Tubi FrightFest Review – Bad Karaoke (2026)

      **Bad Karaoke, 2026**

      Directed by Chris Lightbody and Robert J. Steinmiller Jr.

      Featuring Kate Miner, Lexi Underwood, Kat Cunning, Case Walker, Jenna Karan, Jonathan Jason Green, Kevin Clayette.

      **SYNOPSIS:**

      The party band Nunu is en route to perform at a wedding. Arriving early, they rent a house to reconnect and, as one member puts it, "learn to like each other again." Band leader Hannah has brought her new girlfriend, Ava, while Logan, another band member, is accompanied by his best friend, Matt. Completing the group are Nunu's final two members: Emily and Noah. On the way to their rental, they stop at a small-town bar where Emily discovers an abandoned karaoke machine. The bar owner gives it to her for free, leading the group to try karaoke that evening. However, there’s something seriously amiss with the machine, and people start dying.

      Horror films exploring the perils of technology are not uncommon, often focusing on evil AIs, robot revolts, or internet dangers—not karaoke machines. Yet, in an era where many are looking for ways to escape the digital world, an old-school karaoke machine may appear to be a fun way to unplug and spend quality time with friends.

      The notion of a lethal karaoke machine might sound a bit silly, and a movie titled *Bad Karaoke* could easily take a turn for the worse. While one might expect a mediocre B-movie filled with cheesy death effects and karaoke antics, the film pleasantly surprises. It is unexpectedly humorous, increasingly gory, and the musical performances are enjoyable. Coupled with themes of friendship, found family, and the importance of holding onto those bonds, the film manages to be both delightfully charming and bloody.

      Despite its humor and gore, *Bad Karaoke* does have a few shortcomings. Most issues are minor, but certain plot points seem overly absurd, particularly the group's decision to stay in the house after realizing the karaoke machine is dangerous. Initially, they believe they must play the machine again for it to become lethal. However, once they learn that's not the case, they still don’t attempt to leave.

      They do try other solutions, like calling 9-1-1, which leads to a comically funny exchange, or unplugging the machine. But the simplest option—walking away from the house—doesn't occur to anyone until near the film's conclusion. They could leave the car, abandon their cell phones, and stroll down the mountainside. Although the antics would have ceased had they made that choice, it feels like a glaring oversight.

      Another notable issue with *Bad Karaoke* lies in its ending. Some viewers may appreciate it, but others could view it as a total letdown. As a horror-comedy, there is some flexibility in how brutal the outcome is. However, the ending opts for the safest route possible, which is disappointing given the film's prior escalation of gore and chaos. These aspects do not significantly detract from the overall enjoyment of *Bad Karaoke*, but they do lower its impact slightly.

      Where the film excels is in almost every other aspect. Although a few blood and guts effects appear somewhat cheesy, most practical effects are truly impressive and quite revolting. *Bad Karaoke* does not shy away from violence or its consequences; it showcases a bloodbath reminiscent of J-horror. Gore enthusiasts are sure to be satisfied.

      Moreover, the characters are not just flat stereotypes, which is refreshing. They showcase diversity and each individual has a distinct personality with identifiable flaws. Many horror films fail to create multidimensional characters that engage viewers, making *Bad Karaoke* a refreshing change. Audiences will genuinely mourn some of the losses due to the likability of the characters, even those who initially come off as unappealing.

      *Bad Karaoke* stands out as a horror-comedy akin to *Hanky Panky* with a seemingly unworkable premise that is executed so well it not only succeeds but provides numerous laughs, alongside absurdity and bloodshed. It is equally captivating, silly, and an all-around joy, making it one of the better horror-comedies to emerge in recent times.

      **Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★**

      Misty Layne