10 Must-See Thrillers from 2016

      Flickering Myth’s Tom Jolliffe takes a look back at ten crucial thrillers from 2016…

      Have you ever encountered a film that you recently saw in theaters? It's freshly released, and it feels like it was just yesterday. But then, you glance at the date and discover that it’s been a full decade since that film premiered. Indeed, time flies, and many films come and go.

      Given the ever-growing wave of content-driven films, it seems rare for a movie to be remembered even a decade later. Thus, it’s fascinating to revisit 2016 to identify which films have maintained their status as essentials and which have gained depth over time. 2016 showcased a varied and intriguing collection of thrillers, and we're here to ensure that Flickering Myth readers have ten vital additions for their watchlists. Here they are…

      **Elle**

      Paul Verhoeven departed Hollywood after a series of unsuccessful films, a stark contrast to the glory days of Total Recall and Robocop, despite cult classics like Showgirls, Starship Troopers, and Hollow Man enhancing their legacy over time. Upon returning to Europe, Verhoeven’s work was met with improved critical reception, presenting challenging narratives that indulged his affinity for darkly intricate stories without the sanitization typical of Hollywood.

      One standout from this period was **Elle**, a French film featuring the remarkable Isabelle Huppert. This dynamic pairing allowed Verhoeven to explore dark psycho-sexual themes through Huppert’s character, who confronts the aftermath of a rape. As expected from Verhoeven, the film stirred controversy but also attained significant acclaim and numerous awards, marking a triumphant return for the visionary director and showcasing Huppert’s incredible talent.

      **Personal Shopper**

      After a promising start, Kristen Stewart’s breakthrough role in Twilight seemed to define her path into adulthood. Alongside several other blockbuster roles, critics harshly critiqued her acting ability, claiming that she had lost her initial promise. However, Stewart’s seemingly aloof demeanor in major films was balanced by her serious performances in indie projects, giving her a chance to move beyond her Bella image.

      Her directorial debut, the idiosyncratic **The Chronology of Water**, reflects this growth. One significant film that marked the beginning of her "Kristen-aissance" was **Personal Shopper**, a psychological thriller by Olivier Assayas. In this film, Stewart embodies a complicated character grappling with loss and seeking to reconnect with her deceased brother. This slow-burning ghost story is anchored by Stewart’s outstanding performance.

      **Blood Father**

      Opinions on Mel Gibson may vary, especially considering his descent into straight-to-video content, but his screen presence remains undeniable. Following years of limited mainstream roles, Gibson’s transition away from his romantic hero image began in earnest.

      His role in **Blood Father**, where he portrays a troubled father with a history of legal issues and addiction who must protect his daughter (played by Erin Moriarty), brings a gray, weathered air to his character while maintaining intrigue. Although it may seem like standard fare initially, Gibson's intense performance elevates the film significantly.

      **Nocturnal Animals**

      In the same year as her acclaimed role in Arrival, Amy Adams also starred in **Nocturnal Animals**, a film that unfortunately flew under the radar for many viewers. This stylish and complex neo-noir, under Tom Ford’s vision, stirred division among audiences.

      Adams’ performance opposite Jake Gyllenhaal shines as both actors deliver stellar portrayals. Ford’s film is rich in color and contrast, with Adams’ striking red hair making a vivid impact. Despite its impressive aesthetics and strong supporting cast, the film feels like it didn't receive the recognition it deserved.

      **The Wailing**

      Na Hong-jin’s blending of procedural mystery with folk horror has enchanted Western audiences over the past decade. Upon its release, **The Wailing** received widespread acclaim for its dark, disturbing, and captivating storytelling, showcasing the unique artistry of high-quality Korean cinema.

      With chilling ambiguity and moments of dark comedy to release the tension, the film provides unforgettable experiences. Following the global success of Parasite, interest in Korean cinema surged, which, along with its lengthy runtime, helps **The Wailing** maintain its gripping appeal from start to finish.

      **The Neon Demon**

      It has been a decade since Nicolas Winding Refn last directed a feature. After making an impression with **Drive**, audiences had mixed reactions to his subsequent releases, particularly **Only God Forgives**, which has seen a resurgence of support over time.

      In contrast, **The Neon Demon**, while generating its share of division, is visually stunning and accompanied by a remarkable score from Clint Mansell. The film's cast of young actresses, grappling with themes of vanity and profession, is excellent, particularly Elle Fanning and Jena Malone. Fans are hopeful that Refn’s upcoming feature, **Her Private Hell