В Балтасинском районе Татарстана 50-летний водитель «КамАЗа» сбил 52-летнего пешехода, двигаясь задним ходом. По информации Госавтоинспекции РТ, в результате происшествия пешеход скончался на месте. В настоящее время обстоятельства инцидента устанавливаются. Фото: Госавтоинспекция РТ Ещё новости о событии: 52-летний пешеход погиб под колесами грузовика в Татарстане. В Балтасинском районе водитель «КамАЗа», задним ходом, наехал на пешехода. Смертельное ДТП в Балтасинском районе: водитель «КамАЗа», двигаясь задним ходом, сбил пешехода — мужчина скончался на месте. Водитель «КамАЗа» насмерть сбил пешехода на трассе в РТ, 52-летний пешеход не выжил от полученных травм. В Балтасинском районе Татарстана 50-летний водитель грузовика сбил 52-летнего пешехода, двигавшись назад. В Татарстане «КамАЗ» насмерть сбил 52-летнего пешехода — инцидент произошел в Балтасинском районе, где водитель грузовика двигался задним ходом. Другие новости по теме из соседних регионов: В Туле на пешеходном переходе сбили девушку. Вечером 20 октября, в Туле, 65-летний мужчина, управляя автомобилем «Рено Сандеро», совершил наезд на пешехода. В Пензенской области сбили 25-летнюю девушку. В Кузнецке 20 октября, около 17:25, 57-летний водитель автомобиля «Хавал» наехал на 25-летнюю пешехода. Дело петербурженки, сбившей пешехода на каршеринге, передано в суд. Прокуратура утвердила обвинение против 28-летней женщины. В Воронежской области водитель Land Rover насмерть сбил пешехода. В Каширском районе 27-летний водитель сбил пожилого мужчину. В регионе произошли случаи, когда автоледи на «Тойоте» сбила двух пешеходов. В Туле пенсионер на «Renault» сбил 17-летнюю школьницу на переходе. На улице Кижеватова в Пензе произошел наезд на пешехода — 39-летнего мужчину сбил 44-летний водитель «Лады Гранты». Во Владимире двое пешеходов пострадали от водителя, проехавшего на красный свет. Во Владимире женщина-водитель сбила двух пешеходов на «зебре». Челябинский водитель сбил 10-летнего ребёнка и скрылся. В Брянске на операции «Пешеход» выявлено 185 нарушений ПДД. В Саранске произошло смертельное ДТП с пешеходом — неустановленный водитель сбил человека. В Ярославле сбили 16-летнюю девушку-пешехода, её госпитализировали. В Саратовской области за один день сбили сразу двух пенсионерок и 12-летнюю девочку. В Якутске водитель, двигаясь задним ходом, насмерть сбил пенсионерку.

      It's uncommon to find a short film that fulfills its title as completely or mesmerizingly as “Blackfeet Buffalo Yo-Yo Ma.”

      The film is premiering this weekend at the Santa Fe International Film Festival and showcases the eminent cellist performing “Amazing Grace” against the backdrop of buffalo majestically roaming the Blackfeet Nation, the federally recognized tribal land adjacent to Glacier National Park in Montana.

      For a fleeting moment, the captivating visuals and music transport you to a timeless, dreamlike realm. However, the film's aim extends beyond merely offering escape: “Blackfeet Buffalo Yo-Yo Ma” was commissioned by Indigenous Led, a Native-led nonprofit dedicated to the efforts of restoring buffalo to their ancestral territories.

      “For about 150 years, buffalo have been absent from this land, nearly driven to extinction due to genocide and the colonization of Turtle Island, also referred to as the United States of America,” explains Hunter Robert Baker, who co-directed the film with Elias Gallegos.

      We spoke with Baker about the film's objectives, the creation of a cinematic dream, and the poignant moment when Yo-Yo Ma interacts with a buffalo.

      MovieMaker: Can you explain how Yo-Yo Ma got involved in this project?

      Hunter Robert Baker: Yo-Yo Ma has been a supporter of this restoration initiative for years, aiming to honor the significance of the relationship with these sacred buffalo relatives, known as “iinnii” in the Blackfoot language.

      In May, Yo-Yo Ma visited Blackfeet Nation to contribute his artistry to the call for sacred buffalo relatives. He performed “Amazing Grace,” a medley that embodies hope and unity during times of division.

      The film unfolds in three segments – IINNIIWA: The Blackfeet Buffalo Story, Act I, Act II, and Act III. Act II will debut in New York City and in Montana at Blackfeet Nation, while Santa Fe audiences will be able to view Act I at the Santa Fe International Film Festival.

      Yo-Yo Ma performing. Image courtesy of the film.

      MovieMaker: How did you and the other filmmakers come to be involved?

      Hunter Robert Baker: We were privileged to work with Chris Eyre [Smoke Signals, Dark Winds] as our Executive Producer, who played a vital role in the film. He envisioned depicting these sacred relatives on their path back home. In a dreamlike moment, Yo-Yo shows respect by touching foreheads, symbolizing a connection that unites heart and soul. This scene is meant to conjure a time when people and animals coexisted closely.

      Taking on the role of cinematographer allowed me to observe, respect, and honor the iinnii buffalo. The partnership between Elias and myself provided a more focused lens on the crucial nature of this story.

      Hunter Robert Baker on ‘Blackfeet Buffalo Yo-Yo Ma.’

      MovieMaker: The visuals in this film are breathtaking — were all the buffalo real? Did you use any VFX to capture so many running together?

      Hunter Robert Baker: I am immensely grateful to say that all scenes of buffalo running through the landscape were filmed in-camera. This is largely thanks to the Blackfeet Buffalo Program and the excellent wrangling team that raises and cares for the buffalo as they are guided towards being rewilded.

      The Blackfeet Buffalo Program has led the charge in returning buffalo to Blackfeet territory for over two decades. In June 2023, the Program made history by returning 49 iinnii to their native lands at the foot of Nínaiistáko, or Chief Mountain—a site sacred to the Blackfeet. This homecoming marked a significant moment for the long-standing partnerships between the Blackfoot Buffalo Program, Blackfeet Fish & Wildlife, Glacier and Waterton Lakes National Parks, and the Native-led nonprofit Indigenous Led.

      Yo-Yo Ma and a buffalo. Image courtesy of the film.

      MovieMaker: Is the moment when Yo-Yo Ma touches the buffalo authentic? How was this achieved?

      Hunter Robert Baker: Yo-Yo Ma is a remarkable individual exuding positivity. Naturally, safety was a primary concern during the shoot. As producers, we advise against anyone touching buffalo; they should always be viewed and respected from a safe distance. This scene represents a dream and aims to illustrate a time when humans and animals had a close bond. The film does involve some cinematic magic to create this scene safely.

      While filming Yo-Yo’s performance, it unexpectedly provoked a genuine reaction from the nearby iinnii who gradually approached him. This demonstrates the unifying power of music.

      Image courtesy of the film.

      MovieMaker: Can you explain the connection to Santa Fe in this film?

      Hunter Robert Baker: Chris, Elias, and I are based in Santa Fe, New Mexico. We are part of a thriving filmmaking community here that values and respects Indigenous narratives. I have been working in the Southwest for 13 years, spending significant time on Navajo Nation. After a decade, I arrived in Santa Fe and discovered the