TV Review – The Passing of Bunny Munro

      Chris Connor reviews The Death of Bunny Munro…

      Nick Cave is renowned globally for his music, particularly his collaboration with The Bad Seeds and his film scores alongside Warren Ellis. However, it may be less known that he is also a skilled novelist. His second novel, The Death of Bunny Munro, first published in 2009, now serves as the foundation for an eagerly awaited six-part Sky Original series featuring Matt Smith in the lead role.

      The story unfolds in and around Brighton, a place Cave has called home for many years. In this adaptation, Smith portrays a lothario and con artist who flees with his son after the passing of his wife. He embodies the charming yet dangerous Bunny, exuding charisma, but is ultimately self-absorbed and exceedingly egotistical, focused solely on himself and his next scheme. This is certainly not the ideal environment for Bunny Junior.

      The series heavily relies on Smith’s performance, showcasing that there's much more to him than his previous roles as Doctor Who, especially following his work in The Crown and House of the Dragon. He delivers a captivating performance and is well-supported by Sarah Greene as Libby, whose haunting presence lingers throughout as we navigate the duo’s journey in Brighton and Bunny and Libby’s early relationship. Rafael Mathé emerges as a real talent as Bunny Junior, holding his own against Smith and exhibiting great chemistry.

      The show’s stylistic elements are commendable, as it keeps viewers on their toes regarding its direction. The Brighton settings beautifully complement the gritty, dark narrative, while the soundtrack features an impressive array of indie tracks and lesser-known gems from artists like The Cure, Primal Scream, The Fall, and The Waterboys. Cave and Ellis provide the score, creating a moody and strikingly atmospheric backdrop.

      The Death of Bunny Munro is an exhilarating adaptation of Cave’s novel, brought to life with flair, highlighted by a powerful performance from Matt Smith and a superb supporting cast. Its frenetic, offbeat quality keeps the audience engaged and on the edge of their seats. Fans of Cave’s work and of Smith will surely be pleased with this translation to the screen, brimming with chaotic energy and charm. It serves as an ideal showcase for Smith’s captivating presence.

      Chris Connor