Television Review – Ponies

      Chris Connor reviews Ponies...

      In a time when there's an abundance of spy novels, shows, and movies to choose from, introducing something truly innovative is quite challenging, particularly in the genre's most iconic period, the Cold War.

      Ponies, crafted by Susanna Fogel and David Iserson, does just that by offering a unique take on a 1970s spy thriller set in Moscow, infused with comedic elements. The lead characters, referred to as "ponies" (persons of no interest), portrayed by Emilia Clarke and Haley Lu Richardson, are the spouses of US CIA agents. The duo decides to become spies themselves, humorously navigating their lack of experience during the peak of US-Soviet tensions at the heart of the USSR's spy operations.

      The comedic aspects and performances truly distinguish this series from the many imitations of classic works in the genre. The comedic timing is complemented by their handler, Dane Walter (Adrian Lester), who serves as a superb straight man and foil without overshadowing the main story. The chemistry between Clarke and Richardson is a joy to watch, with Bea (Clarke) being more serious and keen on succeeding, while Twila (Richardson) is a lively whirlwind, ready to burst forth.

      Although the tradecraft and espionage elements might not be as refined as in other series, the balance of tone and strong performances more than compensate. The show also effectively captures the late 70s Moscow atmosphere, bolstered by a soundtrack that features artists from Elvis Costello to Blondie, Fleetwood Mac, and Todd Rundgren. It's consistently entertaining, packed with various mysteries as the duo aims to stay ahead of the KGB and dangerous situations, learning their spy skills as they go and surprisingly excelling at it.

      Ponies thrives on its leads and its playful spirit. Even if it's not the most inventive spy show in recent years, it has more than enough to make up for any flaws. With hints of a second season on the horizon, it’s likely that we haven’t seen the last of Bea and Twila, and the show has shown the potential for longevity, already gaining popularity. Fans of the cast and espionage thrillers will find much to appreciate.

      Chris Connor