12 Movies to Watch in December

12 Movies to Watch in December

      As we approach the last month of the year, we will provide an in-depth look at the top films of 2025 (bookmark this page), but first, let's highlight the notable new releases for December. It's important to mention that several films will have qualifying runs this month, with their official releases scheduled for 2026. Additionally, Quentin Tarantino’s much-anticipated release of Kill Bill: The Whole Bloody Affair, starting December 5, is not included in the list of new releases below, but I am eagerly anticipating the chance to view the 70mm version.

      12. The Plague (Charlie Polinger; Dec. 24)

      Train Dreams garnered well-deserved praise, but it's not the only Joel Edgerton project debuting this season. He also features prominently in Charlie Polinger’s Cannes sensation, The Plague, a gripping drama centered on bullying at a water polo camp. While Polinger’s directorial style is commendable, one wishes the screenplay was more engaging; nevertheless, it serves as a solid introduction to his work.

      11. WTO/99 (Ian Bell; Dec. 5)

      Debuting at the prestigious True/False Festival and nominated for a Critics Choice Documentary Award, Ian Bell’s esteemed archival documentary, WTO/99, chronicles the tension between the nascent World Trade Organization (WTO) and the over 40,000 demonstrators in Seattle in 1999, protesting the WTO's effects on environmental issues, human rights, and labor conditions. This impressive editorial piece, crafted by Bell and co-editor Alex Megaro, conveys a sense of urgency with each cut, culminating in a reflection on how we still grapple with the ramifications of those protests from a quarter-century ago.

      10. Ella McCay (James L. Brooks; Dec. 12)

      In the fifteen excruciating years since James L. Brooks has directed a feature, the type of adult-oriented, heartfelt dramas with relatable characters that marked his career have sadly waned in popularity. After staying active in helping up-and-comers like Kelly Fremon Craig realize their visions with successful films like The Edge of Seventeen and Are You There God? It’s Me, Margaret, the 85-year-old director finally returns this month with Ella McCay, a political comedy-drama featuring Emma Mackey, Woody Harrelson, Kumail Nanjiani, Spike Fearn, Ayo Edebiri, Jack Lowden, Rebecca Hall, Julie Kavner, Becky Ann Baker, Joey Brooks, Albert Brooks, and Jamie Lee Curtis.

      9. The Testament of Anne Lee (Mona Fastvold; Dec. 25)

      Following the praised drama The Brutalist from last year, Mona Fastvold and Brady Corbet have teamed up again for The Testament of Ann Lee, with Fastvold directing and Corbet co-writing. Starring Amanda Seyfried in a career-defining role, Ann Lee possesses the same flair and drama of last year's film, making it a strong recommendation, despite the character dynamics being a bit underdeveloped. Rory O’Connor remarked in his Venice review, “In The Testament of Ann Lee, Amanda Seyfried delivers the best performance of her career. The actress exhibits a range of emotions while performing an array of 18th-century hymns reimagined by composer Daniel Blumberg, who has previously made waves in the Oslo arts scene after winning an Oscar for The Brutalist earlier this year. Directed by Mona Fastvold and co-written by Brady Corbet, this film mirrors their previous collaboration to such an extent that it isn't difficult to envision Seyfried's Lee, the real-life founder of the Shaker movement, and Adrien Brody’s László Tóth coexisting within the same textured 70mm frame (despite being a century apart).”

      8. No Other Choice (Park Chan-wook; Dec. 25)

      While it may raise eyebrows in certain cinephile circles, Park Chan-wook’s No Other Choice is another exploration of striking style, though it ultimately leaves the viewer feeling somewhat detached. Regardless, it is definitely worth experiencing on the big screen. Christopher Schobert commented in his review, “It’s uncertain if Park Chan-wook has any admiration for the Sex Pistols. However, while watching No Other Choice, I found myself reflecting on John Lydon’s famous quote from their chaotic final concert in 1978: ‘Ever get the feeling you’ve been cheated?’ No Other Choice spans 139 minutes centered around that sentiment—what it means to be deceived by employers, competitors, and artificial intelligence, as well as what it truly takes to fight back.”

      7. Is This Thing On? (Bradley Cooper; Dec. 19)

      After undertaking two ambitious music-themed films for his debut projects, I was pleasantly surprised that Bradley Cooper has produced his finest film to date with the deeply affecting Is This Thing On? Drawing inspiration from the

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Mandy, Indiana, an innovative band based in Manchester and Berlin, introduces their powerful, dynamic drums and invigorating production in "Magazine," the intense lead single from their upcoming second album (and Sacred Bones debut), ‘URGH.’  
Content Warning: This review contains references to sexual assault, trauma, and healing, which may be sensitive for some readers.  
follow our Today’s Song(s) playlist  
Stream: “Magazine” – Mandy, Indiana  

Pain frequently arises on the unanticipated journeys we must take. While its presence may be unavoidable, it is never unmanageable.  
Mandy, Indiana reclaims their strength, using volume and harshness as tools for expression, unapologetically embracing the intensity while conveying a sense of racing through darkness towards light, healing, and personal creativity. The Manchester–Berlin group has gained recognition for their electrifying sound, transforming despair into a transcendent experience with their 2023 debut, *i’ve seen a way*, which is both sonically captivating and deeply cathartic, immersive, and conceptually atmospheric.  
Since their inception in 2020, Mandy, Indiana has comprised four members: vocalist Valentine Cauldfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall. Their music transcends emotional limits, employing dissonance to provoke self-reflection and change. Their forthcoming sophomore album, *URGH*, set for release on February 6 via Sacred Bones, is anticipated to feature ten tracks that delve into deeper themes and experimental sounds.  

In their newly released lead single, “Magazine,” they present a ceaseless, jarring sound that resonates with acute energy—felt viscerally as it provides a space for healing and self-empowerment amid distorted sonic layers. The track tackles the theme of justice solidarity through an artful and confrontational sound. In Cauldfield’s personal reflection on the song, she shares:  
“‘Magazine’ symbolizes the frustration and ingrained violence I faced while attempting to heal from my rape. Like many victims of sexual assault, I will likely never see justice, and my attacker will probably never be held accountable. My therapist suggested channeling my anger into something constructive, and here it is: my primal, screaming demand for retribution. It’s the sole means I have to tell my rapist: You harmed me, so now I’ll harm you.”  

French lyrics:  
Tu peux courir  
Cette fois  
Si tu te caches  
Tu n’m’échapperas pas  
*  
Abandonne  
Tout espoir  
Car ce soir  
Je viens pour toi  
*  
Oui, tu m’as eue  
La dernière fois  
Mais ce soir  
Je viens pour toi  
*  
Abandonne  
Tout espoir  
Car ce soir  
Je viens pour toi  

English translation:  
You can run  
This time  
If you hide  
You won’t escape me  
*  
Abandoned  
All hope  
Because tonight  
I’m coming for you  
*  
Yes, you got me  
Last time  
But tonight  
I’m coming for you  
*  
Abandoned  
All hope  
Because tonight  
I’m coming for you  

Cauldfield voices in the lyrics a longing to pursue someone, fueled by a deserving craving for justice, representing not only herself but also others with comparable experiences. The French line “Tu peux courir,” translating to “you can run,” invites listeners into a realm of unwavering healing that alleviates any feelings of isolation. It signifies a transition from suffering to confidence grounded in resilience, irrespective of the outcome.  
Sonically, the song opens with resonant low frequencies that shake the senses, accompanied by thick kick drums and clashing synths, with its production invigorating like a rapid heartbeat. The entire track encapsulates the tension and electricity of angst, jolting every vertebra with its raw urgency for justice.  

French lyrics:  
Je viens pour toi  
Alors vas-y, cours  
Je n’te louperai pas  
Je viens pour toi  
*  
Cette fois  
Malgré ce que tu crois  
Tu ne m’échapperas  
Pas  
*  
Cette fois  
Malgré ce que tu crois  
Tu ne m’échapperas  
*  
Pas  
Cette fois  
Malgré ce que tu crois  
Tu ne m’échapperas  

English translation:  
I’m coming for you  
So go ahead, run  
I won’t miss you  
I’m coming for you  
*  
This time  
Despite what you believe  
You won’t escape me  
Not  
*  
This time  
Despite what you believe  
You won’t escape me  
*  
Not  
This time  
Despite what you believe  
You won’t escape me  

Mandy, Indiana moves towards hope, healing, and liberation through cathartic dissonance.  
The path to healing cannot be rushed, yet “Magazine” advances with unwavering energy, Mandy, Indiana, an innovative band based in Manchester and Berlin, introduces their powerful, dynamic drums and invigorating production in "Magazine," the intense lead single from their upcoming second album (and Sacred Bones debut), ‘URGH.’ Content Warning: This review contains references to sexual assault, trauma, and healing, which may be sensitive for some readers. follow our Today’s Song(s) playlist Stream: “Magazine” – Mandy, Indiana Pain frequently arises on the unanticipated journeys we must take. While its presence may be unavoidable, it is never unmanageable. Mandy, Indiana reclaims their strength, using volume and harshness as tools for expression, unapologetically embracing the intensity while conveying a sense of racing through darkness towards light, healing, and personal creativity. The Manchester–Berlin group has gained recognition for their electrifying sound, transforming despair into a transcendent experience with their 2023 debut, *i’ve seen a way*, which is both sonically captivating and deeply cathartic, immersive, and conceptually atmospheric. Since their inception in 2020, Mandy, Indiana has comprised four members: vocalist Valentine Cauldfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall. Their music transcends emotional limits, employing dissonance to provoke self-reflection and change. Their forthcoming sophomore album, *URGH*, set for release on February 6 via Sacred Bones, is anticipated to feature ten tracks that delve into deeper themes and experimental sounds. In their newly released lead single, “Magazine,” they present a ceaseless, jarring sound that resonates with acute energy—felt viscerally as it provides a space for healing and self-empowerment amid distorted sonic layers. The track tackles the theme of justice solidarity through an artful and confrontational sound. In Cauldfield’s personal reflection on the song, she shares: “‘Magazine’ symbolizes the frustration and ingrained violence I faced while attempting to heal from my rape. Like many victims of sexual assault, I will likely never see justice, and my attacker will probably never be held accountable. My therapist suggested channeling my anger into something constructive, and here it is: my primal, screaming demand for retribution. It’s the sole means I have to tell my rapist: You harmed me, so now I’ll harm you.” French lyrics: Tu peux courir Cette fois Si tu te caches Tu n’m’échapperas pas * Abandonne Tout espoir Car ce soir Je viens pour toi * Oui, tu m’as eue La dernière fois Mais ce soir Je viens pour toi * Abandonne Tout espoir Car ce soir Je viens pour toi English translation: You can run This time If you hide You won’t escape me * Abandoned All hope Because tonight I’m coming for you * Yes, you got me Last time But tonight I’m coming for you * Abandoned All hope Because tonight I’m coming for you Cauldfield voices in the lyrics a longing to pursue someone, fueled by a deserving craving for justice, representing not only herself but also others with comparable experiences. The French line “Tu peux courir,” translating to “you can run,” invites listeners into a realm of unwavering healing that alleviates any feelings of isolation. It signifies a transition from suffering to confidence grounded in resilience, irrespective of the outcome. Sonically, the song opens with resonant low frequencies that shake the senses, accompanied by thick kick drums and clashing synths, with its production invigorating like a rapid heartbeat. The entire track encapsulates the tension and electricity of angst, jolting every vertebra with its raw urgency for justice. French lyrics: Je viens pour toi Alors vas-y, cours Je n’te louperai pas Je viens pour toi * Cette fois Malgré ce que tu crois Tu ne m’échapperas Pas * Cette fois Malgré ce que tu crois Tu ne m’échapperas * Pas Cette fois Malgré ce que tu crois Tu ne m’échapperas English translation: I’m coming for you So go ahead, run I won’t miss you I’m coming for you * This time Despite what you believe You won’t escape me Not * This time Despite what you believe You won’t escape me * Not This time Despite what you believe You won’t escape me Mandy, Indiana moves towards hope, healing, and liberation through cathartic dissonance. The path to healing cannot be rushed, yet “Magazine” advances with unwavering energy, Sony Pictures Classics has unveiled a trailer and poster for A Private Life, the French mystery drama directed by Rebecca Zlotowski. Jodie Foster plays the role of Lilian Steiner, a psychologist who embarks on… The Creel House receives the LEGO makeover with a new Stranger Things set. The Creel House receives the LEGO makeover with a new Stranger Things set. The LEGO Group is heading back to Hawkins for its upcoming Stranger Things set, featuring The Creel House from the popular Netflix supernatural drama series. The model available for construction also includes… Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal. Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal. As Bryan Fuller prepares for the premiere of his directorial debut, the family horror film Dust Bunny, we had the opportunity to discuss not only this film but also his earlier television series... Anne Hathaway, Michaela Coel, and Hunter Schafer feature in the trailer for David Lowery's pop epic, Mother Mary. Anne Hathaway, Michaela Coel, and Hunter Schafer feature in the trailer for David Lowery's pop epic, Mother Mary. 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12 Movies to Watch in December

As we approach the last month of the year, we will be offering a comprehensive overview of the top films of 2025 (bookmark this page), but first, let’s examine the standout new releases for December. It's also important to mention that several films will have qualifying showings this month, although they will be officially released later.