Мотоциклистка из Екатеринбурга Надежда Гугумберидзе, выписанная из больницы в конце сентября, снова попала в реанимацию. Об этом сообщает «КП-Екатеринбург», которая поддерживает связь с родственниками девушки-байкера, пострадавшей в ДТП в начале августа. 

Ранее сообщалось, что Надежду выписали домой, но она до сих пор не способна самостоятельно ходить и ей предстоят новые операции. Однако, как оказалось, она не была вне больницы даже две недели. 

— Надежде стало плохо с 29 на 30 сентября. У нее была тошнота всю ночь, а давление падало до 80/40, — поделилась с «КП-Екатеринбург» сестра пострадавшей мотоциклистки, Людмила. — Мы вызвали скорую, и врачи сказали, что, возможно, у нее началось внутреннее кровотечение. Ее госпитализировали в хирургическое отделение.

Мотоциклистка из Екатеринбурга Надежда Гугумберидзе, выписанная из больницы в конце сентября, снова попала в реанимацию. Об этом сообщает «КП-Екатеринбург», которая поддерживает связь с родственниками девушки-байкера, пострадавшей в ДТП в начале августа. Ранее сообщалось, что Надежду выписали домой, но она до сих пор не способна самостоятельно ходить и ей предстоят новые операции. Однако, как оказалось, она не была вне больницы даже две недели. — Надежде стало плохо с 29 на 30 сентября. У нее была тошнота всю ночь, а давление падало до 80/40, — поделилась с «КП-Екатеринбург» сестра пострадавшей мотоциклистки, Людмила. — Мы вызвали скорую, и врачи сказали, что, возможно, у нее началось внутреннее кровотечение. Ее госпитализировали в хирургическое отделение.

      Scheduled for release in time for Halloween, Utopia has unveiled a poster and trailer for director Pedro Kos’ horror film In Our Blood. The story centers on filmmaker Emily, who embarks on a quest to create a documentary about reconnecting with her estranged mother, only for her mother to mysteriously vanish. This forces Emily and her team to unravel the dark clues related to her disappearance.

      The film stars Brittany O’Grady, E. J. Bonilla, Krisha Fairchild, and Alanna Ubach. You can watch the trailer below…

      As the film unfolds, nothing is quite what it appears when filmmaker Emily Wyland (Brittany O’Grady) collaborates with cinematographer Danny (E. J. Bonilla) to create an intimate documentary about reuniting with her estranged mother after a decade. When her mother disappears unexpectedly, potentially falling victim to the addictions that previously fractured their family, Emily and Danny are compelled to decipher increasingly ominous clues to locate her before it’s too late.

      In Our Blood will be released on October 24th.

Мотоциклистка из Екатеринбурга Надежда Гугумберидзе, выписанная из больницы в конце сентября, снова попала в реанимацию. Об этом сообщает «КП-Екатеринбург», которая поддерживает связь с родственниками девушки-байкера, пострадавшей в ДТП в начале августа. 

Ранее сообщалось, что Надежду выписали домой, но она до сих пор не способна самостоятельно ходить и ей предстоят новые операции. Однако, как оказалось, она не была вне больницы даже две недели. 

— Надежде стало плохо с 29 на 30 сентября. У нее была тошнота всю ночь, а давление падало до 80/40, — поделилась с «КП-Екатеринбург» сестра пострадавшей мотоциклистки, Людмила. — Мы вызвали скорую, и врачи сказали, что, возможно, у нее началось внутреннее кровотечение. Ее госпитализировали в хирургическое отделение. Мотоциклистка из Екатеринбурга Надежда Гугумберидзе, выписанная из больницы в конце сентября, снова попала в реанимацию. Об этом сообщает «КП-Екатеринбург», которая поддерживает связь с родственниками девушки-байкера, пострадавшей в ДТП в начале августа. 

Ранее сообщалось, что Надежду выписали домой, но она до сих пор не способна самостоятельно ходить и ей предстоят новые операции. Однако, как оказалось, она не была вне больницы даже две недели. 

— Надежде стало плохо с 29 на 30 сентября. У нее была тошнота всю ночь, а давление падало до 80/40, — поделилась с «КП-Екатеринбург» сестра пострадавшей мотоциклистки, Людмила. — Мы вызвали скорую, и врачи сказали, что, возможно, у нее началось внутреннее кровотечение. Ее госпитализировали в хирургическое отделение.

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A playful spirit permeated the collection, evoking a lively party atmosphere akin to that in *The Great*. Everything felt extravagant and delightful, a refreshing change after years dominated by minimalism. "My initial vision for this collection... was to express a sense of ease and optimism," Klausner noted in the show notes, which resonated well with the audience.

For more insights into the designer's latest womenswear collection for Dries Van Noten, continue scrolling—it's truly memorable. 

For spring/summer 2026, Klausner continued Dries Van Noten's impressive trends in sneakers, where the brand is leading the low-profile movement, bidding farewell to bulky styles. Accompanying the striking apparel, most models sported sleek sneaker designs that are poised to become the season’s must-haves. Some sneakers were simpler, crafted from red and blue leather, while others closely mirrored their exuberant outfits, including pairs made from turquoise-and-purple printed satin and styles adorned with hand-placed embellishments. We'll have to await the final production versions, but given the brand's history of fun and experimental fashion, they are likely to be charmingly playful.

Klausner described the work atmosphere as "playful" while they explored dimensions, colors, and shapes, merging contrasts of hard and soft, stillness and fluidity, casualness and refinement, simplicity and complexity—resulting in a vibrant mix of unfiltered creativity, which he referred to as the Dries Van Noten S/S 26 collection titled Wavelength. The outcome? A multitude of ensembles that clashed in an appealing manner, showcasing colors and patterns together that traditional rules would deem incompatible, creating an uplifting burst of energy. Klausner's combinations at the Palais de Tokyo on Tuesday were refreshingly right.

Last season's Dries Van Noten show featured opulence and a classical feel, set in the historic Palais Garnier, an opera house established in 1875 in Paris's 9th arrondissement. This season, Klausner retained that same luxurious essence while infusing modernity throughout the collection. "The regal demeanor of surfers on the board is reflected through a touch of historical grandeur, balanced by the organic everydayness of grey jersey," he mentioned in the press release. Unlike true historical clothing that is often uncomfortable, the pieces presented on the runway were both wearable and extravagant, capturing the essence of vintage designs. "A conversation of contrasts: bold yet effortless, structured yet airy," stated the release.

I, for one, never anticipated a significant resurgence of the statement necklace (the thick, collar-like versions that were trendy in the mid-2010s), but I must acknowledge my mistake. If anyone could revive it, it’s Klausner, who incorporated these once out-of-style adornments into many looks on this season's Dries Van Noten runway. From anyone else, it might not have worked, but from him, it became a chic addition that will likely inspire other brands to follow suit. Say goodbye to delicate necklaces; bold and chunky jewelry is making a strong comeback.

Some shows at Paris Fashion Week are filled with celebrity attendees, but at Dries Van Noten, the front row featured classic fashion figures from stylish cities around the world. Present were Blanca Miro, Monica de La Villardière, Jeanne Damas, and Courtney Trop, all of whom have consistently maintained loyal followings for years. These style icons emerged before the TikTok era and gathered in Paris to witness Klausner’s presentation for Dries Van Noten—dressed in Dries Van Noten, of course. On the second day of Paris Fashion Week, Julian Klausner showcased his second womenswear collection for Dries Van Noten, the Belgian brand he took over from designer Dries Van Noten in December 2024, at the Palais de Tokyo. Although the designer is new to the leadership role, he is not unfamiliar with the brand. Klausner spent six years working under Van Noten's guidance, making his transition into the role of creative director quite smooth. He started with praised debuts in both womenswear and menswear and is now presenting another well-received ready-to-wear lineup for the upcoming season. For spring/summer 2026, Klausner upheld the brand’s tradition of crafting luxurious, detail-oriented pieces for fashion enthusiasts, but instead of the darker tones used in fall/winter 2025, he embraced a much more vibrant and bold color scheme. Expect to see hot pink, cerulean, orange, red, and chartreuse—all mixed together in surprising, and almost jarring, combinations. The collection also featured mismatched patterns that were blended in intriguing ways that defied conventional fashion norms. Elaborate jacquard designs were paired with vivid beaded skirts, and psychedelic polka dots complemented jackets embellished with hand-beaded collages. A playful spirit permeated the collection, evoking a lively party atmosphere akin to that in *The Great*. Everything felt extravagant and delightful, a refreshing change after years dominated by minimalism. "My initial vision for this collection... was to express a sense of ease and optimism," Klausner noted in the show notes, which resonated well with the audience. For more insights into the designer's latest womenswear collection for Dries Van Noten, continue scrolling—it's truly memorable. For spring/summer 2026, Klausner continued Dries Van Noten's impressive trends in sneakers, where the brand is leading the low-profile movement, bidding farewell to bulky styles. Accompanying the striking apparel, most models sported sleek sneaker designs that are poised to become the season’s must-haves. Some sneakers were simpler, crafted from red and blue leather, while others closely mirrored their exuberant outfits, including pairs made from turquoise-and-purple printed satin and styles adorned with hand-placed embellishments. We'll have to await the final production versions, but given the brand's history of fun and experimental fashion, they are likely to be charmingly playful. Klausner described the work atmosphere as "playful" while they explored dimensions, colors, and shapes, merging contrasts of hard and soft, stillness and fluidity, casualness and refinement, simplicity and complexity—resulting in a vibrant mix of unfiltered creativity, which he referred to as the Dries Van Noten S/S 26 collection titled Wavelength. The outcome? A multitude of ensembles that clashed in an appealing manner, showcasing colors and patterns together that traditional rules would deem incompatible, creating an uplifting burst of energy. Klausner's combinations at the Palais de Tokyo on Tuesday were refreshingly right. Last season's Dries Van Noten show featured opulence and a classical feel, set in the historic Palais Garnier, an opera house established in 1875 in Paris's 9th arrondissement. This season, Klausner retained that same luxurious essence while infusing modernity throughout the collection. "The regal demeanor of surfers on the board is reflected through a touch of historical grandeur, balanced by the organic everydayness of grey jersey," he mentioned in the press release. Unlike true historical clothing that is often uncomfortable, the pieces presented on the runway were both wearable and extravagant, capturing the essence of vintage designs. "A conversation of contrasts: bold yet effortless, structured yet airy," stated the release. I, for one, never anticipated a significant resurgence of the statement necklace (the thick, collar-like versions that were trendy in the mid-2010s), but I must acknowledge my mistake. If anyone could revive it, it’s Klausner, who incorporated these once out-of-style adornments into many looks on this season's Dries Van Noten runway. 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Мотоциклистка из Екатеринбурга Надежда Гугумберидзе, выписанная из больницы в конце сентября, снова попала в реанимацию. Об этом сообщает «КП-Екатеринбург», которая поддерживает связь с родственниками девушки-байкера, пострадавшей в ДТП в начале августа. Ранее сообщалось, что Надежду выписали домой, но она до сих пор не способна самостоятельно ходить и ей предстоят новые операции. Однако, как оказалось, она не была вне больницы даже две недели. — Надежде стало плохо с 29 на 30 сентября. У нее была тошнота всю ночь, а давление падало до 80/40, — поделилась с «КП-Екатеринбург» сестра пострадавшей мотоциклистки, Людмила. — Мы вызвали скорую, и врачи сказали, что, возможно, у нее началось внутреннее кровотечение. Ее госпитализировали в хирургическое отделение.

Scheduled for release just in time for Halloween, Utopia has unveiled a poster and trailer for director Pedro Kos' horror film In Our Blood. The story centers on filmmaker Emily as she embarks on creating a documentary about a…