Cahiers du cinéma's list of the Top 10 Films of 2025 features Afternoons of Solitude, One Battle After Another, and Nouvelle Vague.

Cahiers du cinéma's list of the Top 10 Films of 2025 features Afternoons of Solitude, One Battle After Another, and Nouvelle Vague.

      I blinked once, and suddenly it was time for the end-of-2025 lists. Few things signal the upcoming rush as prominently as Cahiers du cinéma's annual countdown, which has typically included a mix of American favorites, major festival debuts, and titles still looking for their moment in the spotlight.

      At the forefront is Albert Serra's Afternoons of Solitude (a film debuting in 2024 that only reached many regions this year), followed closely by Paul Thomas Anderson's One Battle After Another, which takes the commendable second place. The review continues with Nadav Lapid’s Yes and Kleber Mendonça Filho's The Secret Agent; further down, Richard Linklater's Nouvelle Vague receives perhaps the most meaningful recognition that film could get, while Christian Petzold's somewhat polarizing Miroirs No. 3 wraps up the list. Among films that have garnered less attention in North American markets, Pedro Pinho's I Only Rest in the Storm and Sophie Letourneur's L’aventura hold middle positions; trailing behind are Vincent Barré and Pierre Creton's 7 Walks with Mark Brown, alongside Matteo Eustachon, Léo Couture, and Anton Balekdjian's Laurent dans le vent.

      See the complete list below:

Cahiers du cinéma's list of the Top 10 Films of 2025 features Afternoons of Solitude, One Battle After Another, and Nouvelle Vague.

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At the forefront is Albert Serra's Afternoons of Solitude (a film debuting in 2024 that only reached many regions this year), followed closely by Paul Thomas Anderson's One Battle After Another, which takes the commendable second place. The review continues with Nadav Lapid’s Yes and Kleber Mendonça Filho's The Secret Agent; further down, Richard Linklater's Nouvelle Vague receives perhaps the most meaningful recognition that film could get, while Christian Petzold's somewhat polarizing Miroirs No. 3 wraps up the list. Among films that have garnered less attention in North American markets, Pedro Pinho's I Only Rest in the Storm and Sophie Letourneur's L’aventura hold middle positions; trailing behind are Vincent Barré and Pierre Creton's 7 Walks with Mark Brown, alongside Matteo Eustachon, Léo Couture, and Anton Balekdjian's Laurent dans le vent.

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Cahiers du cinéma's list of the Top 10 Films of 2025 features Afternoons of Solitude, One Battle After Another, and Nouvelle Vague.

I blinked, and suddenly it was time for the end-of-2025 lists. Few events signify the imminent wave quite like Cahiers du cinéma's yearly ranking, which typically features a blend of American hits, significant festival premieres, and films poised for greater exposure. At the forefront is Albert Serra's Afternoons of Solitude, a 2024 release that has just made its debut on