They no longer produce films like Grosse Pointe Blank.

      We reflect on Grosse Pointe Blank, the cult classic that stands as a model for films that blend genres.

      Studios nowadays seem to appreciate a good genre mix. While it's not a recent trend and the combination of action and comedy has been a staple for years, it has been somewhat trickier to weave action into a predominantly comedic narrative. Larger studios continue to produce these types of films, but comedy can be quite challenging. Even movies that manage to successfully evoke laughter often struggle with their action elements, as seen in 2002’s Showtime, where the action felt like an afterthought.

      Today, if you invest in a comedy-action movie (often featuring Ryan or Glenn Powell), the outcomes are usually just average and often forgettable. While I enjoy Richard Linklater’s work as much as anyone, Hit Man, though entertaining, quickly faded from memory after watching. The same can be said for The Hitman’s Bodyguard (along with its sequel featuring Ryan Reynolds) and even The Fall Guy (with Ryan Gosling).

      At least The Fall Guy effectively balanced both comedy and action, and given David Leitch's background, some carnage was expected. Nevertheless, the film fell short primarily due to a somewhat aimless and forgettable script, which is why it didn’t fully resonate despite being enjoyable. Leitch showcased solid comedy, competent performers, action that respectfully acknowledged stunt work, and even a bit of romance, yet it ultimately felt like just another piece of content.

      You might argue that studios are indifferent to the need for a cult following or lasting acclaim; they simply want to ensure a film succeeds during its initial run before moving on to the next project. When discussing The Fall Guy and Hit Man, we’re looking at two of the more commendable examples. Generally speaking, films that merge genres while placing comedy at the forefront tend to be average. However, it is possible to strike that balance and create something that remains fresh and earns a cult following over time. Perhaps we’ve simply lost the knack for it. Shane Black certainly understands how to intertwine action and comedy, whether prioritizing one over the other. He has a rich history of cult films, but, as demonstrated with Play Dirty, he doesn’t always hit the mark.

      One film from 1997 that had solid, if not spectacular, box office returns and received decent reviews has also attracted a cult following over the years. Grosse Pointe Blank combines various elements—dark comedy, romantic comedy, and action—into a well-crafted blend. By the time he directed this subversive hitman film, George Armitage had significant experience. His most notable prior film was Miami Blues, starring Alec Baldwin, which also mixed crime and comedy but had less impact. The real legacy of Grosse Pointe Blank comes from the exceptional script written by Tom Jankiewicz, D.V. DeVicentis, Steve Pink, and the lead actor, John Cusack.

      The story follows Martin Blank, who returns to his hometown for his high school reunion, a decade after leaving his past behind—having stood up his high school sweetheart, Debi. Blank is portrayed as neurotic, introspective, and caught in a moral and career dilemma, much to the annoyance of his reluctant therapist (the brilliant Alan Arkin). He confronts past decisions and unresolved feelings about lost love. As Blank re-enters Grosse Pointe, he reconnects with old friends, his mother suffering from dementia, and discovers his childhood home has now become a mini-mart (complete with a Doom 2 arcade cabinet). He’s pursued by rogue federal agents, a rival hitman (Dan Aykroyd), and another mysterious assassin (Benny ‘The Jet’ Urquidez). Chaos is unavoidable, but the escapade is entertaining.

      Loaded with memorable dialogue and anchored by Cusack's uniquely charming performance, the film exemplifies the effectiveness of casting someone well-suited for the role rather than just a trending star. Occasionally that strategy succeeds, but actors like Glen Powell often find themselves restricted by weaker films that lean too heavily on their charisma. Studios are trying to mold him into a "movie star" akin to Tom Cruise or Harrison Ford, but that particular star power is lacking.

      What Grosse Pointe Blank does effectively is present a project that is perfectly matched to Cusack. By this time, he had established himself as a compelling lead with the ability to perform character-driven roles. He had navigated various cult films without ever being a major mainstream star. As Martin Blank, he isn’t pressured to fit a mold; he genuinely embodies the character. Everything feels natural, and Cusack isn't portrayed as a generic star.

      Cusack and the cast nail the comedic elements beautifully. Furthermore, the film excels in its action sequences. Once again, Cusack is ideally suited to the character's requirements, and his involvement in the development was likely crucial, having trained in kickboxing under one of the best fighters, Benny ‘The Jet