Is Tom Cruise malevolent?

Is Tom Cruise malevolent?

      The premiere of a new Tom Cruise movie is more focused on Tom Cruise himself than on the film. There are constant promotional events and red-carpet interviews with journalists who might have been created just for the occasion to pose questions to him. Clips from these interviews often go viral, leading to endless movie rankings, and amid all this, there lingers the recognition that Cruise is linked to (or actively involved in) the disturbing activities of Scientology. It's easy to see that our shared intrigue arises from a curiosity about who this man truly is and whether he could be considered, for lack of a better term, evil.

      Therefore, I posed two questions to a group of notable figures in the film industry.

      First: Is Tom Cruise evil?

      Second: In which film does Tom Cruise most embody his true self?

      Responses from our B-Side and contributors like Jordan Raup, Extended Clip, Jokermen, Hesse Deni, Shawn Glinis, Fran Hoepfner, Tommy Prieto, Will Sloan, and Ethan Vestby are provided below, and you can subscribe here:

Other articles

Tribeca Review: Takashi Miike’s Sham is a Courtroom Procedural in the Vein of Clint Eastwood. Tribeca Review: Takashi Miike’s Sham is a Courtroom Procedural in the Vein of Clint Eastwood. A competent procedural that resembles a Clint Eastwood film more than the chaotic thrillers typically linked to the renowned director Takashi Miike, Sham is unexpectedly direct. The plot centers around a teacher who faces allegations of mistreating a student and his subsequent struggle to vindicate himself. Similar to an Eastwood drama, the emphasis The September lineup from The Criterion Collection includes High and Low, Wes Anderson films, and Spinal Tap in 4K. The September lineup from The Criterion Collection includes High and Low, Wes Anderson films, and Spinal Tap in 4K. It is probable that Criterion was working on their 4K upgrade of High and Low—a film they released so long ago that it had already undergone a "high-definition digital transfer"—well in advance of any timeline established for Spike Lee's Highest 2 Lowest. However, chance occurrences seldom hinge on such factors. In any event, Akira Kurosawa's epic story of a king's ransom remains significant. July on the Criterion Channel includes Miami Vice, Hou Hsiao-hsien, Jacques Rozier, and more. July on the Criterion Channel includes Miami Vice, Hou Hsiao-hsien, Jacques Rozier, and more. Eight years ago, we made the significant decision to designate Miami Vice as the greatest action film of this century. This choice was not made casually, nor was it met with complete agreement, but fortune rewards the daring. As part of its recognition, Michael Mann's classic will be available for streaming on Criterion this July, included in the Miami Neonoir collection, alongside Larry Clark's Bully and the recently departed. Ari Aster and John Waters on Standing Firm - PIFF 2025 Ari Aster and John Waters on Standing Firm - PIFF 2025 Ari Aster and John Waters talked about the importance of not compromising at the Provincetown International Film Festival. NYC Weekend Preview: Barry Lyndon, John Cazale, A Theater Close By, Gloomy Week & More NYC Weekend Preview: Barry Lyndon, John Cazale, A Theater Close By, Gloomy Week & More NYC Weekend Watch is our weekly summary of repertory screenings. Roxy Cinema will feature The Matrix Reloaded and In the Spirit on 35mm this Friday, with In the Spirit also being shown again on Saturday; a screening of Barry Lyndon will take place on Sunday. Film Forum will present all five films starring John Cazale, as well as a 4K restoration of Shall We Dance?, showcasing Masayuki Suo's version.

Is Tom Cruise malevolent?

The launch of a new Tom Cruise movie is more focused on Tom Cruise himself than on the actual film. There are constant press tours and red-carpet interviews with so-called journalists who might have been created just for the occasion to pose questions to him. These interview snippets often go viral swiftly, along with countless rankings of the films, and in the midst of all this,