A Discussion with Giorgio Rossini

      We spoke with Giorgio Rossini...

      Giorgio Rossini grew up in Lumezzane, a small town in northern Italy located about an hour and a half from Milan. He is the youngest of three sons in a working-class family. Recently, he inquired with his parents about his birth and early childhood, learning that he has always been self-made from the start. His arrival was unplanned; he simply came into being, a theme that has resonated throughout his life.

      At eleven, Rossini decided he wanted to become a priest and enrolled in a private boarding school, where he pursued that path for five years without question. The Church significantly influenced his education and continues to shape his values and worldview. At sixteen, he moved away from this direction, reconnecting with his passion for the performing arts.

      A pivotal moment in his artistic journey occurred in his final year of high school when he acted in the classical Greek tragedy Oedipus at Colonus. This experience sparked his ambition to pursue acting as a profession. In 2020, he relocated to Verona to attend university, majoring in foreign languages and literatures while also studying acting with local teacher and director Gloriana Fellini. During this time, he co-created an original stage production inspired by Hans Christian Andersen.

      University life expanded his horizons and ignited a passion for travel and cultural exploration. Rossini has since visited twenty-five countries and lived in Spain and the United States, in addition to Italy. He spent his final university year studying abroad in Palma de Mallorca, Spain, focusing on Spanish literature.

      When the COVID pandemic hit, Rossini saw it as an unexpected opportunity. After being accepted into two acting schools in Los Angeles, he ultimately chose the American Academy of Dramatic Arts. He completed his first year remotely from Italy through virtual classes, which allowed him to save on living costs and attend the second year in person. He graduated in 2022 at the Saban Theater in Beverly Hills.

      After graduation, Rossini began dividing his time between Italy and Los Angeles, balancing family life with professional opportunities in the U.S. He also gained experience at three of the most prominent American theme parks: Pacific Park in 2019 through a university exchange program, Universal Studios Hollywood after completing his acting training, and Disney, beginning as a cultural representative at EPCOT in Florida in 2024 and later working on a Disney cruise line in 2025.

      Now, Giorgio Rossini is focused on making a strong return to stage and screen as an actor and emerging producer, dedicated to establishing a lasting and meaningful career in the industry.

      We sat down with Giorgio to discuss his journey into acting, his creative process, and the values that guide his work on stage and screen...

      What initially attracted you to acting, and how did you realize it was your chosen path?

      Throughout my life, I have always sought a place in the spotlight. As a child, I participated in local singing contests and church performances whenever possible. Any occasion to be on stage and feel its comfort was welcome, regardless of the outcome. At that time, I wasn't focused on training or perfection; I just wanted to be there.

      It was in high school that I began to reflect rationally on those feelings. After performing Oedipus at Colonus in 2015, I sought guidance from my teachers, who directed me to acting classes in Verona. That’s when I started attending theater regularly, viewing plays and musicals with a critical eye rather than just as an audience member. That was the moment I realized I had to take acting seriously, and I have not looked back since.

      What sets you apart as an actor?

      My uniqueness stems from my international background and my perspective on acting. I am fluent in Italian, Spanish, and English, with a working knowledge of French. Having lived abroad and spoken English daily, I lack a strong Italian accent but can easily recreate foreign accents when necessary.

      Another significant aspect is my training in stunts in Italy. It transformed my approach to characters, allowing me to see them as perpetually alive and in motion. Beyond physical techniques, I learned to understand the importance of action—not just in the body but also in intent, decision-making, and problem-solving, both on stage and in life.

      What types of projects do you typically gravitate toward?

      I am attracted to projects that mirror real life rather than imagined futures or idealized settings. I prefer narratives where emotions precede actions, where character drives the storyline rather than the plot. I find psychological dramas more compelling than action-oriented narratives. I appreciate stories that implode rather than explode, akin to shows like 13 Reasons Why.

      Can you describe your creative process when preparing for a role?

      I always begin with the character before anything else. The words and actions come later. I need to grasp the character's background, their situation, and how they connect with others in the story.

      With my humanistic background, understanding is crucial before I act.