Film Review – Tuner (2025)

      **Tuner, 2025.**

      Directed by Daniel Roher.

      Featuring Leo Woodall, Dustin Hoffman, Havana Rose Liu, Tovah Feldshuh, Jean Reno, Lior Raz, Nissan Sakira, C.S. Lee, Gil Cohen, and Rek Lee.

      **SYNOPSIS:**

      A skilled piano tuner’s precise craftsmanship not only leads him to master his trade but also uncovers an unexpected talent for safecracking, dramatically altering his life.

      Set against the backdrop of piano tuning intertwined with petty theft, Daniel Roher’s *Tuner* (co-written with Robert Ramsey) refreshes its conventional narrative with a unique twist. Through quick cuts that highlight Niki (Leo Woodall) in his zone—whether he’s repairing a piano, often with his humorously endearing mentor Harry Horowitz (Dustin Hoffman), or intuitively honing in on the subtle audio cues needed for unlocking a combination—the visuals convey the intricate workings of both pianos and safes. Roher, known for his well-regarded documentaries, demonstrates a keen understanding of both the craft and the protagonist’s expertise, maintaining a brisk pace that keeps scenes engaging. While one scenario involves a heist, the parallel execution of both tasks suggests a moral shift as Niki transitions from legitimate work to a potentially unethical path.

      Once a brilliant piano prodigy, Niki now contends with a hearing condition that necessitates constant use of earplugs or headphones to mitigate excruciating noise. Complementing the film’s exploration of piano tuning and safecracking is a captivating sound design that drastically adjusts audio levels or vividly portrays Niki’s distress when unprotected from sound. After losing his hearing, he abandoned his dreams in the music industry, and it appears he is squandering his talent by merely tuning pianos for others.

      However, the playful dynamics between him and Harry quickly cement a relatable friendship, even before any significant conflict arises. This tension emerges as Harry, who is showing early signs of dementia, becomes ill and it comes to light that he has substantial unpaid medical debts. Heartbroken and eager to assist his friend, Niki reconnects with a band of Robin Hood-esque thieves led by Uri (Lior Raz), who argues that affluent individuals are so consumed by their lives that they overlook the little thefts happening around them. Uri further supports his point by claiming that many of these wealthy figures treat immigrants with cruelty.

      In parallel, Niki finds himself increasingly drawn to a piano prodigy client, Ruthie (Havana Rose Liu), who embodies the aspirations he once had. Once job opportunities begin to accumulate, allowing him to pay Harry’s medical expenses while accumulating extra cash, he lavishes her with expensive gifts. Initially, their romantic subplot feels forced, as their initial interactions are prompted by Niki’s hesitance to engage with her. Yet, this relationship develops into a gripping element that introduces tension regarding Ruthie’s ambitions and Niki’s lost passion for success, culminating in a surprising and impactful conclusion.

      It is worth noting that Leo Woodall delivers an exceptional performance as Niki, effectively portraying his hearing loss while grappling with his past decisions. While the film's structure doesn't break new ground, Roher's direction immerses viewers in two contrasting fields alongside a sensory challenge, crafting an intriguing experience. *Tuner* may not redefine the crime thriller genre, but it is expertly refined, presenting a fresh perspective. With the revelation of Daniel Roher’s ability to create compelling narratives, it appears he may have additional talents beyond documentary filmmaking.

      **Flickering Myth Rating – Film:** ★★★ / **Movie:** ★★★

      Robert Kojder