NYC Weekend Guide: Hong Kong Classics, Women in Action, Mixed Blood, and More

      NYC Weekend Watch is our weekly summary of repertory screenings.

      IFC Center features films by John Woo, Tsui Hark, and Ringo Lam as part of Hong Kong Cinema Classics; The Lovers on the Bridge is presented in a new restoration, while In the Mood for Love and In the Mood for Love 2001 are still being shown; late-night screenings include Cure, Commando, Rosemary’s Baby, and The Decline of Western Civilization.

      Film Forum kicks off Women In Action, showcasing works by John Cassavetes, Olivier Assayas, Nicholas Ray, King Hu, and more; the long-lost director’s cut of Joseph Cates’ Who Killed Teddy Bear? remains screening on 35mm; Roman Polanski’s An Officer and a Spy continues its extended run; several of Akira Kurosawa’s most influential films will be screened.

      Roxy Cinema is showing Paul Morrissey’s Mixed Blood on Friday and Saturday; Cassavetes’ Husbands is set to screen on 35mm Sunday, alongside Satyajit Ray’s The Music Room in a double feature with Abbas Kiarostami’s The Chorus.

      Brooklyn Academy of Music is currently hosting a retrospective spanning the career of Tarkovsky.

      Film at Lincoln Center continues to screen In the Mood for Love and In the Mood for Love 2001.

      Museum of Modern Art is in the midst of a Michael Caine retrospective.

      Anthology Film Archives features films by Aki Kaurismäki and Stephen Frears in Occasionally Humane.

      Museum of the Moving Image presents Dogville and Nashville in a series inspired by Eddington; 2001 will be screened on 70mm as part of a new series; Uncut Gems is showing on Saturday.

      Nitehawk Cinema will screen a print of Muriel’s Wedding early Saturday, while Sunday features a surprise Hong Kong film on 35mm.

      Metrograph is showing Nashville, Requiem for a Dream, Natural Born Killers, and Hedwig and the Angry Inch on 35mm; Olivier Assayas: Out of Time, Class Rules, Killer Films 30th Anniversary (listen to our interview), Topographies of Absence, Come as You Are, and In ‘Scope and Color are still available for viewing.