Nouvelle Vague (2025) - Critique de film

      Nouvelle Vague, 2025

      Directed by Richard Linklater.

      Featuring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia.

      SYNOPSIS

      The newest offering from Oscar-nominated indie filmmaker Richard Linklater presents a lively and detailed portrayal of the creation of Jean-Luc Godard’s iconic 1960 debut film, Breathless, which marked the dawn of the French New Wave. Linklater's latest project (one of two making its debut at TIFF, alongside Blue Moon) celebrates the era of the French New Wave that transformed cinema and introduced audiences to legendary figures. Nouvelle Vague (New Wave) is a delightful narrative about the making of Godard’s first feature film, À Bout De Souffle (Breathless), a film that not only launched Godard’s career but also elevated Jean-Paul Belmondo and showcased one of Jean Seberg’s finest performances.

      From the outset, Linklater’s film captivates, immersing viewers in Godard’s quirky personality and innovative commitment to filmmaking. Guillaume Marbeck embodies Godard with both humor and charm, skillfully pushing the boundaries of traditional filmmaking, to the thrill of his crew while simultaneously frustrating both Seberg and his producers. Marbeck, even with his constant use of sunglasses, effectively communicates Godard’s passion for cinema, irreverent humor, and unconventional filming style throughout. This film serves as a tribute to Godard, with Marbeck displaying remarkable chemistry with the entire cast, including Aubry Dullin as Jean-Paul and Zoey Deutch as Jean, along with fellow New Wave filmmakers François Truffaut, Claude Chabrol, and Suzanne Schiffman, portrayed by Adrien Rouyard, Antoine Besson, and Jodie Ruth-Forest.

      Dullin is equally engaging as Jean-Paul, showcasing impressive comedic timing as the lighthearted actor. He embodies the leading man aura that Jean-Paul was celebrated for, while Deutch morphs seamlessly into Seberg. Her screen presence mirrors Seberg’s charisma, wit, and irritation with Godard. The chemistry between Deutch and Dullin stands out as one of the film's highlights, as they deftly balance their portrayals of the iconic actors with their roles in À Bout De Souffle. Even during confrontations between Seberg and Godard, Deutch brings an enjoyable interpretation to her character, allowing audiences to understand her perspective rather than merely siding with Godard. The interplay among the trio is a fantastic dynamic that drives the film.

      The film features a variety of supporting characters, including Godard’s assistant director Pierre Rissient, cinematographer Raoul Cotard, and producer Georges de Beauregard, along with several cameos from other New Wave directors and actors. Nonetheless, the cast never feels overwhelming, as the story stays focused on Godard, Belmondo, Seberg, and their primary crew. Linklater’s choice to shoot in black and white with an aspect ratio reminiscent of the era reinforces the experience for audiences, transporting them to that period of filmmaking and offering insight into the intricate processes of the time. The cinematography is stunning and employs many of Godard’s techniques. The film underscores the significance of pursuing an artistic vision and safeguarding creative independence, as opposed to simply churning out similar content or yielding to studio pressures. This message remains as pertinent today as it was then, highlighting the success and revolutionary nature of the New Wave due to the desire to defy convention.

      Nouvelle Vague is a delightful, engaging, and poignant tribute to the New Wave and the impact Godard and his peers had on the film industry. Marbeck, Dullin, and Deutch shine, leading an impressive cast. In a story about filmmaking during such a distinctive epoch with a particular group of individuals, it could have easily veered into pretentiousness, regardless of the filmmakers' intentions. However, Linklater's genuine passion is evident in every element of the film, serving as a heartfelt ode to both filmmaking and the creative journey.

      Flickering Myth Rating – Film: ★ ★ ★ ★ ★ / Movie: ★ ★ ★ ★ ★

      Ricky Church – Follow me on Bluesky for more movie news and discussions.