Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor

Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor

      Marvel Zombies: Red Band #2 will be released this Wednesday, and you can view the official preview for the issue below...

      SECRET ZOMBIE WARS?! Years have passed since this universe entered the Age of Undead Marvels when the first family returned, driven by hunger... and the remaining heroes are confronted with a new threat — one from BEYOND! Taken away to engage in a Secret War against their monstrous super-enemies, this dark alternate narrative continues to unfold its gruesome story!

      Marvel Zombies: Red Band #2 will be available on October 22nd.

      About Amie Cranswick: Amie Cranswick has been a member of Flickering Myth's editorial and management team for more than a decade. She has a background in publishing and copyediting and has held the position of Editor-in-Chief of FlickeringMyth.com since 2023.

Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor

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Created by Gerry Finley-Day and Dave Gibbons, Rogue Trooper is the blue-skinned soldier waging his own battle among the chemical clouds of Nu-Earth, caught between two conflicting and relentless armies. His only companions are the digital personas of his three fallen comrades, embedded in his gear. After his team is betrayed and murdered by a treacherous General, Rogue, along with his biochip friends Helm, Gunnar, and Bagman, sets out to find the traitor. This intricately detailed figure includes four pairs of interchangeable hands, two alternate faces, and a variety of accessories. The set comes with Rogue Trooper’s signature rifle, helmet, and backpack, allowing fans to bring home Helm, Gunnar, and Bagman, complete with a bullet firing effect and muzzle smoke effect. Additional items include a robotic arm, a dagger, and two grenades. Crafted from PVC, ABS, and real fabric clothing, the Rogue Trooper action figure is set to release in Fall 2025 and is an essential addition for any fan of the Genetic Infantryman. About Gary Collinson: Gary Collinson is a producer and writer specializing in film, TV, and digital content. He founded the pop culture website Flickering Myth and produced the gothic horror film 'The Baby in the Basket' and the upcoming suspense thriller 'Death Among the Pines.' With an animated feature film directed by Duncan Jones on the way, Hiya Toys is adding Rogue Trooper to its Exquisite Super Series with a deluxe 1:12 scale action figure of the Genetic Infantryman from 2000 AD. Check out the official promotional images and details for the figure, which is currently available for pre-order ahead of a projected release in Q4 2026. Created by Gerry Finley-Day and Dave Gibbons, Rogue Trooper is the blue-skinned soldier waging his own battle among the chemical clouds of Nu-Earth, caught between two conflicting and relentless armies. His only companions are the digital personas of his three fallen comrades, embedded in his gear. After his team is betrayed and murdered by a treacherous General, Rogue, along with his biochip friends Helm, Gunnar, and Bagman, sets out to find the traitor. This intricately detailed figure includes four pairs of interchangeable hands, two alternate faces, and a variety of accessories. The set comes with Rogue Trooper’s signature rifle, helmet, and backpack, allowing fans to bring home Helm, Gunnar, and Bagman, complete with a bullet firing effect and muzzle smoke effect. Additional items include a robotic arm, a dagger, and two grenades. 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Created by Gerry Finley-Day and Dave Gibbons, Rogue Trooper is the blue-skinned soldier waging his own battle among the chemical clouds of Nu-Earth, caught between two conflicting and relentless armies. His only companions are the digital personas of his three fallen comrades, embedded in his gear. After his team is betrayed and murdered by a treacherous General, Rogue, along with his biochip friends Helm, Gunnar, and Bagman, sets out to find the traitor. This intricately detailed figure includes four pairs of interchangeable hands, two alternate faces, and a variety of accessories. The set comes with Rogue Trooper’s signature rifle, helmet, and backpack, allowing fans to bring home Helm, Gunnar, and Bagman, complete with a bullet firing effect and muzzle smoke effect. Additional items include a robotic arm, a dagger, and two grenades. Crafted from PVC, ABS, and real fabric clothing, the Rogue Trooper action figure is set to release in Fall 2025 and is an essential addition for any fan of the Genetic Infantryman. About Gary Collinson: Gary Collinson is a producer and writer specializing in film, TV, and digital content. He founded the pop culture website Flickering Myth and produced the gothic horror film 'The Baby in the Basket' and the upcoming suspense thriller 'Death Among the Pines.'

Nouvelle Vague, 2025 Directed by Richard Linklater. Starring Guillaume Marbeck, Zoey Deutch, Aubry Dullin, Adrien Rouyard, Antoine Besson, Jodie Ruth-Forest, Bruno Dreyfürst, Benjamin Clery, Matthieu Penchinat, Pauline Belle, Paolo Luka-Noé, and Jade Phan-Gia. SYNOPSIS: After contributing to Cahiers du cinéma, a young Godard concludes that making films is the ultimate form of film criticism. He secures funding from Beauregard to produce a low-budget feature and collaborates with Truffaut on a treatment about a couple of gangsters. French Cinema in the late 1950s and early 1960s sent shockwaves that continue to resonate today. Filmmakers like François Truffaut, Agnes Varda, Jean Pierre Melville, and notably Jean Luc Godard, transformed the perceptions of audiences and critics regarding cinema. This movement, known as the New Wave (Nouvelle Vague), is now honored by Richard Linklater in Nouvelle Vague. The film portrays Godard (Guillaume Marbeck), Truffaut, and others as they work on Breathless, a landmark film of the movement. Linklater crafts the film to resemble a lost New Wave picture, infused with the energy, enthusiasm, and style characteristic of early 1960s French films. However, the question remains: is it style over substance or a genuine tribute? The story begins with a group of critics from Cahiers du Cinéma, aspiring directors themselves, discussing their transition into filmmaking at Cannes. Shortly thereafter, Truffaut (Adrien Rouyard) experiences tremendous success with The 400 Blows. Godard decides it's time to direct, with Truffaut helping to write. This marks the beginning of Breathless, characterized by limited takes and a vibrant energy; the chaotic filming was driven by the spontaneous director, even on his debut feature, as he strayed from the script. This film is a heartfelt tribute to the cinema of that time, filled with references not just to Breathless but also to other directors and later works by Godard. The style resembles that of a documentary, complete with name cards each time a notable figure from the movement appears, and Linklater captures their likenesses remarkably well. He successfully emulates the structural style of those films, making this a captivating and exceptionally stylish offering, perhaps to a fault. While it is slightly more structured than some New Wave films, it features a marvelous jazz soundtrack that maintains the rhythm. At times it may feel overwhelmed by its own references and loyalty to the filmmakers it admires, compounded by the numerous cameos and nods. Although the homages will surely delight fans of that era, they might be overlooked by casual viewers. Nevertheless, Godard's impulsiveness and influence are expertly portrayed through Guillaume Marbeck's strong central performance. Zoey Deutch is effectively cast as Jean Seberg, co-star of Breathless, who is taken aback by the disorganized approach of the shooting process. Perhaps the most impressive aspect of Nouvelle Vague is how seamlessly Linklater handles a French-language film. It's clearly a passion project for him, exuding charm and a sense of playfulness. While it may not be as revolutionary as the films it pays homage to, there is still much to appreciate in Linklater's affectionate tribute to French Cinema. Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ Chris Connor

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