Or Something (2024) - Film Review

      Or Something, 2024.

      Directed by Jeffrey Scotti Schroeder.

      Featuring Mary Neely, Kareem Rahma, Brandon Wardell, and David Zayas.

      SYNOPSIS:

      Two strangers arrive at a Brooklyn apartment to retrieve money owed to them. However, after being redirected to collect the cash across town, they are compelled to spend the remainder of the day together.

      I’m not particularly fond of the term dramedy, but since it has existed for more than a century (as the Oxford English Dictionary states), the concept has certainly had time to develop.

      Regardless of my sentiments toward the term, it serves as a convenient way to describe this delightful and artistic addition to New York's cinematic landscape. The blend of humor and drama creates an enticing mix in Or Something. A bittersweet reflection on personal aspirations, dreams, and perceptions of the world around us, the film is beautifully filmed and produced, vividly portraying NYC.

      The story takes us on a journey through New York with Olivia (Neely) and Amir (Rahma). After both arrive at the unreliable Teddy’s (Brandon Wardell) apartment to collect money he owes them, and facing the frustrating realization that no cash is available, they are compelled to navigate the city to locate the intriguingly named Uptown Mike (a striking performance by David Zayas), who owes Teddy in return.

      This setup serves as an entertaining way for Amir and Olivia to converse and share personal details about their lives, possibly shedding light on why they need the money. The film unfolds like a jazzy travelogue, with the two characters serving as amusing guides.

      Both have numerous stories to tell, and as their journey leads them through the subway, a diner lunch, and Central Park, we gain deeper insights into their diverse beliefs and motivations. They engage in discussions about relationships, city life, religion, and mortality. Yes, they converse a lot and cover various topics. The dialogue-driven nature of this independent film may not appeal to everyone, but for those who appreciate sharp conversation and keen observations, it offers a brisk (81-minute runtime) exploration of empathetic portrayals of New York life.

      Both Rahma and Neely co-wrote the film, which likely contributed to the compelling chemistry between them. This charming duo, with Olivia’s cynical view of modern existence complementing Amir’s fundamentally hopeful perspective, unveils the intricacies of their personal worlds.

      I genuinely enjoyed the film and felt it excelled in exploring the amusing mental space created by confiding in a stranger. The two alternate in their conversations, much like potential friends, lovers, or even informal therapists. This chance meeting, made possible by the unpredictable nature of a bustling metropolis, could serve as a significant moment in their lives. An anti-romantic comedy of sorts, one can’t help but root for the best outcome for the pair, even though it’s clear that life doesn’t always unfold that way.

      Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

      Robert W Monk