The Top 12 Superhero Films of All Time, Ranked
What is the best superhero film of all time? In our opinion, it's one of the following, ranked from least to most exceptional.
Think differently? We'd love to hear your thoughts in the comments. Here's our ranking.
12. Logan (2017)
Hugh Jackman appears in Logan. Fox – Credit: C/O
A rule-breaking narrative about sacrifice, loss, and a solitary figure's fight to do more good than harm throughout the centuries. Director James Mangold demonstrated that comic book films can resonate beyond children with a metaphorical exploration of aging gracefully.
Mangold revisited the theme of an aging action hero in the recent Indiana Jones and the Dial of Destiny, but honestly, we favor Logan.
11. Blade (1998)
New Line Cinema
Though not flawless, Blade broadened the perception of what a superhero film could be by drawing from one of Marvel's lesser-known characters: a vampire hunter in a leather jacket instead of a traditional cape or tights. Blade showed that Marvel could find great success with its underappreciated or lesser-known characters, much like Ant-Man or the Guardians of the Galaxy.
We also appreciate a superhero film that captivates us without relying heavily on CGI, which has marred many otherwise solid superhero movies, such as Wonder Woman.
Plus, Wesley Snipes delivers an impressive performance in the lead, including the iconic line, "Some mother—-er’s are always trying to ice skate uphill."
10. X-Men: Days of Future Past (2014)
Fox – Credit: 20th Century Fox
This film is a fairly faithful adaptation of one of Christopher Claremont’s most famous comic storylines, placing Logan (Hugh Jackman) in a central role rather than Kitty Pryde, and ambitiously combining the 2000s X-Men films with their 2010s prequels.
Long before movie metaverses made time travel and alternate realities feel overused, this X-Men installment offered a fresh and thrilling perspective. The 1970s section is outstanding, but it loses points due to the dreary future scenes, where the CGI is rather uninspired.
9. Deadpool (2016)
Deadpool (Ryan Reynolds) in Deadpool. Fox
The most outright hilarious comic book movie ever created, made possible through Ryan Reynolds’ tenacious belief that one of Marvel's quirkiest characters could also be its greatest.
And yes, we’re looking forward to Hugh Jackman returning for Deadpool 3.
8. X2: X-Men United (2003)
Fox
2003’s X-Men 2 greatly enhances the original, opening with Nightcrawler (Alan Cumming) operatically infiltrating the Oval Office and maintaining a fast pace throughout.
The battle between Wolverine (Hugh Jackman) and Lady Deathstryke (Kelly Hu) feels much more grounded and intense compared to the CGI-heavy conflicts that would plague many upcoming superhero films, and a pre-Succession Brian Cox delivers a menacingly perfect performance as Col. William Stryker, an authentic adversary to our beloved mutants.
7. Spider-Man 2 (2004)
Tobey Maguire as Spider-Man and Kirsten Dunst as Mary Jane Watson in Spider-Man 2. Sony
Peter Parker (Tobey Maguire) discovers that great power includes not just great responsibility, but also significant sacrifice, as he realizes his role as Spider-Man puts Mary Jane Watson (Kirsten Dunst) in danger. Doc Ock (Alfred Molina) is one of the most iconic Spider-Man villains, with a standout moment where New York City comes to Spider-Man's aid.
It is also the most romantic superhero film — except for the movie at No. 2 on our list.
6. Black Panther (2018)
T’Challa (Chadwick Boseman) and Nakia (Lupita Nyong’o) in Black Panther. Disney
The film excels in world-building and features outstanding acting throughout. Michael B. Jordan portrays perhaps the best villain in the MCU, while Chadwick Boseman shines as a king torn between his people and the wider world in this Ryan Coogler Best Picture nominee.
It's impressive that both Black Panther and Infinity War were released just months apart, marking a significant peak for the MCU.
5. Avengers: Infinity War (2018)
Disney – Credit: C/O
With an astonishing opening suggesting anything can happen, Infinity War engages in character development as thoroughly as action, concluding with a cliffhanger of epic proportions. Its sequel, Avengers: Endgame, not only resolves that cliffhanger but also wraps up more than a decade's worth of Marvel superhero movie narratives.
4. Spider-Man: Into the Spider-Verse (2018)
The spider friends in Spider-Man: Into the Spider-Verse. Sony
2018 was a remarkable year for superhero films.
This audaciously experimental, visually stunning animated feature breaks every traditional mold, offering
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Zhengyang Du is an independent and innovative director and cinematographer. His portfolio includes both documentary and narrative films, characterized by a serene and subtle visual style that conveys understated emotional tension.
Du's work has gained significant recognition within the film industry. His short films, such as “Waiting For A Separation” (2023), “In the Light” (2022), and “Leave Me” (2021), have been featured in esteemed international festivals, including the Cannes Short Film Corner and the FIRST International Film Festival, among others. He has also earned accolades, including a nomination for Best Experimental Short at the 2021 HiShorts! Xiamen Short Film Week and an Honorable Mention at the 2023 Atlanta Film Festival. Most recently, his directing and cinematography project “Beings” received an Honorable Mention at the 45th Thomas Edison Film Festival (Oscar-qualifying) in November 2025. This prestigious festival, established in 1981, is renowned for honoring innovative films across various genres. “Beings” stood out among 948 submissions, earning one of just 25 Honorable Mentions.
“Beings” is an experimental documentary expressed through four symbolic forms—the iron fish, the captive horse, the abandoned vehicle, and the disabled martial artist. This film reflects on how “beings” uphold dignity and significance in the face of control, decay, and physical limitations. Transitioning between stillness and resistance, each vignette captures a distinct state of being constrained yet persistently alive.
The Essence of “Beings”
After establishing a strong reputation with festival-acclaimed works in both documentary and narrative formats, Zhengyang Du approached “Beings” from a deeply personal perspective. Upon his arrival in Orange County, the unfamiliar surroundings evoked a quiet sense of wonder; he wandered with his camera, observing the world with a restrained, introspective gaze. Cinematography became a means of calmly witnessing the existence of people and objects, with seemingly random encounters unveiling unexpected beauty. However, the act of capturing images raised a profound question: does filming itself hold meaning, and if so, what does it mean to simply exist?
Through this ongoing exploration, Zhengyang gradually recognized that existence itself might serve as the purpose, rather than merely as a means to an end. To exist requires enduring pain; transcending pain is what imbues life with emotional significance. “Beings” examines how living entities maintain dignity amid control, decay, and physical limitations. Flowing seamlessly between stillness and resistance, each vignette illustrates a state of being restrained yet vibrantly alive, suggesting that persistence may constitute the most essential gesture of existence.
Visual Approach
In “Beings,” Zhengyang expands the visual language found in his award-winning short films and well-known commercials for reputable brands such as Nike and Tilta. However, he refines it into an even more subdued cinematic grammar. The film's aesthetic is grounded in tranquility and minimal intervention: the camera shares the same space as its subjects, observing them with quiet patience rather than heightening movement. The editing prioritizes gentle rhythms over speed, allowing imagery and emotions to develop organically. A subtle chromatic shift—from color to monochrome and back—mirrors the film’s emotional journey, hinting at a complex cycle of vitality, suppression, and renewal.
This visual evolution holds conceptual importance. Severed branches illustrate a life taken away; when reshaped into fish forms by human hands, they imitate living entities, yet their restored appearance comes with the loss of their original freedom. Similarly, horses confined in dark stables, blindfolded and restrained, represent another facet of captivity. The imagery remains devoid of color until a white horse begins to thrash and gallop; its forceful hooves and intensifying cries gradually reintroduce color into the frame, symbolically restoring vitality, agency, and a fragile sense of freedom.
Production and Collaboration
“Beings” was filmed entirely in Orange County, facing challenges more conceptual than technical. Instead of elaborate setups, Zhengyang aimed to uncover the invisible connections among these fragments of existence, allowing each moment to resonate softly with the next. This approach necessitated patience and a commitment to observation without imposing narrative direction—a challenging discipline that ultimately shaped the film’s contemplative tone.
The production was also heavily collaborative. Zhengyang expresses heartfelt appreciation for filmmaker Ruoyu Wang, who was closely involved during the filming period, and to Master David and the martial artists of Pakua OC, whose kindness provided access to their martial arts studio. Their trust, patience, and presence were vital to the film's realization, contributing both logistical support and a spiritual dimension to the creation of “Beings.”
Interpretation and Experience
In contrast to works that attempt to dictate interpretation, “Beings” resists prescriptive meanings. Du highlights that he does not aim to instruct audiences on how to engage with the film; instead, he hopes viewers might temporarily set aside analytical impulses. Like
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The Top 12 Superhero Films of All Time, Ranked
Which superhero movie is the best of all time? In our opinion, it's one of the following, ranked from the least remarkable to the ultimate classic.