NYC Weekend Watch: Summer in Japan, Henry: Portrait of a Serial Killer, Lawrence of Arabia, Mysterious Skin, and More
NYC Weekend Watch provides a weekly summary of repertory screenings.
BAM's Summer in Japan showcases films by Takeshi Kitano (on 35mm), Ozu, Obayashi, Akira Kurosawa, Shunji Iwai, among others.
Roxy Cinema continues its 2006 retrospective with 35mm screenings of The Fountain and Paul Verhoeven’s Black Book; Incorrectional and the director’s cut of 54 are on the schedule for Sunday.
Film at Lincoln Center presents restorations of Sudden Fury and Henry: Portrait of a Serial Killer on Saturday and Sunday, respectively.
Museum of Modern Art features films by Frederick Wiseman, Fassbinder, Alice Diop, and others in its Immigrant Nation series.
Anthology Film Archives showcases Westerns by Arturo Ripstein, Seijun Suzuki, Glauber Rocha, and more in a new series.
Museum of the Moving Image continues its See It Big: 70mm series with screenings of 2001, Lawrence of Arabia, and The Untouchables.
Film Forum is currently showing Stanley Kwan’s Center Stage in a new 4K restoration, while Billy Liar makes its debut.
IFC Center kicks off a new run of Gregg Araki’s revised Mysterious Skin, while Manhunter: The Final Cut continues; late screenings include The Panic in Needle Park, Addams Family Values, Battle Royale, and Ghost in the Shell.
Nitehawk Prospect Park features early showings of Bottle Rocket and Onda Nova.
Metrograph presents Deliverance, Walkabout, Irrevérsible, Hannibal, and The Jungle Book on 35mm, while Going Up the Country starts alongside The Night Has Opened My Eyes, Gary Oldman, Christopher Doyle, In Her Shadow, and Otar Iosseliani.
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NYC Weekend Watch: Summer in Japan, Henry: Portrait of a Serial Killer, Lawrence of Arabia, Mysterious Skin, and More
NYC Weekend Watch is our weekly summary of repertory programs. BAMSummer in Japan showcases films by Takeshi Kitano (presented in 35mm), as well as works by Ozu, Obayashi, Akira Kurosawa, Shunji Iwai, and others. Roxy Cinema's retrospective of 2006 continues with 35mm showings of The Fountain and Paul Verhoeven’s Black Book; Incorrectional and the director's cut of 54 will be screened on Sunday. Film at Lincoln Center features restorations of Sudden.
