NFMLA DocuSlate Narrates Tales of Law Enforcement, Book Censorship, and Agricultural Workers

      Community-oriented policing, the anti-trans book ban, and narratives from undocumented farmworkers were among the themes featured in NewFilmmakers Los Angeles’ annual DocuSlate documentary program, which highlighted documentary filmmakers and stories from across the globe.

      DocuSlate, held in November, kicked off with the Los Angeles premiere of “The Walk,” an intercontinental fairytale about the refugee experience directed by Tamara Kotevska, the Oscar-nominated filmmaker of Honeyland.

      “Our media often portrays refugees as victims, but I aim to shift that perception. I want to highlight that refugees are not burdens or collateral damage; they are individuals who can contribute significantly,” Kotevska expressed.

      The event proceeded with the Los Angeles premiere of “Impossible Town,” directed by co-directors Meg Griffiths and Scott Faris. This film presents a West Virginia community grappling with a crisis after years of exposure to cancer-causing substances and a drastic decline in population, featuring an innovative plan to assist those who remain.

      The block titled Shorts I showcased narratives about recovery following a near-death experience, finding a home in unexpected places, exploring family survival histories, pioneering in sports, and emigrating from the U.S. for a brighter future.

      Following that, documentarian Vivian Denny Veidt presented her feature film "Pack Is Here," alongside Camilo Silva's short documentary "The Canary." Both pieces address individuals and communities resisting the increasing efforts to obscure trans visibility. “The Canary” narrates a librarian and mother's struggle against transphobic book bans, whereas "Pack Is Here" delves into the realm of trans roller derby players and the broader derby community.

      "I hope you find not only entertainment and enlightenment but also motivation to advocate for change. Our roller derby family has demonstrated that a better world is achievable, and it's our shared responsibility to realize it," Veidt remarked.

      Next came DocuSlate Shorts II, which explored the experiences of undocumented farmworkers, challenges in accessing abortion services, community policing, and the necessity of pardoning criminal records.

      The event wrapped up with the Los Angeles premiere of Sean P. Fahey's “For Kicks,” preceded by Denise Pendleton, Phil Lee, and Darryl Manuel’s short documentary “What’s Black About It? Burrell: Advertising Revolution.” Both projects examine Black representation in the 1970s and 80s.

      NFMLA promotes films from filmmakers of all backgrounds throughout the year, through both its general programming and InFocus initiatives. All filmmakers are encouraged to submit their work for consideration in upcoming NFMLA Festivals, irrespective of the schedule for InFocus programming, which emphasizes diversity and inclusion by highlighting specific filmmaking communities as part of the monthly program.

      Here are details about the filmmakers, their works, and interviews:

      “Someone You Know,” directed by Asha Dahya

      About Asha: Asha Dahya is an Emmy-nominated producer, writer, TEDx speaker, and storyteller. With two decades of experience, she has created, produced, and hosted content for major networks including MTV, MSN.com, Disney, ABC, Nickelodeon, and more. In 2024, she was nominated for an Emmy Award for producing the short film “My Name Is Siri,” focusing on autism awareness. Asha is also the director and producer of “Someone You Know,” a short documentary about later abortion.

      About “Someone You Know”: Three women share their experiences navigating challenges in a hostile environment while seeking a later abortion.

      Watch the NFMLA interview with Asha Dahya, director of “Someone You Know”:

      “Rodney and the River,” directed by David Gantz

      About David: David Gantz is a director, editor, and animator based in Los Angeles.

      About “Rodney and The River”: This film explores a small, lush area of the concrete Los Angeles River where the riverbed is allowed to flourish. Here, Rodney lives off the land, and the film examines the city’s connection with this natural resource turned infrastructure, delving into themes of freedom and humanity in a modern urban setting.

      Watch the NFMLA interview with David Gantz, director of “Rodney and the River”:

      “Impossible Town,” directed by Meg Griffiths and Scott Farris

      About Meg: Meg Griffiths, co-director and producer of “Impossible Town,” began her career as a photo and video journalist at the Houston Chronicle and later held a leadership position at Teach For America, establishing its first video studio. After managing content development at an L.A. agency, she co-founded Universe Creative, a documentary production company. Meg’s work has been nominated for a Pulitzer Prize and is supported by the International Documentary Association.

      About Scott: Scott Faris, co-director, cinematographer, and editor of “Impossible Town,” was raised in West Virginia and has worked as a video producer for various educational nonprofits. He enjoys telling stories that challenge conventional views and highlight often-overlooked communities.

      About “Impossible Town”: