Comic Book Sneak Peek – Predator: Black, White & Blood #4

Comic Book Sneak Peek – Predator: Black, White & Blood #4

      Marvel Comics will release Predator: Black, White & Blood #4 on Wednesday; take a look at the official preview below for an early look at the issue…

      Experience the bloody finale to Joe Kelly’s saga set in the Australian Outback — where only the Predator or its foes will remain! Additionally, in a story by Cody Ziglar, a moonshiner on the run encounters lethal threats in the wilderness — including a Predator! Plus, a third gripping narrative that showcases the Yautja as the most formidable beings throughout all of time and space!

      SEE ALSO: Comic Book Preview – Predator Kills the Marvel Universe #3

      Predator: Black, White & Blood #4 will be available on Wednesday, October 22nd, 2025.

      About Gary Collinson: Gary Collinson is a writer and producer of film, television, and digital content. He is the founder of the pop culture site Flickering Myth and has produced the gothic horror film 'The Baby in the Basket,' as well as the upcoming suspense thriller 'Death Among the Pines.'

Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4 Comic Book Sneak Peek – Predator: Black, White & Blood #4

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Nouvelle Vague, 2025 Réalisé par Richard Linklater. Avec Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu… Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Marvel Zombies: Red Band #2 is set to be released this Wednesday, and you can take a look at the official preview of the issue below… SECRET ZOMBIE WARS?! It's been years since this world stepped into the Age of… In the trailer for the time loop horror film Manor of Darkness, death is imminent. In the trailer for the time loop horror film Manor of Darkness, death is imminent. A poster and trailer have been released online for director Blake Ridder's forthcoming horror film, Manor of Darkness. 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Comic Book Sneak Peek – Predator: Black, White & Blood #4

Marvel Comics will release Predator: Black, White & Blood #4 this Wednesday. Check out the official preview below for a glimpse of the issue... Experience the violent finale of Joe Kelly's story...