Renate Reinsve and Sebastian Stan Encounter an Avalanche in the U.S. Trailer for Cristian Mungiu's Palme d'Or Winning Film, Fjord.
Always one to take risks, Cristian Mungiu garnered his second Palme d’Or under somewhat controversial conditions. While he is certainly well-regarded in many circles, Fjord also sparked a notable amount of skepticism, if not outright anger — perhaps a film that delves into the legal repercussions of religiously motivated parenting practices, regardless of whether it takes a definitive stance, proves to be more complex than simply creating a film about Miami police. However, this may lead to a more engaging discussion after the screening, and Neon will kick off Fjord's North American release on October 9, accompanied by a new trailer.
As Luke Hicks mentioned in our Critics’ Pick review from Cannes, “Like R.M.N., Mungiu is at the top of his game. Fjord is an extraordinary film that resonates with the spiritual and soulful aspects within all of us, transcending nationality, belief, faith, or the dismissal of all three. The court's verdict in both cases, and whether the Gheorghius will regain custody of their children, creates a palpable tension as the nearly two-and-a-half-hour film unfolds in what feels like a mere 30 minutes. Its conclusion will leave you on the edge of your seat.”
Here’s the official synopsis: “From two-time Palme d’Or winner Cristian Mungiu, a Norwegian woman and her devout Romanian husband move with their five children to a remote, tightly-knit coastal community. Their teenage children quickly bond with a neighboring family, stirring unease regarding their strict beliefs. When allegations of abuse arise, they must confront a judgmental system that blurs the distinctions between genuine concern and bias.”
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Renate Reinsve and Sebastian Stan Encounter an Avalanche in the U.S. Trailer for Cristian Mungiu's Palme d'Or Winning Film, Fjord.
Always one to take risks, Cristian Mungiu received his second Palme d'Or amidst somewhat controversial circumstances. While he is certainly appreciated in many circles, Fjord also sparked a considerable number of skeptical, if not outright angry, responses—possibly because a film addressing the legal ramifications of faith-based parenting methods that remains neutral (or, let’s assume, does take a stance?) wasn’t
