Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal.

Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal.

      As Bryan Fuller prepares for the premiere of his directorial debut family horror film, *Dust Bunny*, we had the opportunity to discuss not only this film but also his former TV series, *Hannibal*, as well as what fans can anticipate if it returns for a fourth season.

      Based on Thomas Harris’ novels, primarily *Red Dragon*, *Hannibal* depicted FBI agent Will Graham as he began investigating a ferocious serial killer, with the help of Dr. Hannibal Lecter. Unbeknownst to Will and his colleagues at the FBI, Hannibal was a cannibalistic serial killer himself, utilizing his extensive psychological expertise and sharp intellect to stay ahead of the FBI and manipulate Will's perceptions. The series aired for three seasons from 2013 to 2015 and became a beloved favorite among Fuller’s projects, amassing a loyal fanbase that has eagerly sought more from the dynamic between Hannibal and Will.

      In a time when many older shows are being revived, given sequels or rebooted—such as *Buffy the Vampire Slayer*, *The Connors*, and *The X-Files*—it’s not far-fetched to believe that *Hannibal* may one day return for a fourth season. We inquired with Fuller about this potential and what fans might expect if he decides to bring back more tales of the good doctor’s malevolence.

      “What was truly wonderful about making *Hannibal* is that everyone seemed to enjoy the experience. Every actor wants to return, including some who have passed, and we have ways to incorporate that into Season 4. If you liked Season 3—and some people weren't overly fond of it—Season 3 was my favorite because it aligned perfectly with what I wanted to accomplish. Seasons 1 and 2 felt uneven to me; there were episodes I was proud of and others I wasn't, especially in Season 1. However, by Season 3, I felt we finally achieved the vision I had for the show, which is the direction we would continue to follow. So if you enjoyed Season 3, you're in for a treat with our plans for Season 4, as it will only get more intense.”

      While we await the possibility of *Hannibal*’s return, Fuller’s *Dust Bunny* brings him back together with Mads Mikkelsen, who portrayed Hannibal Lecter. In this film, Mikkelsen plays an assassin hired by a young girl to eliminate the monster lurking under her bed.

      Are you eager for more *Hannibal*? What would you hope to see in a fourth season? Share your thoughts with us on our social channels at @FlickeringMyth, and watch our complete interview with Bryan Fuller about *Dust Bunny* here.

      Ten-year-old Aurora has a mysterious neighbor, played by Mads Mikkelsen, who eliminates real-life monsters. He is a hitman for hire. Thus, when Aurora seeks assistance in dealing with the monster she believes devoured her entire family, she engages his services. Fearing that her parents may have fallen victim to assassins targeting him, Aurora's neighbor reluctantly accepts the task. Now, to shield her, he must confront a wave of assassins—and face the reality that some monsters truly exist.

      *Dust Bunny* features Mads Mikkelsen, Sophie Sloan, Sigourney Weaver, David Dastmalchian, Rebecca Henderson, and Sheila Atim. The film hits theaters on December 12th.

      Ricky Church – Follow me on Bluesky for more movie news and nerd discussions.

Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal. Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal. Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal.

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Anne Hathaway, Michaela Coel, and Hunter Schafer feature in the trailer for David Lowery's pop epic, Mother Mary. Anne Hathaway, Michaela Coel, and Hunter Schafer feature in the trailer for David Lowery's pop epic, Mother Mary. A24 has released the trailer for their grand pop melodrama Mother Mary, featuring Anne Hathaway, Michaela Coel, and Hunter Schafer in a story about friends coming together during an existential crisis. Written a… Mandy, Indiana, an innovative band based in Manchester and Berlin, introduces their powerful, dynamic drums and invigorating production in "Magazine," the intense lead single from their upcoming second album (and Sacred Bones debut), ‘URGH.’  
Content Warning: This review contains references to sexual assault, trauma, and healing, which may be sensitive for some readers.  
follow our Today’s Song(s) playlist  
Stream: “Magazine” – Mandy, Indiana  

Pain frequently arises on the unanticipated journeys we must take. While its presence may be unavoidable, it is never unmanageable.  
Mandy, Indiana reclaims their strength, using volume and harshness as tools for expression, unapologetically embracing the intensity while conveying a sense of racing through darkness towards light, healing, and personal creativity. The Manchester–Berlin group has gained recognition for their electrifying sound, transforming despair into a transcendent experience with their 2023 debut, *i’ve seen a way*, which is both sonically captivating and deeply cathartic, immersive, and conceptually atmospheric.  
Since their inception in 2020, Mandy, Indiana has comprised four members: vocalist Valentine Cauldfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall. Their music transcends emotional limits, employing dissonance to provoke self-reflection and change. Their forthcoming sophomore album, *URGH*, set for release on February 6 via Sacred Bones, is anticipated to feature ten tracks that delve into deeper themes and experimental sounds.  

In their newly released lead single, “Magazine,” they present a ceaseless, jarring sound that resonates with acute energy—felt viscerally as it provides a space for healing and self-empowerment amid distorted sonic layers. The track tackles the theme of justice solidarity through an artful and confrontational sound. In Cauldfield’s personal reflection on the song, she shares:  
“‘Magazine’ symbolizes the frustration and ingrained violence I faced while attempting to heal from my rape. Like many victims of sexual assault, I will likely never see justice, and my attacker will probably never be held accountable. My therapist suggested channeling my anger into something constructive, and here it is: my primal, screaming demand for retribution. It’s the sole means I have to tell my rapist: You harmed me, so now I’ll harm you.”  

French lyrics:  
Tu peux courir  
Cette fois  
Si tu te caches  
Tu n’m’échapperas pas  
*  
Abandonne  
Tout espoir  
Car ce soir  
Je viens pour toi  
*  
Oui, tu m’as eue  
La dernière fois  
Mais ce soir  
Je viens pour toi  
*  
Abandonne  
Tout espoir  
Car ce soir  
Je viens pour toi  

English translation:  
You can run  
This time  
If you hide  
You won’t escape me  
*  
Abandoned  
All hope  
Because tonight  
I’m coming for you  
*  
Yes, you got me  
Last time  
But tonight  
I’m coming for you  
*  
Abandoned  
All hope  
Because tonight  
I’m coming for you  

Cauldfield voices in the lyrics a longing to pursue someone, fueled by a deserving craving for justice, representing not only herself but also others with comparable experiences. The French line “Tu peux courir,” translating to “you can run,” invites listeners into a realm of unwavering healing that alleviates any feelings of isolation. It signifies a transition from suffering to confidence grounded in resilience, irrespective of the outcome.  
Sonically, the song opens with resonant low frequencies that shake the senses, accompanied by thick kick drums and clashing synths, with its production invigorating like a rapid heartbeat. The entire track encapsulates the tension and electricity of angst, jolting every vertebra with its raw urgency for justice.  

French lyrics:  
Je viens pour toi  
Alors vas-y, cours  
Je n’te louperai pas  
Je viens pour toi  
*  
Cette fois  
Malgré ce que tu crois  
Tu ne m’échapperas  
Pas  
*  
Cette fois  
Malgré ce que tu crois  
Tu ne m’échapperas  
*  
Pas  
Cette fois  
Malgré ce que tu crois  
Tu ne m’échapperas  

English translation:  
I’m coming for you  
So go ahead, run  
I won’t miss you  
I’m coming for you  
*  
This time  
Despite what you believe  
You won’t escape me  
Not  
*  
This time  
Despite what you believe  
You won’t escape me  
*  
Not  
This time  
Despite what you believe  
You won’t escape me  

Mandy, Indiana moves towards hope, healing, and liberation through cathartic dissonance.  
The path to healing cannot be rushed, yet “Magazine” advances with unwavering energy, Mandy, Indiana, an innovative band based in Manchester and Berlin, introduces their powerful, dynamic drums and invigorating production in "Magazine," the intense lead single from their upcoming second album (and Sacred Bones debut), ‘URGH.’ Content Warning: This review contains references to sexual assault, trauma, and healing, which may be sensitive for some readers. follow our Today’s Song(s) playlist Stream: “Magazine” – Mandy, Indiana Pain frequently arises on the unanticipated journeys we must take. While its presence may be unavoidable, it is never unmanageable. Mandy, Indiana reclaims their strength, using volume and harshness as tools for expression, unapologetically embracing the intensity while conveying a sense of racing through darkness towards light, healing, and personal creativity. The Manchester–Berlin group has gained recognition for their electrifying sound, transforming despair into a transcendent experience with their 2023 debut, *i’ve seen a way*, which is both sonically captivating and deeply cathartic, immersive, and conceptually atmospheric. Since their inception in 2020, Mandy, Indiana has comprised four members: vocalist Valentine Cauldfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall. Their music transcends emotional limits, employing dissonance to provoke self-reflection and change. Their forthcoming sophomore album, *URGH*, set for release on February 6 via Sacred Bones, is anticipated to feature ten tracks that delve into deeper themes and experimental sounds. In their newly released lead single, “Magazine,” they present a ceaseless, jarring sound that resonates with acute energy—felt viscerally as it provides a space for healing and self-empowerment amid distorted sonic layers. The track tackles the theme of justice solidarity through an artful and confrontational sound. In Cauldfield’s personal reflection on the song, she shares: “‘Magazine’ symbolizes the frustration and ingrained violence I faced while attempting to heal from my rape. Like many victims of sexual assault, I will likely never see justice, and my attacker will probably never be held accountable. My therapist suggested channeling my anger into something constructive, and here it is: my primal, screaming demand for retribution. It’s the sole means I have to tell my rapist: You harmed me, so now I’ll harm you.” French lyrics: Tu peux courir Cette fois Si tu te caches Tu n’m’échapperas pas * Abandonne Tout espoir Car ce soir Je viens pour toi * Oui, tu m’as eue La dernière fois Mais ce soir Je viens pour toi * Abandonne Tout espoir Car ce soir Je viens pour toi English translation: You can run This time If you hide You won’t escape me * Abandoned All hope Because tonight I’m coming for you * Yes, you got me Last time But tonight I’m coming for you * Abandoned All hope Because tonight I’m coming for you Cauldfield voices in the lyrics a longing to pursue someone, fueled by a deserving craving for justice, representing not only herself but also others with comparable experiences. The French line “Tu peux courir,” translating to “you can run,” invites listeners into a realm of unwavering healing that alleviates any feelings of isolation. It signifies a transition from suffering to confidence grounded in resilience, irrespective of the outcome. Sonically, the song opens with resonant low frequencies that shake the senses, accompanied by thick kick drums and clashing synths, with its production invigorating like a rapid heartbeat. The entire track encapsulates the tension and electricity of angst, jolting every vertebra with its raw urgency for justice. French lyrics: Je viens pour toi Alors vas-y, cours Je n’te louperai pas Je viens pour toi * Cette fois Malgré ce que tu crois Tu ne m’échapperas Pas * Cette fois Malgré ce que tu crois Tu ne m’échapperas * Pas Cette fois Malgré ce que tu crois Tu ne m’échapperas English translation: I’m coming for you So go ahead, run I won’t miss you I’m coming for you * This time Despite what you believe You won’t escape me Not * This time Despite what you believe You won’t escape me * Not This time Despite what you believe You won’t escape me Mandy, Indiana moves towards hope, healing, and liberation through cathartic dissonance. The path to healing cannot be rushed, yet “Magazine” advances with unwavering energy, Sony Pictures Classics has unveiled a trailer and poster for A Private Life, the French mystery drama directed by Rebecca Zlotowski. Jodie Foster plays the role of Lilian Steiner, a psychologist who embarks on… Best Online Pokies in Australia! Leading Casinos for 2025! 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As reported by THR, Lin presented his vision for Helldivers by highlighting his status as a non-gamer, suggesting that his focus will be on character development and storytelling. He will collaborate on the project with Gary Dauberman (Annabelle), who recently directed another video game adaptation, Until Dawn, for Sony Pictures and PlayStation Productions.

The story is set in a dystopian future, following elite soldiers called Helldivers as they protect Super Earth from various alien threats, including Bugs, the Automatons, and the Illuminate. 

Launched to rave reviews in 2015, the game has already released a sequel that sold 12 million units within its first four months. Renowned for its enjoyable gameplay, humorous moments, and satirical take on the genre, there's likely a wealth of material for Lin and Dauberman to explore. 

Share your thoughts on Helldivers and this development by reaching out to us on our social media channels @FlickeringMyth... Sony Pictures and PlayStation Productions are gearing up for their next video game adaptation with the co-op shooter Helldivers, enlisting Justin Lin, known for the Fast & Furious franchise, to bring the acclaimed title to the big screen. As reported by THR, Lin presented his vision for Helldivers by highlighting his status as a non-gamer, suggesting that his focus will be on character development and storytelling. He will collaborate on the project with Gary Dauberman (Annabelle), who recently directed another video game adaptation, Until Dawn, for Sony Pictures and PlayStation Productions. The story is set in a dystopian future, following elite soldiers called Helldivers as they protect Super Earth from various alien threats, including Bugs, the Automatons, and the Illuminate. Launched to rave reviews in 2015, the game has already released a sequel that sold 12 million units within its first four months. Renowned for its enjoyable gameplay, humorous moments, and satirical take on the genre, there's likely a wealth of material for Lin and Dauberman to explore. Share your thoughts on Helldivers and this development by reaching out to us on our social media channels @FlickeringMyth... Cowabunga, readers! Paramount Pictures is once again raising the manhole cover to return the Teenage Mutant Ninja Turtles to theaters in a live-action film set for release in 2028. According to The Hollywood... 12 Movies to Watch in December 12 Movies to Watch in December As we approach the last month of the year, we will be offering a comprehensive overview of the top films of 2025 (bookmark this page), but first, let’s examine the standout new releases for December. It's also important to mention that several films will have qualifying showings this month, although they will be officially released later.

Exclusive: Bryan Fuller hints that fans will be “in for a treat” with the “crazier” fourth season of Hannibal.

As Bryan Fuller prepares for the premiere of his directorial debut, the family horror film Dust Bunny, we had the opportunity to discuss not only this film but also his earlier television series...