Slow Horses Season 5 Episode 1 Review - 'Bad Dates'

Slow Horses Season 5 Episode 1 Review - 'Bad Dates'

      Chris Connor reviews the season 5 premiere of Slow Horses…

      The fourth season of Slow Horses attracted the show's largest audience to date. Its intense narrative, which involved a plot to destabilize a park and a storyline closely linked to River and David Cartwright, heightened the excitement and raised expectations. The fifth season returns, drawing from Mick Herron’s London Rules, and once again features the Slough House team tasked with averting a threat to the public. Fans can be assured that it retains all the beloved elements they have come to cherish.

      The episode begins in the quiet London suburb of Abbotsfield, where a lone gunman embarks on a shooting spree, targeting an individual canvassing for the London Mayor just ahead of an upcoming election. Nick Mohammed makes a welcome debut as Mayor Zahar Jaffrey, who is seeking re-election against a far-right rival. The question arises: what connects this shooting to Roddy Ho? Ho appears to be the intended target of a white van but is saved at the last moment by Shirley Dander.

      The premiere raises numerous questions and features its fair share of action. There are deviations from the original material, including Louisa’s decision to take an indefinite break from Slough House, which leads to River being assigned the task of organizing her farewell drinks, or “putting on a spread.” This results in some notable exchanges between Rosalind Elazear and Jack Lowden.

      Though Gary Oldman’s screen time is brief, Lamb remains a pleasure to watch, embodying a cynical and ironic character who always seems to be one step ahead. Meanwhile, as Shirley investigates Ho’s potential assassins, she falters later in the episode, still haunted by Marcus’s loss in the previous season finale. River is also coming to terms with his family's history and his father's actions in the last season.

      The season 5 opener clearly establishes the stakes from the outset and swiftly begins to arrange the narrative elements. Even though it is Will Smith's last season as showrunner, it commences with the same energy, hinting at another successful run for Apple TV+ and a fitting farewell for Smith in his role. The episode is filled with the intrigue, humor, and action that fans have come to adore, with much more to unfold in the following five episodes.

      Chris Connor

Slow Horses Season 5 Episode 1 Review - 'Bad Dates' Slow Horses Season 5 Episode 1 Review - 'Bad Dates' Slow Horses Season 5 Episode 1 Review - 'Bad Dates'

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Directed by Mike Hodges.
Featuring Michael Caine, Ian Hendry, John Osborne, and Britt Ekland.
SYNOPSIS:
As I previously mentioned in my review of the recent Blu-ray release, a 4K Ultra HD edition of Get Carter was on the horizon, and I can confirm that it’s well worth the wait. The remaster is outstanding, and it comes with a generous selection of bonus features, including two commentary tracks, an extensive interview with director Mike Hodges, and additional content. Plus, you also receive a Blu-ray disc that features the remaster, rather than just an older Blu-ray thrown in. Highly recommended. 
In my earlier review of Get Carter on Blu-ray from Warner Archive Collection, I stated that a more comprehensive 4K Ultra HD version was coming soon. Now that it’s here, I can say it’s fantastic. It was certainly worth the wait for those who passed on Warner’s recently reissued, less impressive Blu-ray disc. 
You can read my earlier thoughts on the film, but here’s a brief summary: Get Carter stars Michael Caine as Jack Carter, who is involved with mobsters in London but is drawn back to his hometown of Newcastle following his brother's death. 
Jack quickly becomes suspicious that the official account of a drink-driving accident seems dubious, leading him to disregard warnings from his superiors and to take matters into his own hands. Before long, he's entangled in a variety of perilous situations, and as I noted in my review, it “was likely a remarkable way to launch 1970s cinema.” (I say “likely” because I was born in 1970.) 
The remaster for this release significantly enhances the image quality, which is exceptional. I acknowledge I've made similar statements about other 4K Ultra HD releases, but this disc truly represents the highest standard of image quality for this film on home video. Unless, of course, your home theater is as large as a cinema screen, but if that’s the case, I assume you have the means to possess original source files of films or something similar. 
Additionally, the film is included on a Blu-ray disc, and I want to emphasize that it’s not the same Blu-ray that was previously available in the US. From what I understand, both discs utilize the transfer created by BFI Video when the film was released on 4K Ultra HD and Blu-ray in the UK in 2022. If it’s not exactly the same transfer, it is reportedly very close. 
The earlier Blu-ray only featured a commentary track with Michael Caine, director Mike Hodges, and cinematographer Wolfgang Suschitsky, along with a few trailers. This same commentary is included here, along with the following extras:
• Commentary track: Film critics Kim Newman and Barry Forshaw came together in 2022 to record this track, which serves as an ideal “film class on a disc” commentary that I appreciate. It offers an excellent exploration of Get Carter’s significance in both overall film history and specifically in UK film history.
• Mike Hodges in Conversation (60:12): Captured by BFI in 2022, this provides a great overview of the director’s career, which also encompasses the cult classic Flash Gordon, which holds a special place in my heart.
• Klinger on Klinger (24:09): Producer Michael Klinger’s son, Tony, reflects on his father’s career, which ranged from dramas to sex comedies.
• The Sound of Roy Budd (17:07): Composer Roy Budd receives recognition here, courtesy of film music specialist Jonny Trunk.
• Don’t Trust Boys (21:53): Petra Markham, who portrayed Jack Carter’s niece in several scenes, shares her experiences working on the film. The number of her scenes isn't meant to comment on her acting skills: I mention it because it allowed her to also participate in productions at the Royal Court and film her scenes for the BBC sitcom Albert and Victoria. 
Additionally, there’s a brief introduction to the film recorded by Caine in 2022, along with three trailers to complete this edition. 
Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ 
Brad Cook Get Carter, 1971. Directed by Mike Hodges. Featuring Michael Caine, Ian Hendry, John Osborne, and Britt Ekland. SYNOPSIS: As I previously mentioned in my review of the recent Blu-ray release, a 4K Ultra HD edition of Get Carter was on the horizon, and I can confirm that it’s well worth the wait. The remaster is outstanding, and it comes with a generous selection of bonus features, including two commentary tracks, an extensive interview with director Mike Hodges, and additional content. Plus, you also receive a Blu-ray disc that features the remaster, rather than just an older Blu-ray thrown in. Highly recommended. In my earlier review of Get Carter on Blu-ray from Warner Archive Collection, I stated that a more comprehensive 4K Ultra HD version was coming soon. Now that it’s here, I can say it’s fantastic. It was certainly worth the wait for those who passed on Warner’s recently reissued, less impressive Blu-ray disc. 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