
NYC Weekend Preview: Almayer’s Folly, J. Hoberman, Tom Cruise, and More
NYC Weekend Watch provides our weekly summary of repertory film offerings.
Museum of Modern Art's A Theater Near You showcases films by Chantal Akerman, Bertolucci, Aldrich, and others.
Anthology Film Archives launches a series curated by J. Hoberman focusing on New York's avant-garde.
Roxy Cinema features Barry Lyndon and Fassbinder’s Chinese Roulette presented on 35mm.
Museum of the Moving Image kicks off a new retrospective exploring the question of whether Tom Cruise is evil; The Muppets Take Manhattan is scheduled for this weekend.
Film Forum starts screening Apocalypse Now's “roadshow edition”; the 4K restoration of Shall We Dance?, showcasing Masayuki Suo’s version, is ongoing, while The Wiz will screen on Sunday.
Film at Lincoln Center begins a look at Jordan Peele’s Us, featuring films by Orson Welles, Jan Švankmajer, and Robert Zemeckis, alongside a restoration of Christiane F.
Paris Theater continues its comprehensive Hitchcock series.
IFC Center presents a 40th-anniversary restoration of Ran; Dogtooth, Before Sunrise, Before Sunset, Before Midnight, and Happiness are shown daily, while Breaking Glass, Gummo, Mean Streets, and a print of The Descent screen late.
Nitehawk Cinema offers a new 4K restoration of Compensation early on Saturday and Sunday.
Brooklyn Academy of Music screens films by Pierre Creton & Vincent Barré.
Metrograph features Women on the Verge of a Nervous Breakdown, Alice Doesn’t Live Here Anymore, Lust Caution, along with several films in the Mikio Naruse series, presented on 35mm; The Anthropocene Trilogy begins, while Shanghai Dreams, Mumblecore, The Show Must Go On, Volver a Carmen, Daughter of Water, and Guided By Animals continue.
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NYC Weekend Preview: Almayer’s Folly, J. Hoberman, Tom Cruise, and More
NYC Weekend Watch is our weekly recap of repertory events. Museum of Modern Art's A Theater Near You features films by Chantal Akerman, Bertolucci, Aldrich, and others. Anthology Film Archives kicks off a series curated by J. Hoberman focused on New York's avant-garde. Roxy Cinema presents Barry Lyndon and Fassbinder's Chinese Roulette in 35mm. Museum of the Moving Image continues to explore the pressing question of our era––is