Comic Book Review – Teenage Mutant Ninja Turtles: Journeys #2

      Andrew Newton provides a review of Teenage Mutant Ninja Turtles: Journeys #2. Following the Turtles' confrontation with the Madhatten Maulitia in the first issue, this sequel delves deeper into the complex and unpredictable landscape of Volume 4’s reprinted narrative, bringing even more strangeness to our heroes in a half shell.

      Mikey finds himself in an odd, unfamiliar setting populated by various peculiar inhabitants and encounters a familiar face that offers some much-needed solace, though it also raises new questions. Simultaneously, Donatello makes what seems to be an extraordinary find, only to discover something far more twisted and horrifying. This unsettling revelation forces him, Raphael, and Casey into a chaotic clean-up task that is both messy and enigmatic.

      In a slight diversion, a hint of romance for Shadow provides a measure of relief amidst the otherwise grim atmosphere of the issue. Nevertheless, while their hearts might be lifting, ominous clouds are gathering, particularly in space, where something unsettling is developing.

      Consistent with the first issue, this installment maintains the gritty aesthetic that distinguishes Volume 4. The artwork employs a dark palette, rendering New York with a bleak and hostile ambiance, starkly contrasting with the brighter, cleaner depiction in the contemporary Nickelodeon series. In this world, danger feels tangible, and the characters have endured years of turmoil and transformation.

      The narrative shifts between Mikey’s extraterrestrial experiences, Don’s underground discovery, and the quieter moments with Shadow, all contributing to a larger, intricately unfolding storyline.

      Journeys #2 continues to shine a light on this often underappreciated chapter in TMNT lore. The robust character development and unique visual style make this series essential reading for fans looking for a more serious and gritty interpretation.

      Rating – The darker revelations in this issue merit an 8/10.

      Andrew Newton