NYC Weekend Guide: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy, and More

NYC Weekend Guide: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy, and More

      NYC Weekend Watch provides our weekly summary of repertory screenings.

      Japan Society presents Kazuhiko Hasegawa’s Anarchic Ethos, featuring an extremely rare print of The Man Who Stole the Sun—my personal selection for one of the top 10 films ever created—along with his other directorial work The Youth Killer on 16mm, and two screenwriting credits.

      BAM showcases films by Orson Welles, Alan Rudolph, Paul Thomas Anderson, the Coen brothers, Robert Zemeckis, Alex Cox, and Thom Anderson in Pynchonesque; a 4K restoration of David Lynch’s The Elephant Man is set to start its run.

      Film Forum hosts a retrospective on Max and Richard Fleischer that spans from children’s animations to intense thrillers; Luchino Visconti’s Bellissima continues to show in a new restoration; Gulliver’s Travels is scheduled for Sunday.

      Museum of Modern Art starts a screening series with a trilogy of films by Caroline Strubbe.

      IFC Center has restored Nicolas Winding Refn’s Pusher trilogy; films by David Wain, Howard Hawks, and Mike Nichols are part of Renegade Rom-Coms; Werner Herzog’s Cave of Forgotten Dreams is still playing in a 3D restoration; American Dream and Harlan County USA are showing early, while Blow Out, Police Story, Salò, and Benny’s Video screen later.

      Paris Theater will screen George Cukor’s Gaslight on 35mm this Sunday.

      Metrograph features Marie and Bruce, Mother, Panic Room, Late Autumn, and Alice Doesn’t Live Here Anymore on 35mm; restorations of The Headless Woman, The Taste of Tea, Wallace Shawn: Master Builder, Fraenkel Gallery Presents, and All the Single Mothers begin, while The Dog Dies, The Last Dreamers, and Actress as Auteur continue.

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NYC Weekend Guide: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy, and More

NYC Weekend Watch is our weekly summary of repertory showcases. Japan Society's Kazuhiko Hasegawa's Anarchic Ethos presents an extremely rare print of The Man Who Stole the Sun—my choice for one of the top 10 films of all time—alongside his other directorial work, The Youth Killer, on 16mm, as well as two screenwriting projects. BAM will feature films by Orson Welles, Alan Rudolph, and Paul.