Tribeca Review: Labrador: Autopsy of Silence Is a Touching, Complex Procedural Drama

      Labrador: Autopsy of Silence is an intricately developed exploration of the subtleties of silence and seclusion, documenting the prolonged, somber rhythms of life in the Arctic and aboard a cargo ship. Directed by Québécois filmmaker Rodrigue Jean, it stands out as one of only two Indigenous-themed features being showcased at this year’s Tribeca Festival (the other being Elle Sofe Sara’s Árru from Norway). While this understated thriller is both skillfully made and impactful, it invites contemplation about how the narrative might have differed if told from a First Nations viewpoint instead of a Québécois one.

      The film addresses a type of colonialism and a code of silence that relegates its protagonist to a secondary status in the eyes of the law. Alupa is both Indigenous and queer, concealing his romantic relationship with Alex (Alexandre Landry), the ship's cook. On the other hand, Alex is also involved with Michelle (Gabrielle Poulin B.), the married first officer, whenever she visits him in his cabin. Alex's body, too, is subject to a form of colonization during the long, cold, lonely nights at sea when Michelle chooses to exert her influence.

      When Alex fails to appear to prepare breakfast, the crew investigates and discovers that he has died from a stab wound. His partner, Inuk mechanic Alupa (first-time actor Christopher Angatookalook), becomes the prime suspect, triggering a series of procedures as maritime authorities in Basse-Côte-Nord and federal agencies like the RCMP launch investigations. Every crew member, including Michelle and Alupa, is interrogated by investigators. Although the script keeps the circumstances under wraps, Alupa stays silent and upholds his innocence during an evidentiary hearing in a Quebec court, where he learns that there is sufficient evidence for him to face trial. Back on land with his sister, he reflects on his next steps while the odds are against him.

      Instead of following a traditional whodunit format, Labrador opts for a more nuanced approach by delving into the dynamics of life aboard the ship and on shore. Jean captures characters like Alupa using long takes. One particularly haunting moment occurs when Alupa learns about his future during the evidentiary hearing, remaining mute while his eyes plead for assistance. Christopher Angatookalook delivers a mesmerizing performance: a native of Kuujjuarapik raised in Montreal, he conveys empathy through his tattooed features and expressive gaze. One hopes for more opportunities for him to showcase his talent.

      A study of setting, isolation, and truth, Jean's film is filled with negative space that reflects the maritime silence inherent in a close-knit community that keeps secrets to pass the time and fulfill hidden desires. Inspired by a 2012 incident that sparked rumors and superstitions about the vessel, this narrative serves as a canvas for Jean, cinematographer Mathieu Laverdière, and sound designer Ilya Ghafouri.

      With its rich restraint and anchored by an unforgettable performance, Labrador: Autopsy of Silence is a heartfelt, compelling film. We experience silence alongside Alupa, a serene man grappling with various identities and pressures from all around him. Christopher Angatookalook's subtle, restrained performance makes the sense of injustice even more poignant.

      Labrador: Autopsy of Silence premiered at the 2026 Tribeca Festival.