Film Review – Regretting You (2025)

Film Review – Regretting You (2025)

      Regretting You, 2025.

      Directed by Josh Boone

      Featuring McKenna Grace, Mason Thames, Alison Williams, Dave Franco, Scott Eastwood, Willa Fitzgerald, and Clancy Brown.

      SYNOPSIS:

      The film highlights the troubled relationship between young mother Morgan Grant and her teenage daughter Clara, worsened by the tragic death of Morgan’s husband Chris, compelling them to face life’s hurdles together.

      There’s a moment in the aptly named Regretting You where a minor character, one of the few likable figures in this softly focused ensemble, states, “we’re going to ride this shit out together.” This line stands out as one of the rare intentionally humorous moments in the film and serves as a rallying cry for those enduring this overdramatic portrayal of grief.

      The film had the potential to be the type of mid-range melodrama that often filled multiplex schedules rather than getting lost among streaming service suggestions — something akin to a Notebook or Dear John-style drama suited for girls' or date nights. Directed by Josh Boone, who successfully brought The Fault in Our Stars to $300 million at the global box office, it is also based on a novel by TikTok sensation and popular author of It Ends With Us, Colleen Hoover.

      Regretting You begins with great promise; there's an engaging meet-cute between Mason Thames's character from the wrong side of the tracks and McKenna Grace's wholesome college hopeful; a flashback shows our main characters indulging in beer pong and teenage pregnancy; and the overall vibe evokes a nostalgic and cozy feel reminiscent of Dawson’s Creek.

      However, after a predictable double twist, Regretting You devolves into a somber, absurd experience with some of the most awkward dialogue seen outside of a cable-channel telenovela. Lines intended to convey trauma draw laughs instead, and significant moments, particularly those involving Dave Franco’s character Jonah, are undermined by a delivery that feels almost embarrassed and stilted.

      Even the earlier setup between the film’s two youngest stars, who have a natural charm, features a Usual Suspects-style revelation that renders their entire story arc and central romance quite unsettling while also being utterly hilarious. This reflects the film's inconsistent tone.

      The cast does their utmost with the overly sentimental script, but when talented actors like Alison Williams, commendable in HBO’s Girls and Get Out, and Willa Fitzgerald, excellent in Mike Flanagan’s The Fall of the House of Usher, are reduced to such shallow, lifeless roles, something has gone terribly wrong.

      Regretting You ultimately is worse than just living up to its title; it floats between being a so-bad-it’s-good comedy for a Friday night and simply being painfully dull.

      Flickering Myth Rating – Film ★ / Movie ★ ★

      Matt Rodgers – Follow me on Twitter

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Jack Whitehall portrays Adam, a tutor who ingratiates himself into the affluent Tanner family's home during their vacation in Greece, all the while harboring dark intentions as he schemes to dismantle the family. 

Alongside Whitehall, the cast includes David Duchovny, Carice van Houten, Harry Gilby, Teddie Allen, Phoenix Laroche, Christine Adams, Raza Jaffrey, Rianna Kellman, and Jade Khan. Watch the trailer below…

In the series, Adam (Jack Whitehall) is a charming tutor who finds his way into the lives of the wealthy Tanner family while they vacation in Greece. When the family's nanny becomes seriously ill, Adam skillfully inserts himself into their London home, revealing his true vengeful side. 

Adam begins to sow discord between Jamie Tanner (David Duchovny) and Nat (Carice Van Houten) while secretly planning to destroy the entire family. As Adam’s obsession with the family raises suspicions, those who investigate his background find themselves entangled in a perilous situation. With his world unraveling, Jamie starts to suspect that Adam may be the cause of their recent troubles— but is it too late to save his family?

Malice is set to premiere on Prime Video on November 14th. Prime Video has released a trailer for its upcoming thriller series, Malice. Jack Whitehall portrays Adam, a tutor who ingratiates himself into the affluent Tanner family's home during their vacation in Greece, all the while harboring dark intentions as he schemes to dismantle the family. Alongside Whitehall, the cast includes David Duchovny, Carice van Houten, Harry Gilby, Teddie Allen, Phoenix Laroche, Christine Adams, Raza Jaffrey, Rianna Kellman, and Jade Khan. Watch the trailer below… In the series, Adam (Jack Whitehall) is a charming tutor who finds his way into the lives of the wealthy Tanner family while they vacation in Greece. When the family's nanny becomes seriously ill, Adam skillfully inserts himself into their London home, revealing his true vengeful side. Adam begins to sow discord between Jamie Tanner (David Duchovny) and Nat (Carice Van Houten) while secretly planning to destroy the entire family. As Adam’s obsession with the family raises suspicions, those who investigate his background find themselves entangled in a perilous situation. With his world unraveling, Jamie starts to suspect that Adam may be the cause of their recent troubles— but is it too late to save his family? Malice is set to premiere on Prime Video on November 14th. Here’s an exciting update on casting. Michael B. Jordan may get to retain his wardrobe from the conclusion of Sinners, as he is in preliminary discussions to star in a project by Joseph Kosinski… Dreams, 2025.  
Written and directed by Michel Franco.  
Featuring Jessica Chastain, Isaac Hernández, Rupert Friend, Marshall Bell, Eligio Meléndez, and Mercedes Hernández.  

SYNOPSIS:  
A romance develops between a wealthy socialite and a Mexican ballet dancer, merging their differing lives and cultures. Following the outstanding Memory from 2023, Mexican writer-director Michel Franco's second project with Jessica Chastain takes on a more cynical tone, highlighting the selfish ambitions of the affluent elite and the hypocritical liberalism they often disguise themselves with.  

Chastain portrays Jennifer, a rich philanthropist based in San Francisco, who dedicates her time and resources to supporting her family’s arts foundation, including a ballet school in Mexico City. She embarks on a relationship with talented dancer Fernando (Isaac Hernández), a connection she discreetly conceals from her brother Jake (Rupert Friend) and, more critically, her father Michael (Marshall Bell), the provider of her wealth and privileged lifestyle.  

Dreams begins powerfully, with screams echoing from a truck loaded with migrants crossing the border, as we see Fernando make his way to San Francisco with just the clothes on his back. He arrives at Jennifer's home, enters, and they immediately engage in a passionate encounter. While this makes for a compelling start, the film struggles to maintain momentum thereafter.  

Fernando expects an open relationship in the US, while it becomes evident that Jennifer prefers he remain in Mexico. She is acutely aware of how such a relationship could impact her public persona and is more interested in Fernando as a handsome secret to visit in Mexico for her own desires. His presence in San Francisco disrupts her control over the situation as she attempts to balance her sexual cravings with the necessity of guarding her image.  

The film's straightforward narrative tackles numerous pressing societal issues, particularly concerning US-Mexican relations, immigration, and border security. It raises the question of whether Fernando's journey across the border is worth it; does a better life in the US truly exist? Is the notion of the American Dream as appealing as it seems?  

The narrative delves into class conflict, contentious age gaps in relationships, and shifting power dynamics, with both Jennifer and Fernando experiencing varying degrees of dominance, each capable of cruelty when provoked. However, it tries to cover too much ground, lacking a cohesive and meaningful outcome.  

Partly, this is due to Dreams being as subtle as a sledgehammer; its themes lack nuance, and its political commentary is oversimplified. Additionally, the premise feels overly familiar, as this isn't the first story depicting a wealthy woman falling for a poorer man against her family's wishes.  

Franco’s signature reserved and authentic style, which lacks cinematic flourishes and original score, does not benefit the film in this case. It comes across as cold and detached. Furthermore, both Jennifer and Fernando are unlikable characters, making it hard for viewers to connect with them, and the lack of chemistry between Chastain and newcomer Hernández (who both deliver strong performances individually) exacerbates the issue. The explicit sex scenes feel excessive and awkward, failing to add any emotional depth to the film’s portrayal of its subjects.  

In its concluding 15 minutes, the film really begins to unravel. Following a surprisingly shocking plot twist, it takes an abrupt turn that might leave audiences disoriented; a plot device meant to provoke shock, but it doesn't integrate with the film's themes as smoothly as Franco intends. The controversial ending may find some supporters, but it will likely leave many viewers confused.  

Dreams does have its strengths. Chastain is outstanding as ever, Hernández shows promise as a significant talent, Rupert Friend stands out as Jake, and the opening sequence is genuinely engaging. However, overall, the film feels cold and devoid of emotion, mirroring its characters, and it falls short of being as clever and insightful as it perceives itself to be.  

Flickering Myth Rating - Film: ★ ★ / Movie: ★  
Dan Barnes Dreams, 2025. Written and directed by Michel Franco. Featuring Jessica Chastain, Isaac Hernández, Rupert Friend, Marshall Bell, Eligio Meléndez, and Mercedes Hernández. SYNOPSIS: A romance develops between a wealthy socialite and a Mexican ballet dancer, merging their differing lives and cultures. Following the outstanding Memory from 2023, Mexican writer-director Michel Franco's second project with Jessica Chastain takes on a more cynical tone, highlighting the selfish ambitions of the affluent elite and the hypocritical liberalism they often disguise themselves with. Chastain portrays Jennifer, a rich philanthropist based in San Francisco, who dedicates her time and resources to supporting her family’s arts foundation, including a ballet school in Mexico City. She embarks on a relationship with talented dancer Fernando (Isaac Hernández), a connection she discreetly conceals from her brother Jake (Rupert Friend) and, more critically, her father Michael (Marshall Bell), the provider of her wealth and privileged lifestyle. Dreams begins powerfully, with screams echoing from a truck loaded with migrants crossing the border, as we see Fernando make his way to San Francisco with just the clothes on his back. He arrives at Jennifer's home, enters, and they immediately engage in a passionate encounter. While this makes for a compelling start, the film struggles to maintain momentum thereafter. Fernando expects an open relationship in the US, while it becomes evident that Jennifer prefers he remain in Mexico. She is acutely aware of how such a relationship could impact her public persona and is more interested in Fernando as a handsome secret to visit in Mexico for her own desires. His presence in San Francisco disrupts her control over the situation as she attempts to balance her sexual cravings with the necessity of guarding her image. The film's straightforward narrative tackles numerous pressing societal issues, particularly concerning US-Mexican relations, immigration, and border security. It raises the question of whether Fernando's journey across the border is worth it; does a better life in the US truly exist? Is the notion of the American Dream as appealing as it seems? The narrative delves into class conflict, contentious age gaps in relationships, and shifting power dynamics, with both Jennifer and Fernando experiencing varying degrees of dominance, each capable of cruelty when provoked. However, it tries to cover too much ground, lacking a cohesive and meaningful outcome. Partly, this is due to Dreams being as subtle as a sledgehammer; its themes lack nuance, and its political commentary is oversimplified. Additionally, the premise feels overly familiar, as this isn't the first story depicting a wealthy woman falling for a poorer man against her family's wishes. Franco’s signature reserved and authentic style, which lacks cinematic flourishes and original score, does not benefit the film in this case. It comes across as cold and detached. Furthermore, both Jennifer and Fernando are unlikable characters, making it hard for viewers to connect with them, and the lack of chemistry between Chastain and newcomer Hernández (who both deliver strong performances individually) exacerbates the issue. The explicit sex scenes feel excessive and awkward, failing to add any emotional depth to the film’s portrayal of its subjects. In its concluding 15 minutes, the film really begins to unravel. Following a surprisingly shocking plot twist, it takes an abrupt turn that might leave audiences disoriented; a plot device meant to provoke shock, but it doesn't integrate with the film's themes as smoothly as Franco intends. The controversial ending may find some supporters, but it will likely leave many viewers confused. Dreams does have its strengths. Chastain is outstanding as ever, Hernández shows promise as a significant talent, Rupert Friend stands out as Jake, and the opening sequence is genuinely engaging. However, overall, the film feels cold and devoid of emotion, mirroring its characters, and it falls short of being as clever and insightful as it perceives itself to be. Flickering Myth Rating - Film: ★ ★ / Movie: ★ Dan Barnes Prime Video has released a trailer for the forthcoming thriller series Malice. Jack Whitehall plays Adam, a tutor who skillfully ingratiates himself into the home of the affluent Tanner family during a vacation...

Film Review – Regretting You (2025)

Regretting You, 2025. Directed by Josh Boone, featuring McKenna Grace, Mason Thames, Alison Williams, Dave Franco, Scott Eastwood, Willa Fitzgerald, and Clancy Brown. SYNOPSIS: Focuses on...