The Friend (2024) - Film Review

The Friend (2024) - Film Review

      **The Friend, 2024**

      **Written and Directed by:** Scott McGehee and David Siegel

      **Starring:** Naomi Watts, Bill Murray, Ann Dowd, Constance Wu, Sarah Pidgeon, Carla Gugino, Noma Dumezweni, Felix Solis, Owen Teague, Bing, Gina Costigan, Josh Pais, Annie Fox, Carrie Vu, Sue Jean Kim, Sarah Baskin, Jess Gabor, Juliet Brett, Seth Barrish, Ian Lithgow, Afsheen Misaghi, and Cloé Xhauflaire.

      **SYNOPSIS:**

      The film explores themes of love, friendship, grief, and healing through the story of a writer who takes in a Great Dane previously owned by a late friend and mentor.

      The title, *The Friend*, cleverly conveys a dual meaning, as Scott McGehee and David Siegel adapt Sigrid Nunez’s novel into a somewhat awkward and uneven narrative about man's best friend (Bill Murray) and another best friend—a Great Dane named Apollo (Bing). The film feels distinctly "based on a novel," as numerous characters and subplots feel underdeveloped and treated as mere afterthoughts.

      If you are hoping for a focus on the canine aspect, you may need to manage your expectations regarding his screen time. The core of the story centers on Iris (Naomi Watts), an old friend and former lover entrusted to care for the dog after the death of Walter, an accomplished writer and university professor who took his own life due to personal turmoil. Walter's history of relationships with his students has created complications in a more cautious, modern context. The film presents him as a well-meaning person, yet it glosses over the darker implications of his past without delving into them. This avoidance of uncomfortable truths, contrasted with the portrayal of those around him living free from contemporary social anxieties, is surprising and refreshing. There’s a need for a deeper exploration of Walter’s past, though it avoids casting him as purely virtuous.

      Iris and Walter shared a close bond, but Walter later insisted that taking their relationship further was a mistake. Known for his multiple marriages and relationships, he maintained a special connection with Iris, leading to jealousy among his ex-partners. At the time of his death, he was married to Barbara (Noma Dumezweni), a woman he seemed to love, but the responsibility for Apollo has now fallen to Iris, which is problematic since she isn't particularly fond of dogs and faces pressure from her landlord, who enforces a no-pets policy.

      Even before a pivotal therapy session clarifies the relationship between Iris and Apollo (who is also dealing with the loss of his owner), the film's metaphor is so overt it almost feels excessive. The nearly two-hour runtime lacks sufficient content, even though Naomi Watts gives a commendable emotional performance and shares an endearing chemistry with her canine co-star. This dynamic alone, however, isn't enough to justify the lengthy runtime.

      The movie also introduces other characters: wives (Carla Gugino), a daughter (Sarah Pidgeon), and rude friends who might take Apollo off Iris's hands. Additionally, Iris's own life as a lecturer and writer, along with the task of compiling Walter’s final book amidst public controversies following his suicide, serves as background noise to the central theme of pet-bonding. Bill Murray appears for about five minutes while alive, and the only truly captivating scene occurs in a segment where he isn’t alive.

      *The Friend* seems to have originated as an attempt to deconstruct typical storytelling tropes and characterizations, but this idea is largely abandoned. Ultimately, it presents a simplistic narrative about closure between a woman and her dog, thankfully avoiding excessive sentimentality. Nevertheless, everything surrounding them feels underdeveloped, making it clear that honoring one friend isn't sufficient.

      **Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★**

      Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He is also the Editor of Flickering Myth Reviews. Visit here for new reviews and follow on BlueSky or Letterboxd.

The Friend (2024) - Film Review The Friend (2024) - Film Review The Friend (2024) - Film Review The Friend (2024) - Film Review The Friend (2024) - Film Review

Other articles

April Review: Dea Kulumbegashvili's Sophomore Film is a Mystical Cinematic Discovery. April Review: Dea Kulumbegashvili's Sophomore Film is a Mystical Cinematic Discovery. Note: This review was first released as part of our coverage of the 2024 Venice Film Festival. "April" is set to be released in theaters on April 25. Among this year's varied selection of Venice competition films, one title distinctly shines. It is a movie that lacks any direct predecessors or relevant comparisons, serving as a unique instance of a cinematic mystery: Dea Kulumbegashvili’s second feature film. The indie werewolf horror film First Moon has released a trailer and poster. The indie werewolf horror film First Moon has released a trailer and poster. One Tree Entertainment has unveiled a poster and trailer for First Moon, a werewolf horror film by writer-director Peter McLeod. The story follows a young woman who is frantically attempting to flee from the religious cult that has taken her captive. The film features Lauren Esposito, Julian Curtis, and Shannon Ryan. Watch the trailer below… A young waitress is kidnapped [...] 2025 Cannes Film Festival Includes Works by Lynne Ramsay, Kristen Stewart, Ethan Coen, Lav Diaz, and Others 2025 Cannes Film Festival Includes Works by Lynne Ramsay, Kristen Stewart, Ethan Coen, Lav Diaz, and Others Following the primary announcement and supplementary details, the complete lineup for the Cannes Film Festival is now clear, featuring 16 new additions today. Notable entries include Lynne Ramsay's Die My Love, which stars Jennifer Lawrence and Robert Pattinson, competing in the festival, along with Kristen Stewart's directorial debut The Chronology of Water, Ethan Coen's Honey Don't, and Hlynur Palmason's The Love. MUBI’s lineup for May 2025 features Rooney Mara, Amalia Ulman, highlights from Latin America at Cannes, and more. MUBI’s lineup for May 2025 features Rooney Mara, Amalia Ulman, highlights from Latin America at Cannes, and more. MUBI's lineup for May 2025 is here, showcasing a double feature starring Rooney Mara, including what may be her finest film (Carol) alongside her latest work (La cocina), along with Latin American films selected for Cannes and a program curated by Amalia Ulman of Magic Farm. As Kent M. Wilhelm remarked in his review of Magic Farm, “I was convinced by the concept of mocking opportunistic” 13 Films About the Adult Entertainment Industry That Present an Unfiltered Perspective 13 Films About the Adult Entertainment Industry That Present an Unfiltered Perspective These 12 movies that explore the adult entertainment industry present a raw and unfiltered perspective. 12 Movies Based on True Events That Are Quite Accurate 12 Movies Based on True Events That Are Quite Accurate These films inspired by true events closely adhere to the actual story, making only a few creative alterations.

The Friend (2024) - Film Review

The Friend, 2024. Written and directed by Scott McGehee and David Siegel. Featuring Naomi Watts, Bill Murray, Ann Dowd, Constance Wu, Sarah Pidgeon, Carla Gugino, Noma Dumezweni, Felix Solis, Owen Teague, Bing, Gina Costigan, Josh Pais, Annie Fox, Carrie Vu, Sue Jean Kim, Sarah Baskin, Jess Gabor, Juliet Brett, Seth Barrish, Ian Lithgow, Afsheen Misaghi, […]