10 Essential Films to Watch from 2015

      We revisit the cinematic landscape of 2015 by highlighting ten essential films from a decade ago. Gazing back through our time lens reveals a notable Robert Eggers film and a flourishing horror genre that produced numerous cult classics. This is reminiscent of 2025, where Eggers' latest, Nosferatu, has made a significant impact at the box office, following a year rich in cult horror films with more on the horizon.

      The past few years have seen a rise in creatively ambitious and captivating indie films by unique auteurs. While the major studio films have been somewhat lacking, the increase in compelling indie cinema offers plenty for cinephiles to adore. This surge likely began in 2015 when studios like A24 were starting to make their mark, introducing many now-familiar voices in film. Let’s delve into these ten must-see films from 2015…

      **Mad Max: Fury Road**

      Blockbuster cinema has been a mixed experience for many years. A reliance on formulas and franchises often overshadows originality and authentic directorial vision. However, one blockbuster from 2015 truly distinguished itself and has rarely been equaled since. Mad Max: Fury Road marked George Miller’s anticipated return to a parched, post-apocalyptic landscape. In this outing, Tom Hardy steps in as the titular anti-hero, departing from Mel Gibson's portrayal and navigating a larger narrative.

      Fury Road first made waves with incredible trailers that hinted at a film of intense brilliance. In a time when trailers often became repetitively dull, these stood out for their electrifying quality (which remains unmatched). The film itself delivered spectacular action wrapped around a straightforward plot, with Charlize Theron overshadowing Tom Hardy. Miller’s visionary revival of his iconic franchise was relentless and exhilarating, filled with remarkable set pieces. In truth, last year’s Furiosa pales in comparison.

      **Our Little Sister**

      Let’s shift gears completely and embrace a more tranquil vibe. Hirokazu Kore-eda revitalized the humanist melodramas reminiscent of Ozu in Japanese cinema, crafting simple yet nuanced family dynamics in various ways. In Our Little Sister, he narrates the story of three sisters who reconnect with their estranged father and learn they have a half-sister.

      The film is charming, heartfelt, engaging, and beautifully crafted. Kore-eda approaches the drama with a straightforward and objective lens, encouraging wonderful performances and patiently inviting the audience into the narrative.

      **Green Room**

      Jeremy Saulnier made a noteworthy return in last year’s Rebel Ridge, reminding us of the exciting voice he had between 2007 and 2015 with films like Murder Party, Blue Ruin, and Green Room. Saulnier excels at taking simple concepts and infusing them with a fresh, irreverent energy.

      Green Room follows a punk band fighting for their survival after witnessing a murder at their performance venue, which is actually a Neo-Nazi gang’s hideout. The late Anton Yelchin delivers as a magnetic lead, while Patrick Stewart's portrayal of the neo-Nazi leader is surprisingly formidable. The film is tense, contained, and at times darkly humorous, making it a standout indie horror/thriller.

      **The Witch**

      Robert Eggers has emerged as a visionary voice in modern cinema, even as he explores well-trodden themes. His breakout film, The Witch, offers a unique take on an old concept, delivering a slow-burn folk horror that is both atmospheric and richly gothic.

      Anya Taylor-Joy's captivating performance clearly hinted at her future stardom. Eggers fills the film with meticulous detail and cinematic references, creating several unforgettable images throughout. This film may leave you wanting to "live deliciously," but be warned—goats may induce a sense of caution.

      **The Gift**

      A psychological thriller reminiscent of Hitchcock and King, The Gift showcases Joel Edgerton’s charisma, both in front of and behind the camera as director and star.

      Edgerton plays Gordo, a long-lost acquaintance of Simon (Jason Bateman), who reestablishes his presence with increasingly unsettling gifts. Though it was released with little fanfare, The Gift gained traction for its quality. Its small cult following is well-deserved, even if it's started to fade from mainstream consciousness. If this film hasn't crossed your radar, be sure to give it a chance.

      **The Survivalist**

      Stephen Fingleton’s gripping post-apocalyptic film is a brilliantly shot, atmospheric low-budget thriller. With minimal dialogue, Fingleton’s work remains captivating throughout.

      Martin McCann portrays a solitary survivalist striving for self-sufficiency in the woods when two women (Olwen Fouere and Mia Goth) intrude upon his territory. Against his instincts and the implication of intimacy with Goth's character, he decides to let them stay. Tension builds as the women plot to escape him, until the younger one (Goth) begins to form a bond