that aims to annihilate civilization in favor of a new underwater world.

      They are challenged by Jaws—not the shark from the blockbuster of 1975, but the henchman portrayed by Richard Kiel.

      Released by United Artists on July 13, The Spy Who Loved Me grossed $46.8 million. It stands at No. 007 on the list of the top movies of 1977, by domestic box office, unadjusted for inflation.

      6 — The Deep

      Columbia Pictures – Credit: C/O

      This thriller features Jacqueline Bisset and Nick Nolte as novice treasure-hunting divers who discover the cargo from a World War II shipwreck, leading them to conflict with local criminals. It was co-written by Peter Benchley, known for writing the novel Jaws and contributing to the screenplay.

      Released by Columbia Pictures on June 17, it earned $47.3 million and ranks No. 6 on the list of the top movies of 1977, by domestic box office, unadjusted for inflation.

      Bisset also appears on our list of Stars of the 1970s Who Are Still Going Strong.

      5 — A Bridge Too Far

      United Artists – Credit: C/O

      This World War II drama directed by Richard Attenborough features an ensemble cast, including Sean Connery, Laurence Olivier, Robert Redford, Gene Hackman, Anthony Hopkins, Michael Caine, and Ryan O’Neal. It was also co-written by the renowned William Goldman (All the President’s Men, Butch Cassidy and the Sundance Kid, The Princess Bride).

      Released by United Artists on June 15, it grossed $50.8 million, coming in at No. 5 on the list of the top movies of 1977, by domestic box office, unadjusted for inflation.

      4 — Saturday Night Fever

      Paramount Pictures – Credit: C/O

      With a soundtrack that epitomized the late '70s, this disco drama featuring John Travolta follows Tony Manero (Travolta) dancing and painting his way through Brooklyn. It is inspired by the New York article “Tribal Rites of the New Saturday Night,” which author Nik Cohn later confessed was largely fabricated.

      Audiences either didn’t notice or didn’t mind. The Paramount Pictures release, which premiered on December 16, grossed $94.2 million. It proudly holds the No. 4 spot on the list of the top ten films of 1977, based on domestic box office, unadjust

The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever The 10 Best Films of 1977 — A Year That Transformed Cinema Forever

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Ricky Church reviews the second episode of Hazbin Hotel season 2…

The momentum continues in Hazbin Hotel’s second episode of the season, ‘Storyteller’, which showcases the most captivating and headbanging song of the series thus far. This doesn't detract from the storyline and character development present in this episode focused on Heaven, where Sir Pentious copes with the starkly different environment compared to Hell.

‘Storyteller’ serves as a great companion to ‘New Pentious’. While Charlie battles with her survivor’s guilt and attempts to redefine herself from a warmongering angel killer to a being focused on redemption, Heaven is abuzz with the notion that redemption might be attainable, alongside fears of a potential retaliation from sinners due to the numerous Exterminations Heaven secretly authorized. The powerful themes explored in this episode are substantial and engaging, allowing the overall narrative of the season to progress in intriguing directions for what’s ahead.

Redemption is undoubtedly central to these themes as Pentious’ arrival is met with skepticism by most in Heaven, while Emily and a few other angels express excitement about the possibilities. Sir Pentious becomes the show’s first character to receive a flashback, revealing his life on Earth as a reclusive and socially awkward scientist who witnessed Jack the Ripper commit his first murder without reporting it to the authorities. This flashback adds depth to Sir Pentious’ character and motivations from the previous season, hinting at why he is the first sinner to be redeemed and welcomed into Heaven.

It is also poignant that Pentious can only think about his friends in Hell and yearns to reunite with them. A notable background moment occurs during the song ‘Like You’, where Pentious is seen destroying various items that he later incorporates into his ill-fated device intended to return him to Hell. Alex Brightman and Shoba Narayan shine as Pentious and Emily, with her vibrant positivity—akin to Charlie’s—serving to uplift him.

A significant aspect of the episode is the deeper exploration of how Heaven functions, with its overt brightness and positivity clashing with the conflicting politics of its council. Amid their feelings of betrayal regarding the Exterminations and fears of Hell’s resurgence, the introduction of Adam’s song Abel—voiced by Fall Out Boy’s Patrick Stump—highlights his new position as the leader of the Exorcists over Lute, suggesting that Heaven may be facing more internal strife than it has in a long time. It’s compelling to witness Sera grappling with her own inner conflict and guilt after permitting the Exterminations, viewing it as a regrettable necessity for Heaven’s security. Her acceptance of redemption and acknowledgment of the souls lost adds depth to this stoic character, and her solo, ‘Sera’s Confession’, performed by Patina Miller and Liz Callaway, serves as a powerful ballad reflecting her journey.

Yet, the standout moment in ‘Storyteller’ belongs to Jessica Vosk in Lute’s emotionally charged rock ballad ‘Gravity’. This track could be the best in the series, highlighted by its powerful lyrics and stunning animation, with Lute's choreography and striking visuals captivating the audience. Scenes such as her imaginary Adam passing through her knife or her walking up a wall evoke the image of an angry caged bird, making ‘Gravity’ a memorable scene. Vosk’s vocals convey Lute's rage and sorrow exceptionally well, engendering sympathy for her. Although redemption is a focal point, it’s clear that Lute will harbor no regret for her actions and will persist in eliminating every sinner she encounters.

‘Storyteller’ is an outstanding episode filled with remarkable character moments, thematic depth, and impressive songs. ‘Gravity’ is compelling enough to be enjoyed outside of Hazbin Hotel, showcasing its rock and emo influences. With these two episodes, this season of Hazbin is proving to be unmissable. 

Rating: 9/10

Ricky Church – Follow me on Bluesky for more movie news and nerd discussions. Ricky Church reviews the second episode of Hazbin Hotel season 2… The momentum continues in Hazbin Hotel’s second episode of the season, ‘Storyteller’, which showcases the most captivating and headbanging song of the series thus far. This doesn't detract from the storyline and character development present in this episode focused on Heaven, where Sir Pentious copes with the starkly different environment compared to Hell. ‘Storyteller’ serves as a great companion to ‘New Pentious’. While Charlie battles with her survivor’s guilt and attempts to redefine herself from a warmongering angel killer to a being focused on redemption, Heaven is abuzz with the notion that redemption might be attainable, alongside fears of a potential retaliation from sinners due to the numerous Exterminations Heaven secretly authorized. The powerful themes explored in this episode are substantial and engaging, allowing the overall narrative of the season to progress in intriguing directions for what’s ahead. Redemption is undoubtedly central to these themes as Pentious’ arrival is met with skepticism by most in Heaven, while Emily and a few other angels express excitement about the possibilities. Sir Pentious becomes the show’s first character to receive a flashback, revealing his life on Earth as a reclusive and socially awkward scientist who witnessed Jack the Ripper commit his first murder without reporting it to the authorities. This flashback adds depth to Sir Pentious’ character and motivations from the previous season, hinting at why he is the first sinner to be redeemed and welcomed into Heaven. It is also poignant that Pentious can only think about his friends in Hell and yearns to reunite with them. A notable background moment occurs during the song ‘Like You’, where Pentious is seen destroying various items that he later incorporates into his ill-fated device intended to return him to Hell. Alex Brightman and Shoba Narayan shine as Pentious and Emily, with her vibrant positivity—akin to Charlie’s—serving to uplift him. A significant aspect of the episode is the deeper exploration of how Heaven functions, with its overt brightness and positivity clashing with the conflicting politics of its council. Amid their feelings of betrayal regarding the Exterminations and fears of Hell’s resurgence, the introduction of Adam’s song Abel—voiced by Fall Out Boy’s Patrick Stump—highlights his new position as the leader of the Exorcists over Lute, suggesting that Heaven may be facing more internal strife than it has in a long time. It’s compelling to witness Sera grappling with her own inner conflict and guilt after permitting the Exterminations, viewing it as a regrettable necessity for Heaven’s security. Her acceptance of redemption and acknowledgment of the souls lost adds depth to this stoic character, and her solo, ‘Sera’s Confession’, performed by Patina Miller and Liz Callaway, serves as a powerful ballad reflecting her journey. Yet, the standout moment in ‘Storyteller’ belongs to Jessica Vosk in Lute’s emotionally charged rock ballad ‘Gravity’. This track could be the best in the series, highlighted by its powerful lyrics and stunning animation, with Lute's choreography and striking visuals captivating the audience. Scenes such as her imaginary Adam passing through her knife or her walking up a wall evoke the image of an angry caged bird, making ‘Gravity’ a memorable scene. Vosk’s vocals convey Lute's rage and sorrow exceptionally well, engendering sympathy for her. Although redemption is a focal point, it’s clear that Lute will harbor no regret for her actions and will persist in eliminating every sinner she encounters. ‘Storyteller’ is an outstanding episode filled with remarkable character moments, thematic depth, and impressive songs. ‘Gravity’ is compelling enough to be enjoyed outside of Hazbin Hotel, showcasing its rock and emo influences. With these two episodes, this season of Hazbin is proving to be unmissable. Rating: 9/10 Ricky Church – Follow me on Bluesky for more movie news and nerd discussions. The Threesome, 2025. Directed by Chad Hartigan. 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The 10 Best Films of 1977 — A Year That Transformed Cinema Forever

Here are the top 10 films of 1977, a year that is often credited with initiating the blockbuster era, ranked according to their box office performance.