Film Review – Wake Up Dead Man: A Knives Out Mystery (2025)

      **Wake Up Dead Man: A Knives Out Mystery, 2025**

      Directed by Rian Johnson.

      Featuring Daniel Craig, Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.

      **SYNOPSIS:**

      Detective Benoit Blanc investigates a range of suspects when a monsignor is found dead. At this stage in Rian Johnson’s career, the only mystery he preferred not to address was Rey’s ancestry (expressed affectionately toward TLJ). He has delved into the darker corners of the whodunnit genre since the release of the neo-noir classic Brick in 2005, stepping away only for the sunlit chaos of Glass Onion, which tangled its plot to the point of disinterest.

      Fortunately, he’s returned to a single-location setting that previously served him well with Benoit Blanc’s inaugural case in 2019, which, let’s not forget, grossed over $300 million worldwide. I digress, but this is crucial to mention regarding a film like Knives Out, and even more so with Wake Up Dead Man, as these films resonate strongly with audiences. They create a shared experience filled with laughter and suspense that drives the mystery forward, giving the film a sense of enjoyment that, while intrinsically linked to the quality of Rian Johnson’s work, is elevated by experiencing it in theaters. Anyway, I got a bit carried away there, so back to the case at hand.

      This setting is a regional church in New York, where we meet Father Jud (Josh O’Connor), who has been sent there after a past boxing incident where he hit a bothersome member of the clergy. As narrated by himself, he describes being “young, dumb, and full of Christ,” which may not sit well with a rather unique congregation.

      Leading the proceedings is Monsignor Jefferson Wicks (Josh Brolin), a preacher known for his cruelty, making it no surprise that he becomes the titular dead man. Surrounding him are Glenn Close’s devout Martha, Jeremy Renner’s local physician, Andrew Scott’s author-turned-YouTuber, Kerry Washington’s high-powered lawyer, Daryl McCormack’s morally questionable influencer, and Cailee Spaeny’s desperate violinist in search of a miracle. It’s essentially a reflection of society, showcasing characters who idolize someone in power against their better judgment or due to sheer naivety. You can do the math.

      This suspect roster allows for some great cast interactions, but possibly taking a cue from the crowded narrative of Glass Onion, Johnson narrows his focus to a core group, resulting in characters like Renner and Spaeny having minimal roles outside of supporting voiceovers.

      The emphasis is clearly on Josh O’Connor, who enhances Wake Up Dead Man with his confident and charismatic performance, shifting the film’s focus from merely solving the murder to exploring his relationship with faith (or the lack thereof). By the time Daniel Craig arrives, you might almost forget that Benoit Blanc was part of the story. Craig’s inclusion is not just welcome; their theological debates and natural chemistry elevate Wake Up Dead Man from its darker undertones.

      Speaking of Blanc’s arrival, it’s noteworthy that his entrance is beautifully framed by a dramatic shadow shot. I mention this because the film's use of light throughout is exceptional. It enhances monologues, highlights epiphanies, and sets the overall mood. Craig delivers a compelling monologue on religion that is powerfully underscored by the interplay of light and shadow, creating a visually stunning moment.

      Although this installment has a darker tone than its predecessors, Johnson’s script is rich with his characteristic humor. There’s sharp satire aimed at conspiracy theorists and vapid social media influencers, a comedic confessional scene with Josh Brolin, and even a playful nod to Star Wars. With numerous elements in play, Johnson manages to maintain tighter control this time around.

      Wake Up Dead Man significantly surpasses Glass Onion and may very well be the best in the series. Even if the mystery veers slightly toward “Scooby Doo” territory, the intrigue lies in showcasing Josh O’Connor’s impressive talents. Damascus indeed.

      **Flickering Myth Rating – Film ★ ★ ★ ★ / Movie ★ ★ ★ ★**

      Matt Rodgers – Follow me on Twitter