Cutting Through Rocks Review: A Confirmation of the Moral Universe's Inclination Towards Justice

      The documentary *Cutting Through Rocks* exemplifies the saying, “two steps forward, one step back.” Directed by Sara Khaki and Mohammadreza Eyni, the film narrates the journey of Sara Shahverdi, the first elected councilwoman from her village in northwestern Iran. It chronicles her campaign efforts, her unexpected victory, and her challenges in enacting change within her community. A longstanding culture of male dominance presents significant obstacles, culminating in intense tensions and conflict, including opposition from her own family, as they question her determination and readiness to stand her ground.

      The film presents a well-structured narrative, skillfully edited, and centered around two trees that Shahverdi planted with her late father years ago. He instilled in her the value of independence, embodying progressive ideals in a patriarchal society. As she seeks comfort in these trees, the film mirrors this sentiment. With each challenge she faces on the council, the solace found by the trees becomes increasingly significant, showcasing some of the film’s most impactful visuals.

      Shahverdi emerges as a remarkable protagonist. As a former midwife and divorcee in a region where divorce is heavily stigmatized, she defies conventions by riding a motorcycle, dressing freely, and challenging authority at every opportunity. A particularly striking scene features Shahverdi asserting herself to her brothers about amending a document regarding their family inheritance to ensure that she and her sisters are not denied their rights.

      Throughout the film, she faces confrontations from agitated male villagers who directly question her independence and steadfastness. There are also disturbing moments depicting young women who are assaulted by older men who are supposed to protect them. The camera often remains concealed or obscured, capturing these events discreetly.

      Regardless of the numerous hurdles, *Cutting Through Rocks*, much like its central figure, demonstrates resilience. The film ultimately consists of a series of impactful, poignant moments: Shahverdi offering refuge to a young girl being pressured into a second arranged marriage; teaching a group of young women to ride motorcycles, much to the dismay of the village; and advocating for a specific design for a new village park despite opposition from fellow council members. As political forces increasingly obstruct her efforts, she remains steadfast in her convictions. Her identity as a woman, as well as her actions at home, face scrutiny. At one point, a villager’s explanation reflects a harsh acceptance of tradition: “It is what it is.”

      Khaki and Eyni risked everything to film these moments. The production spanned over seven years with numerous visits, and their commitment is evident. The documentary lacks any unnecessary filler. Often, documentaries include b-roll as transitions, which can be beneficial but frequently feels superfluous. However, *Cutting Through Rocks* avoids this, delivering focused storytelling that highlights its subject with a wealth of engaging footage that emphasizes both the tragic elements and the glimmers of hope seen in the young women inspired by Shahverdi. The phrase “representation matters” has become somewhat of a joke in certain online circles, which is unfortunate, because representation truly does matter.

      *Cutting Through Rocks* is set to premiere on Friday, November 21, at NYC’s Film Forum.