The Top Performances of 2025

The Top Performances of 2025

      Our year-end coverage continues as we highlight the standout film performances of 2025. Instead of categorizing them as lead or supporting roles or by gender, we've compiled a list of our 30 favorites, plus a few additional mentions that we couldn't omit. Check out our countdown below and catch up on the films you might have missed here and here.

      30. Tom Cruise (Mission: Impossible – The Final Reckoning)

      It's become commonplace to remark on Tom Cruise's dedication to stunt work. What else can be said besides the fact that he literally hung from a biplane for our entertainment? That final segment of wingwalking is among the most audacious stunts in a career filled with incredible feats. For those 20 minutes, The Final Reckoning truly takes flight. Is the rest of the film on par? Certainly not, but that’s beside the point. With eight movies under his belt, Cruise has refined the character of Ethan Hunt. His knack for portraying Hunt as relatable, despite his superhero-like qualities, speaks to his ability to convey genuine fear. It’s always apparent that, deep down, he'd rather not jump from a plane with a flaming parachute. Yet, you know he will. – Christian G.

      29. Harry Melling and Alexander Skarsgård (Pillion)

      It’s surprising that Harry Melling has the more intriguing career compared to his contemporaries. From his collaborations with the Coen brothers and James Gray to his charming lead role in the delightful Pillion, Melling shines as the awkward Colin, while Alexander Skarsgård stands out as the authoritative Ray, his domineering friend. Their contrasting dynamic creates a poignant counterbalance to the cruel treatment Ray delivers, while Colin's naive joy as he navigates Ray’s volatility adds depth. Their characterizations effectively explore the tension of a timid parking cop dating someone as imposing as Ray. – Kent M. W.

      28. Masaki Suda (Cloud)

      Masaki Suda conveys a fiery intensity through his eyes, portraying Yoshii's relentless ambition in the online reselling world. As events unfold, that fire begins to wane. Is it fear? It’s hard to tell. He's a man striving to maintain composure amid mounting pressures. Suda’s performance, marked by a growing oppressive steeliness, propels Kurosawa’s narrative into darker territory. As Suda gazes into the future, the viewer is left wondering what he truly sees. – Blake S.

      27. Denzel Washington (Highest 2 Lowest)

      In his fifth collaboration with director Spike Lee, Denzel Washington expertly navigates melodrama and tension in Highest 2 Lowest. This remake of Akira Kurosawa's High and Low challenges him to deliver powerful performances amid a weak script and an unusual score, yet Washington continually captivates as a music mogul. He commands the film with his ability to evoke any emotion, establishing himself as the most influential person in every scene. Even if other actors, including a notable A$AP Rocky as the kidnapper, are present, Washington's presence is undeniably dominant. One memorable scene features him shadowboxing in a car while listening to James Brown, a moment that’s utterly captivating. – Mike F.

      26. Ia Sukhitashvili (April)

      In the early moments of April, a man expresses his fury by violently spitting in Nina’s (Ia Sukhitashvili) face. This incident encapsulates the simmering rage surrounding her character, and Sukhitashvili delivers a masterful balance of resolve and tension in every interaction. Tasked with performing abortions swiftly and with conviction, her underlying fear of being too assertive is palpable in her movements and expressions. It’s through domestic vignettes that the film’s exploration of cultural and societal fractures unfolds dramatically. – Soham G.

      25. Tim Robinson (Friendship)

      Tim Robinson’s comedic flair, portraying the frustrated middle-aged man caught in absurd situations, has seamlessly translated to wild narratives. The character of Craig Waterman, tailored by director Andrew DeYoung specifically for him, offers opportunities to expand his comedic persona beyond traditional sketches. While some critics may argue he plays the same role, placing him in a grounded scenario—befriending a cool neighbor (Paul Rudd)—sharply reveals the ordinary man beneath his aggressive humor in both personal life and work. For those who appreciate his erratic Netflix show, this extended character development offers thrilling insights into his journey. – Alistair R.

      24. Ben Whishaw (Peter Hujar’s Day)

      Peter Hujar’s Day, primarily centered on a lengthy discussion about Hujar's daily life, is an art film that risks frustration. However, it manages to engage viewers thanks largely to Ben Whishaw, who demonstrates once again his remarkable range. He effortlessly transitions among diverse roles, leaving an impressive mark as Peter Hujar. His portrayal runs the spectrum—from a perfume-steeped serial killer to

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In the initial teaser trailer for the upcoming DCU movie, Supergirl reveals the truth. In the initial teaser trailer for the upcoming DCU movie, Supergirl reveals the truth. Following the launch of the poster yesterday and the start of the trailer countdown, DC has unveiled the teaser trailer for the upcoming DCU film Supergirl, set to release next summer. Featuring the star of House of the… A quest for a sister who has gone missing, the downfall of a flamenco dancer, and an escape plan devised by a cockatiel were among the narratives presented during the New Filmmakers Los Angeles (NFMLA) annual InFocus: Latin & Hispanic Cinema program.

Held in September, the event featured impactful and thought-provoking independent films created by emerging filmmakers from various countries including Argentina, Brazil, Colombia, the Dominican Republic, El Salvador, Honduras, Mexico, Puerto Rico, Spain, Venezuela, Canada, and the United States.

It began with an opening reception where all-access pass holders were treated to complimentary refreshments from Pink’s Hot Dogs and signature cocktails crafted with handcrafted tequila and mezcal from Oaxaca, Mexico, by The Lost Explorer.

The day’s first film segment, InFocus: Latin & Hispanic Cinema I, showcased coming-of-age narrative shorts centered on family dynamics, self-acceptance, and the transcending of time, space, and borders. To honor Hispanic Heritage Month, Miguel Santana, president and CEO of the California Community Foundation, delivered the opening remarks.

The program proceeded with InFocus: Latin & Hispanic Cinema II, a collection of narratives addressing themes such as injustice, inequality, systemic failures, and colonialism. The stories focused on the struggles for justice, building resilience, challenging limiting beliefs, and aspiring for a better future.

The evening wrapped up with InFocus: Latin & Hispanic Cinema III, which emphasized the significance of human connections through tales of loss, love, and letting go.

NFMLA presents films created by filmmakers of all backgrounds year-round, featuring both general and InFocus categories. All filmmakers are invited and encouraged to submit their works for consideration at upcoming NFMLA Festivals, irrespective of the InFocus programming schedule, which aims to highlight representation by centering on diverse filmmaker communities as part of the NFMLA Monthly Film Festival. This initiative is partly supported by grants from the City of Los Angeles Department of Cultural Affairs (DCA) and the National Endowment for the Arts (NEA).

Below is additional information about the NFMLA filmmakers and their works, provided by NFMLA.

“Punta Salinas,” directed by Maria del Mar Rosario

About Maria: María del Mar Rosario, born and residing in Puerto Rico, creates stories that provoke reflection on Caribbean notions through a decolonial perspective, while stylistically focusing on the body. Her work has been featured at Tribeca, SFFILM, HotDocs, IDFA, Metrograph NYC, and the Cinémathèque Française in Paris. She holds a BA in Creative Nonfiction and Film Studies from Columbia University and completed postgraduate studies at the School of Film and Television in San Antonio de los Baños, Cuba (EICTV). She received the LALIFF/NETFLIX Inclusion Fellowship to direct the narrative short, Punta Salinas, and was awarded the Firelight Media Fellowship 2024 for her documentary short, Escambrón, Playa, currently streaming on PBS.

About “Punta Salinas”: After having sex for the first time, 16-year-old Alba seeks strength she has never tapped into before.

Watch the NFMLA interview with Maria del Mar Rosario, director of “Punta Salinas”:

“The Vote,” directed by Sylvia Ray

About Sylvia: Sylvia Ray is a Chicana/Korean-American director based in Los Angeles and a 2025 Film Independent Project Involve Fellow. She is also a 2024 Latino Film Institute Inclusion Fellow, recognized for her short film The Vote, which won Best U.S. Short at the Post Alley Film Festival. Her feature script The Middle was a quarterfinalist at HollyShorts and the Atlanta Film Festival and was selected for the 2024 FICMonterrey Pro-Meetings Program. The short received a nomination for Best LatinX Film at HollyShorts and won Best in Festival at the 2025 Sundial Film Festival. Sylvia's work delves into themes of grief, identity, and resilience within BIPOC communities.

About “The Vote”: Siblings Jessica and Robbie grapple with the painful decision of whether to keep their mother on life support or let her go, resulting in a tense family vote.

Watch the NFMLA interview with Sylvia Ray, director of “The Vote”:

“Ialu,” directed by Sebastian Nazario-Colon

About Sebastian: Sebastian Nazario-Colon is a film director and Cannes-nominated editor based in New York. He served as an editor on “Fillos Do Vento: A RAPA” in 2025, an immersive short documentary officially nominated for the Cannes Film Festival’s Immersive Experience Competition. In 2023, he directed the award-winning short documentary, The Boricua’s Dilemma, which addresses Puerto Rico’s political status debate and achieved over 14K views on YouTube during its one-week limited release. The film was showcased at festivals such as the San Diego Latino Film Festival, NY A quest for a sister who has gone missing, the downfall of a flamenco dancer, and an escape plan devised by a cockatiel were among the narratives presented during the New Filmmakers Los Angeles (NFMLA) annual InFocus: Latin & Hispanic Cinema program. Held in September, the event featured impactful and thought-provoking independent films created by emerging filmmakers from various countries including Argentina, Brazil, Colombia, the Dominican Republic, El Salvador, Honduras, Mexico, Puerto Rico, Spain, Venezuela, Canada, and the United States. It began with an opening reception where all-access pass holders were treated to complimentary refreshments from Pink’s Hot Dogs and signature cocktails crafted with handcrafted tequila and mezcal from Oaxaca, Mexico, by The Lost Explorer. The day’s first film segment, InFocus: Latin & Hispanic Cinema I, showcased coming-of-age narrative shorts centered on family dynamics, self-acceptance, and the transcending of time, space, and borders. To honor Hispanic Heritage Month, Miguel Santana, president and CEO of the California Community Foundation, delivered the opening remarks. The program proceeded with InFocus: Latin & Hispanic Cinema II, a collection of narratives addressing themes such as injustice, inequality, systemic failures, and colonialism. The stories focused on the struggles for justice, building resilience, challenging limiting beliefs, and aspiring for a better future. The evening wrapped up with InFocus: Latin & Hispanic Cinema III, which emphasized the significance of human connections through tales of loss, love, and letting go. NFMLA presents films created by filmmakers of all backgrounds year-round, featuring both general and InFocus categories. All filmmakers are invited and encouraged to submit their works for consideration at upcoming NFMLA Festivals, irrespective of the InFocus programming schedule, which aims to highlight representation by centering on diverse filmmaker communities as part of the NFMLA Monthly Film Festival. This initiative is partly supported by grants from the City of Los Angeles Department of Cultural Affairs (DCA) and the National Endowment for the Arts (NEA). Below is additional information about the NFMLA filmmakers and their works, provided by NFMLA. “Punta Salinas,” directed by Maria del Mar Rosario About Maria: María del Mar Rosario, born and residing in Puerto Rico, creates stories that provoke reflection on Caribbean notions through a decolonial perspective, while stylistically focusing on the body. Her work has been featured at Tribeca, SFFILM, HotDocs, IDFA, Metrograph NYC, and the Cinémathèque Française in Paris. She holds a BA in Creative Nonfiction and Film Studies from Columbia University and completed postgraduate studies at the School of Film and Television in San Antonio de los Baños, Cuba (EICTV). She received the LALIFF/NETFLIX Inclusion Fellowship to direct the narrative short, Punta Salinas, and was awarded the Firelight Media Fellowship 2024 for her documentary short, Escambrón, Playa, currently streaming on PBS. About “Punta Salinas”: After having sex for the first time, 16-year-old Alba seeks strength she has never tapped into before. Watch the NFMLA interview with Maria del Mar Rosario, director of “Punta Salinas”: “The Vote,” directed by Sylvia Ray About Sylvia: Sylvia Ray is a Chicana/Korean-American director based in Los Angeles and a 2025 Film Independent Project Involve Fellow. She is also a 2024 Latino Film Institute Inclusion Fellow, recognized for her short film The Vote, which won Best U.S. Short at the Post Alley Film Festival. Her feature script The Middle was a quarterfinalist at HollyShorts and the Atlanta Film Festival and was selected for the 2024 FICMonterrey Pro-Meetings Program. The short received a nomination for Best LatinX Film at HollyShorts and won Best in Festival at the 2025 Sundial Film Festival. Sylvia's work delves into themes of grief, identity, and resilience within BIPOC communities. About “The Vote”: Siblings Jessica and Robbie grapple with the painful decision of whether to keep their mother on life support or let her go, resulting in a tense family vote. Watch the NFMLA interview with Sylvia Ray, director of “The Vote”: “Ialu,” directed by Sebastian Nazario-Colon About Sebastian: Sebastian Nazario-Colon is a film director and Cannes-nominated editor based in New York. He served as an editor on “Fillos Do Vento: A RAPA” in 2025, an immersive short documentary officially nominated for the Cannes Film Festival’s Immersive Experience Competition. In 2023, he directed the award-winning short documentary, The Boricua’s Dilemma, which addresses Puerto Rico’s political status debate and achieved over 14K views on YouTube during its one-week limited release. The film was showcased at festivals such as the San Diego Latino Film Festival, NY These bold comedy films from the 2000s aimed to surpass one another in their level of absurdity. It was an era unlike any other. Exclusive Trailer for Bertrand Bonello's Soundtrack Accompanies Europe's New Faces Featuring a Distressed Continent Exclusive Trailer for Bertrand Bonello's Soundtrack Accompanies Europe's New Faces Featuring a Distressed Continent Bertrand Bonello's skill as a director can be so impressive that one might overlook the rich, vibrant, and intense music that flows through each beautifully crafted frame, which is his own creation. 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The Top Performances of 2025

Our year-end review continues as we highlight the top film performances of 2025. Instead of separating categories into lead or supporting roles or by gender, we have featured our 30 favorites overall. (Actually, it's a few more when you include some groupings we felt were essential.) Check out our countdown below and begin watching those you haven’t seen yet.