Just Released for Streaming: Two Pianos, The Last One for the Road, Pressure, The Wizard of the Kremlin, and More

      Each week, we spotlight the significant titles that have recently premiered on streaming services in the United States. Take a look at this week's choices below and explore previous compilations here.

      **André Is an Idiot** (Tony Benna)

      André Is an Idiot showcases a raw honesty that is commendable, even if not every aspect completely succeeds. The documentary's premise is straightforward and poignant: accomplished advertising creative André Ricciardi failed to get a colonoscopy at the recommended age, and when he eventually did, he was diagnosed with Stage 4 Colon Cancer. In light of this grim revelation, André resolved to create a film about dying. It’s a daring concept that reflects much of his advertising creativity. – Dan M. (full review)

      **Where to Stream:** Netflix

      **Deep Water** (Renny Harlin)

      Revisiting shark-infested waters a quarter-century after Deep Blue Sea became a staple on cable and streaming, Renny Harlin’s Deep Water feels reminiscent of a different era, for better or worse. With a cast featuring exaggeratedly crafted clichés and thrills presented in a straightforward, roller-coaster structure, this film blending a plane disaster and shark thriller could easily fit into a late-night TV lineup and, aside from its overly polished digital appearance, might be mistaken for a rediscovered classic. This back-to-basics tribute to 1970s disaster films possesses a modest charm, enhanced by Harlin’s lively direction, though it leaves little lasting impact. – Jordan R. (full review)

      **Where to Stream:** VOD

      **Eno** (Gary Hustwit)

      A film filled with endless possibilities thanks in part to a generative AI element, Gary Hustwit’s Eno is largely a traditional biopic that features interviews and archival footage of composer Brian Eno, the experiential musician and artist known for his role in Roxy Music and for creating the startup sound for Windows PCs. The film is presented in a random order, with a defined beginning and end, seemingly inspired by the “Oblique Strategies” cards that Eno and David Bowie used to create tension in their collaborations. – John F. (full review)

      **Where to Stream:** The Criterion Collection

      **Finnegan’s Foursome** (Edward Burns)

      Edward Burns' latest film marks a first for the director: a sports movie! After the death of the Finnegan family patriarch (Ian McElhinney), his two sons (Burns and Brian d'Arcy James) decide to uphold the tradition of the annual Finnegan’s Cup, including their kids (Erica Hernandez, Brian Muller) in the event. Hilarity and healing follow, accompanied by breathtaking visuals of the lush Irish landscape. As with much of Burns’ work, this is a lighthearted and endearing film that strikes the right emotional tone. – Dan M.

      **Where to Stream:** VOD

      **Good Luck, Have Fun, Don’t Die** (Gore Verbinski)

      From the first moment Sam Rockwell bursts into a diner wearing a makeshift time-travel outfit composed of steampunk gadgets under a filthy clear raincoat, it’s evident that this isn't a film crafted by a committee. What starts as a potential hostage situation quickly transforms into a mission to save humanity from a rogue AI poised for total domination—if you can believe anything coming from Rockwell’s lips, which includes a convoluted scenario involving resetting time with a specific group of individuals selected from this very diner. If he chooses correctly, humanity may be rescued; if not, he’ll keep trying until he gets it right. – Eric V. (full review)

      **Where to Stream:** Hulu, Disney+

      **How to Make a Killing** (John Patton Ford)

      John Patton Ford’s second feature follows its clever protagonist from the opening scene to the last, exuding cool confidence that everything will favor him, regardless of the odds. The mind behind Emily the Criminal introduces us to the ever-grinning Becket Redfellow (Glen Powell) in a prison cell, where he ironically laments ordering vanilla ice cream but receiving chocolate, initiating a narrative filled with a voiceover that details how such a refined name (and history) led him to this dire situation. – Luke H. (full review)

      **Where to Stream:** HBO Max

      **Mad Bills to Pay (or Destiny, dile que no soy malo)** (Joel Alfonso Vargas)

      A remarkable directorial debut and a genuine New York story, Joel Alfonso Vargas’ Mad Bills to Pay (or Destiny, dile que no soy malo) was featured at Sundance, Berlinale, New Directors/New Films, BFI London, and numerous other festivals last year. With stars like Juan Collado, Destiny Checo, Yohanna Florentino, and Nathaly Navarro, it’s now available digitally after its theatrical debut this spring.

      **Where to Stream:** VOD

      **The Last One for the Road** (Francesco S